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                    <text>'1/Vasp
Grace iHolloway
Non-Fiction
In the right tail light of my dad’s car is a wasp. Sun bleached: it lies
preserved in the tomb that it died in. He told me it had been there since the day
he got the car,

“Do you see it?” He said as he pointed to the mummified body.
It lay there in all its seemingly unmemorable pointless glory, and it still
does. The only difference is the belated knowledge I have of its existence and
the stripes that were once black on its fragile body were now a faded gray. It
has accompanied me hundreds and thousands of miles, from the time I was
stuck strictly to the role of back seat passenger to now. It remains the same,
with a different driver, and consequently, what must seem to the wasp like an
unusually cruel eternal damnation in a layer of hell that plays the same pop
music on repeat.

I never met the wasp. Our introduction may be better defined as a
viewing of an exhibit. It felt as unnerving as the mummy exhibit I had gone
to as a child, something not meant to be seen in the state it is in. Maybe this
wasp was a powerful political figure in its nest and went out to campaign,
maybe it was a famous philosopher, or some nut job that every other wasp
would whisper about to each other with a judgmental side eye. I cannot begin
to understand what it was, but it remains what it is in my eyes. In passing, I
may not acknowledge its existence, but knowing it was once living and now
dead attaches me to it with a conceptual empathetic humanism I have never
understood before. The last time I encountered a wasp on such an intimate
level it stung me, yet I still allow this one to occupy my mind with grace, not
holding the grudge of its seven-times-removed great, great, great grandchild
that harmed me.

Would it still hold all the meaning it does if I had seen it alive? It might not have
held its place in my thoughts if I had seen it dead on the ground. Somehow,
the perfect preservation of its death is what connects me to it on such a deep
level. I draw parallels between myself and the corpse in the taillight, a relic of
its own time, and now mine. At a point in history, it was living, existing in the
world to give and take as needed. Then it died, what I can only imagine was
a suffocating, terrifying death, encased somewhere unknown and unable to
escape. Whether it entered on its own or the time and place had perfectly
aligned to seal its fate, its death was certified and inevitable. The wasp had no
choice, but it knew no better than any other, Was it wishing it had lived
6^tk EditiQnLlte'iatn'ie

Ufl

�Wa&amp;p

In the right tail light of my dad’s car is a wasp. Sun bleached: it lies
preserved in the tomb that it died in. He told me it had been there since the day
he got the car,
"Do you see it?” He said as he pointed to the mummified body.

It lay there in all its seemingly unmemorable pointless glory, and it still
does. The only difference is the belated knowledge I have of its existence and
the stripes that were once black on its fragile body were now a faded gray. It
has accompanied me hundreds and thousands of miles, from the time I was
stuck strictly to the role of back seat passenger to now. It remains the same,
with a different driver, and consequently, what must seem to the wasp like an
unusually cruel eternal damnation in a layer of hell that plays the same pop

music on repeat.
I never met the wasp. Our introduction may be better defined as a
viewing of an exhibit. It felt as unnerving as the mummy exhibit I had gone
to as a child, something not meant to be seen in the state it is in. Maybe this
wasp was a powerful political figure in its nest and went out to campaign,
maybe it was a famous philosopher, or some nut job that every other wasp
would whisper about to each other with a judgmental side eye. I cannot begin
to understand what it was, but it remains what it is in my eyes. In passing, I
may not acknowledge its existence, but knowing it was once living and now
dead attaches me to it with a conceptual empathetic humanism I have never
understood before. The last time I encountered a wasp on such an intimate
level it stung me, yet 1 still allow this one to occupy my mind with grace, not
holding the grudge of its seven-times-removed great, great, great grandchild

that harmed me.

Would it still hold all the meaning it does if I had seen it alive? It might not have
held its place in my thoughts if I had seen it dead on the ground. Somehow,
the perfect preservation of its death is what connects me to it on such a deep
level. I draw parallels between myself and the corpse in the taillight, a relic of
its own time, and now mine. At a point in history, it was living, existing in the
world to give and take as needed. Then it died, what I can only imagine was
a suffocating, terrifying death, encased somewhere unknown and unable to
escape. Whether it entered on its own or the time and place had perfectly
aligned to seal its fate, its death was certified and inevitable. The wasp had
no choice, but it knew no better than any other. Was it wishing it had lived
differently, thought differently, or been more than it was? Maybe its spirit now
looked over its own body and thought,

“What I wouldn't give to be in my hive this Sunday,” Only able to hear
itself.
LIV

(ixpiission Magazine

�Wasp

Living in a little town, growing up under a corner streetlight that made
itself known with its pale glow and incessant hum. It makes the ten-foot radius
around it feel like some kind of obscure liminal space. I understand that wasp
more than most people could. I live day to day, just as it did, unwavering in the
routine of my survival. Maybe this town is my taillight, where I’m trapped, rarely
seen, and most days forgotten—doomed to the same fate. Left knowing that
in the end, no one was coming to save me. Or maybe the wasp has remained
there to be some kind of motivational support while also rolling its eyes and
muttering,

"You’re dramatic, it could be worse. I mean, look at me.”
There’s a beauty in it, even if to some it seems strange and macabre.
Morbid as it may be, the wasp calms me. It is stuck, riding along the same
streets, seeing the same scenes, in Wyoming, of all places it could’ve possibly
been. It is confined to my life and my experiences, yet I believe it has made
itself at home with me. A sense of comfort has formed between us, each
knowing the other is there—even if one of us is just a dead bug.

Despite our wasp and human language barrier, and my lack of insect
clairvoyance, the appreciation for each other’s existence persists, even in
its unspoken state. The wasp and I have an immortal attachment it remains
unaware of. I’d like to believe that I could’ve shown it something the way it has
shown me life through its ending, but I don’t know if that kind of thing would
really matter to a wasp as much as I wish it would.
I like to refer to it as the Grandfather Wasp, an integral part of its
quiddity, preserving my perception of the world in its tiny, delicate form. It
reminds me of the experience of existing, the lack of control every living being
has over its own life, and how it all is intertwined. With or without me everything
remains, and my significance can only be what is allowed. Even in what may
seem like an insignificant form to something greater, I remain appreciated.

I’ve learned a specific type of forgiveness for life through those faded gray
and yellow stripes, one that allows me to exist as I am, without focusing on
everything I should be.

64th fxUtionliteiatu-ie

LV

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        <src>https://caspercollege.cvlcollections.org/files/original/6ff1e6779397b9e733fbdef9ddaa6570.jpg</src>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Records of Weather Service Office Station #74 </text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>&lt;a href="http://rightsstatements.org/vocab/NKC/1.0/"&gt;http://rightsstatements.org/vocab/NKC/1.0/&lt;/a&gt;</text>
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              <description>Date of creation of the resource.</description>
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                  <text>1940-1992</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>This digital collection currently consists of the profile photo albums and station histories of Weather Service Office Station #74. This station was the first weather station and operated on top of the hanger at Wardwell Field.</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>Image; Text</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
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                  <text>Weather Service Office Station #74</text>
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              <name>Language</name>
              <description>A language of the resource</description>
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                  <text>ENG</text>
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              <description>A related resource in which the described resource is physically or logically included.</description>
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                  <text>Records of Weather Service Office Station #74, NCA 01.ii.2003.1. Casper College Archives and Special Collections.</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
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                  <text>JPG</text>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Photo album</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Weather Service Station #74 Photographs</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a href="http://rightsstatements.org/vocab/NKC/1.0/"&gt;http://rightsstatements.org/vocab/NKC/1.0/&lt;/a&gt;</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>6 photographs and a caption about the weather service station from a profile of Weather Service Station #74 outside of Casper, WY where Wardwell Field was located.</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Image; Text</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Weather Service Station #74</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>ENG</text>
              </elementText>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Records of Weather Service Office Station #74, NCA 01.ii.2003.1. Casper College Archives and Special Collections (Western History Center).</text>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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                <text>NCA 01.ii.2003.01_StationProfilePhotos_74_02</text>
              </elementText>
            </elementTextContainer>
          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>JPG</text>
              </elementText>
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