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                <text>Tina Tanksley</text>
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                <text>&lt;a href="http://rightsstatements.org/vocab/InC/1.0/"&gt;http://rightsstatements.org/vocab/InC/1.0/&lt;/a&gt;</text>
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                <text>Archivists are happy to assist anyone with accessing the physical or electronic copies of photographs. The Casper College Goodstein Foundation Library is glad to grant uses of this material that it actively manages and cares for and will provide its publication policy upon request.</text>
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                <text>1983-02-26</text>
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                <text>Tina Tanksley looks over displays as the Casper black community gets ready for a black awareness program. This photograph is a part of a collection that consists of photographs and negatives created and used by the Casper Star Tribune from 1967 until the middle of 1995 according to a newspaper article on the donation from February of 2000. In the words of Special Collections Curator, Kevin Anderson, the photographs in this collection serve to document "events in our own lives, events in our own history." There were 19,000 envelopes that were gifted to the repository, which totaled between 330,000 and 460,000 images. Images in this collection may support the use of other collections in the repository or vice versa.</text>
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                <text>NCA 01.ii.2000.01_ESP_BlackHist_1983-02-26_02</text>
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                <text>The Casper Star-Tribune gifted 20 years of photographic negatives and prints to Casper College early in the year 2000. These photographs and negatives have been managed by the Casper College Archives and Special Collections housed in its Western History Center.</text>
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                <text>African American History Month</text>
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                    <text>&lt;ira6e$ ofWtR
Michael Downing
I listen for
Your haunted screams
In that direction I run
Guiding you through
Your darkest dreams
To return you to the sun

Evil forces lie in wait
Searching
For lost souls
To penetrate
Preferably ones
In tattered states
Those suffering great,
As of late
Perhaps victims
Of a tragic twist of fate
The drug addicted,
Whose self inflicted pain
Runs deeper
Than a junkie’s vein
These are those
Willing to die
If they could feel
What they felt
The first time
They got high
There are many souls
On addiction’s fringe
Who’d cross to the darkside
For a loaded syringe
201

�Tirades OfTruth

One shot of whiskey
Begins
An alcoholic’s last binge
There are many willing
VC^th lives unfulfilling
Stooping to the lowest lows
Who’ve lost all feeling
The voice in their head
Wants them to believe
They’re already dead
Another lost soul
What their tombstone read
Wait a minute
Hold on a sec
If there's a breath
Still in our lungs
A word of hope and healing
Left on our tongues
Why can’t we
Turn things around
Battle the demons
That use addiction
To lead us aground
Listen to the whisperings
Of a higher power
Calling us to fight
It’s now or never
The enemy is insidious
Baffling and clever
Listen to the drums
Rolling thunder
Visions of lightning,
Brightening,
Once dim sky
The battle is nigh
It’s our time to shine
Recovery first
202

�Tirades OfTruth

In our lives
On the front line
In this mission
From the divine
Our marching orders clear
Be a cancer
Or be the cure
The message,
Once obscure
Will become clear
And take flight
To the universe
We’ll make amends

HOPE.
{Hold On Pain Ends}

If we heal the defect
The side effect might be
Connection
Instead of isolation
Uncertainty and fear
Might become
Self esteem, humility,
And a realization
That there’s more to life
Than addictions thuggery
There’s light in the darkness
There’s life in recovery

203

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&lt;div class="element-text"&gt;&lt;em&gt;Expression&lt;/em&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;claims first North American rights to submissions selected for publication. All rights revert back to the author/artist after publication.&lt;/div&gt;&#13;
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                <text>Michael Downing</text>
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                <text>Expression Literary and Arts Magazine, CCA 04.ii.c.2022.01 WyCaC US. Casper College Archives and Special Collections.</text>
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                <text>CCA 04.ii.c.2022.01_Exp_2023_Poetry_17</text>
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                <text>Casper College</text>
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                    <text>&lt;0 £ove Another,
&lt;0 loveAfPuroelf
Skylar Rowyn Cooper
My eyes are caught, distracting from her words,
By shimmering of wallpaper floral
Our eyes connect, my smile vanishes
As she utters about deceptive views.
My tongue then freezes, heart pounding too loud
As she preaches of obstructed false truths.
Biting my lip, knowing it is unwise
Attempting to correct such blatant lies.
Poison begins to corrode heart and soul.
Masking welled tears, fidgeting unseen.
For as all of the old sayings describe.
Pointless to teach an old dog empathy

No matter where I turn I can’t escape
The crimson signs with messages of hate.
Hearing the cries of my brother so dear,
Unable to consent to live and serve
And slowly witnessing horrors unheard
Of sisters doomed once expelled from their womb.
Financial bliss is what we hear them cite
Excusing “jokes” to hang us all on sight.
Even the love given to me from birth
Cannot persuade enlightenment of harm.
My brother hesitant to live his truth
When being him results in early tombs;
Whether by cruelty or “conscious freedoms”
The rights of disdain held above our lives.
My wife consoles my useless, empty womb
With children left dissolving in empty rooms,
Where “unnatural” leads to “boarding schools,”
Or never being picked for fostering.
204

�To LoveAmtber, To Lovt Tourutf

We want nothing more than to give love,
But together seen as “unqualified.”
Those advocating for lives of unborn
Refuse us to give the same ones a home.
The One seen as the maker of the rules
Condones signs banning us from entering.
Why would a love cause for such induced hate?
Reduced to vermin, no longer humans.

20$

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                    <text>Ta TThamcvCb it Mau Cancem
H Ruckle
With all due respect
Of which there is none, you see
I hope your day’s bad

64th CdUUnUteiatieu.

XXV

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                <text>Expression Literary and Arts Magazine, CCA 04.ii.c.2022.01 WyCaC US. Casper College Archives and Special Collections.</text>
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                  <text>&lt;a href="https://caspercollege.cvlcollections.org/admin/collections/show/11"&gt;Frances Seely Webb Collection&lt;/a&gt;</text>
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              <description>A summary of the resource.</description>
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                  <text>A collection of photos related to Napoleon Bonaparte "Boney" Earnest and Martha Earnest as well as their families, friends, and properties. The Earnests were early settlers and ranchers in the Carbon and Natrona counties of Wyoming in the 1800-1900s.</text>
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              <name>Publisher</name>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a href="https://rightsstatements.org/vocab/CNE/1.0/"&gt;http://rightsstatements.org/vocab/CNE/1.0/&lt;/a&gt;</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
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                <text>Photograph of an early town hall of Casper, Wyoming. The building was also known as the Bell Theatre, a sign to the left advertises that day's shows. The image is undated, but likely dates between 1890 and 1912. There was a fire in the building in 1912. The Frances Seely Webb Collection contains over 1,400 photographs, correspondence, handwritten research notes, the proof copy of Webb's book, Casper's First Homes, and a series of scrapbooks. Materials documents Casper buildings, cultural institutions, homes, and society from 1890-1978. Also included are photographs of individuals and groups visually documenting Casper society. In addition are items originally collected by Boney Earnest, a frontiersman and former member of the Natrona County Historical Society. Subjects documented in Webb’s correspondence, notebooks, and scrapbooks include things related to her ongoing research, obituaries, Casper and Natrona County homes, businesses, and cultural institutions.</text>
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