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                <text>Archivists are happy to assist anyone with accessing the physical or electronic copies of photographs. The Casper College Goodstein Foundation Library is glad to grant uses of this material that it actively manages and cares for and will provide its publication policy upon request.</text>
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                <text>The Casper Star-Tribune gifted 20 years of photographic negatives and prints to Casper College early in the year 2000. These photographs and negatives have been managed by the Casper College Archives and Special Collections housed in its Western History Center. </text>
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                <text>The Verda James folder contains 15 photographic prints of Verda James. These photographs are part of a collection that consists of photographs and negatives created and used by the Casper Star Tribune from 1967 until the middle of 1995 according to a newspaper article on the donation from February of 2000. In the words of Special Collections Curator, Kevin Anderson, the photographs in this collection serve to document "events in our own lives, events in our own history." There were 19,000 envelopes that were gifted to the repository, which totaled between 330,000 and 460,000 images. Images in this collection may support the use of other collections in the repository or vice versa.</text>
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                    <text>UespbEie
Weston Chorak
Over there are the roots of trees, the empty dwellings of birds and snakes. The low light of dusk

fades through currents of falling snow. It trembles under the shaky breaths of mountain wind.
He looks at me with the eyes of a wasp seizing and convulsing over a half-eaten moth, and

coughs before falling and vomiting into the slush. He is an angry man. It's the difference between myself
and men like him, I do not look at people intent on finding fault. I am passive. An observer. He beats his will

against the asphalt until it is broken and bloody,

1 should have known it when I saw him on the roadside. His hands had no gloves, shaking, and the
mailbox would not stay closed. A thick black coat over a yellow flannel shirt and no hat to cover his red

ears. He fumbled with a hammer, and dropped it as he pulled nails from his pocket. He was swearing to
himself when I slowed down and parked off the road, took my keys from the ignition, and opened the door.
I had no wish to spend my night under the faded light of the hazy mountain nightfall. I knew he

did not either. I walked over to him.

He struggled to hold a nail against the front of the box and hammer it in. With the first swing
of the hammer, he knocked the nail down to the ground and muttered again. I do not understand why

he would have a mailbox without a means of closing it and keeping it closed when he lives on a windy
mountain, nor can I imagine why he would be worried about keeping an empty mailbox closed anyways.
And what would he do when he needed to open it again? It seemed to me such a fruitless and foolish task.
I did not say that to him, though. I approached with a friendly grimace and asked if I could do anything to

help.
He turned to me. His face was a reminder that it was no longer a gentle summer afternoon. A

190

Expression Magazine

�Vespine

reminder I did not want. The dry freeze of November hung in the air without remorse, as rough as his

quivering breath and as cold as his stiff smile.

It takes a certain kind of man to meet kindness with annoyance, and even a parasite doesn't
reject a willing host. I don't shrug away help with a sneer. I meet it with gratitude. It’s what separates men

like him from myself. Of course, I don't see myself as a Samaritan. I am a watcher only of the irrelevant,
a keeper only of things that do not matter. But I help when I can. When I offer my help, I can't stop myself
from feeling bitter if my efforts are wasted. I would not sacrifice my time for a false gratitude.
I was not angry with this man. My love for my countrymen is unhindered, my anger without ill will,

my frustration without enmity. But he saw it in the twitch of my eye, the fracture of my expression. He

saw it in the hiding of my teeth behind closed lips. I saw it in his face when I told him I didn't have time for
an asshole like him before turning to leave.

He knocked me down into the muddy snow and as I turned and lifted my arms he swung the
hammer across my cheek and it cracked loudly. He lifted it and brought down the claw to my face,

swinging again and again with clumsy imprecision. Even as the hammer was stuck in my eye, he ripped it
out and swung again, missing my face and grazing my ear before it slipped from his hand. He was shaking.

If you watch the snow growing on the asphalt, you will see it breathe. It is ragged and heavy. Its
heartbeat shakes without rhythm and the blue arteries that run through it pulse under the moonlight.

It was then that he became sick, and now he lifts his head before looking at me and vomiting
again. He wipes his face and stands. There is nothing behind the black webs on his eyes. He’s thinking

of what to do now, but he knows it doesn’t matter. He will never escape the craving and thirst that

65th Edition

191

�I
1
J
V^ne

perpetuate his existence. That's the thing about men like him. They're like wasps. They will spread their
venom wherever they go until they are crushed on the asphalt by the heel of a boot. His body is helpless,

stuck with a parasitic mind that is slowly killing itself through pure instinct, and he will only know
suffering.
My mind is free of sorrow, It flows in the veins of the mountain and breathes with the heartbeat

of the snow.

192

Expression Magazine

�</text>
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&lt;p&gt;&lt;em&gt;Expression&lt;/em&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;claims first North American rights to submissions selected for publication. All rights revert back to the author/artist after publication.&lt;/p&gt;&#13;
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                <text>Weston Chorak</text>
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                <text>Expression Literary and Arts Magazine, CCA 04.ii.c.2022.01 WyCaC US. Casper College Archives and Special Collections.</text>
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                <text>Casper College</text>
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                  <text>Archival Research 101 through a History of the Sandbar</text>
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                  <text>This digital resource contains copies of photographs and newspaper clippings used in the research for the History of The Sand Bar by Walter R. Jones. Copies of this material were featured in a traveling exhibit held at the Natrona County Library during the 2023 Casper College Humanities Festival. The theme of this Humanities Festival was “CommUNITY.” The dates of the material selected span from 1914 to 1973. The function of the materials was to let the people living in the area know both the good and bad things going on such as destruction and crime, which were strong currents in the life of the Sandbar District. Also documented in the exhibit are brighter sides of the Sandbar’s culture, its showbiz, and eventual rebuilding. System of Arrangement Note: The materials selected for this exhibit were organized according to the chapters in Walter R. Jones’ history of the Sandbar District: Early Years, The Boom, Vices and Violence, Civic Responses, The Good Side, The showbiz, The Great Depression, Declining Times, Urban Renewal, and Nostalgia.</text>
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