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                    <text>RE-ELECT

Pearl Massee
Democratic Candidate for

County Treasurer
COMPETENT .
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                <text>Re-elect Pearl Massee business card. The Jerry Harper Collection consists of three folders. Researchers will find articles on and material created by the Casper Boot and Spur Club including the Club's 5th Annual Horse Show photograph taken in May of 1936. Also inluded is issue Number (No.) Forty of the Burlington Bulletin, a publication of the Burlington Route Historical Society, which contains a feature article on the Cole Creek Disaster; a December 1946 telephone directory for Casper, Glenrock, and Midwest; and a portrait of Leslie A. Miller.</text>
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                    <text>REALITY OR INSANITY?
Carl Davis

Room 13 — four walls, a bed and one chair. As for the past nine
years I am still unable to cast off, answer or even think of a possible ex­
planation to the grotesque almost uncanny, episode that has made Room
13 my permanent address. It would seem almost impossible that any strange
event, left unexplained, could distort a person’s mind and make him delve
into his consciousness so deep.
As my pen rolls on, I recall the events as clearly now as I have for the
past nine years. They have now become a part of me.
I grew up in a small town, being passed on, so to speak, from house
to house. Having never known who or what my parents were, I have literal­
ly been on my own all my life. With no parents I slowly became the target
for my age group to torment and play jokes on. By my middle teens I was
the victim for every prank that could be thought. Doug Bitter was my main
antagonizer.
I remember it was a Wednesday noon when I received a letter, per­
sonally addressed to me in big letters. I don’t remember verbatim the con­
tents, but they were something like this:
Victim
Be at the old cliff house on Halloween night at nine o’clock p.m.
When you get there, wait inside and don’t leave till you hear from
me. If you’re not there, you’ll suffer grave consequences.
Vengeance.
At first I disregarded the note just as I had done with all the other
pranks that had been played on me. I threw the letter away and ignored the
idea of going.
However, when Friday came, I suddenly decided to string along with
my prankster. Night was nearing and the town was filled with Halloween
masqueraders. Everywhere the motley assortment of costumed figures
surged. At my appointed hour, I went to the old cliff house about a mile
from the edge of town. The air was warm, windy and stuffy. I kept assur­
ing myself I had nothing to fear, that it was only a joke. After listening
carefully, I finally forced myself to open the door; lit a candle I had brought
with me, and seated myself in front of the window. Nothing happened for
nearly an hour. Then about ten o’clock, a car made its way down the road,
the headlights cutting a bright path through the darkness.
The machine was brought to a stop, the lights were switched off, and
a figure scrambled out. Suddenly, I don’t know why, a chill came sweeping
over me and I wished I hadn’t gone along with what I thought was a joke.
Quietly, the figure walked up the moonlit path to the house. The form was
—1—

�We bade Mr. Patton goodbye, and left the house. She was always such
a lady. I liked it, because that allows a man to be a gentleman. I enjoy being
a gentleman.
Something that a boy of seventeen likes vary much is for a girl to move
over to the middle of the seat when she enters the car. Martha did this.
When we arrived at the school, Martha took her flute, put the plume
on her uniform hat, and handed the hat to me.
We ventured on into the school building, and into the bandroom,
where we picked up music, glockenspiel, and a few other necessary items.
Fifteen minutes later, we arrived at the football field, and assumed our
places in the ranks of the band. The night was cold, and none of the instru­
ments were warm, so everyone was either flat or sharp, depending on wheth­
er or not they tried to compensate. Cold weather has little, if any effect on
a glockenspiel, so I wasn’t on key with anyone. The band sounded pretty
bad that night.
After the game was over, we went to a drive-in hamburger and coke
joint, and each of us had a coke. We sat and talked for a while, and then I
took her home by way of the park. We sang a few songs, and the last one
we sang was “Almost Like Being In Love” from Bhgadoon. It begins with
the lyrics, “What a Day It Has Been.” This was our song. I think it was
that night I fell in love with her for good.
By the way, we won the game!

CONDEMNED FREEDOM
Steve Halvorsen
It seemed she would not or could not catch up with herself. As she
walked, her shadow caught on a tree, fell to the ground and stretched as if
made of rubber bands. She was certainly no china doll about to break. She
seemed capable of stretching into any form imaginable. The whole spring
scene appeared as a thick green mist. The figure of the little girl blended
in with the landscape like the fluid motion of an impressionistic painting.
The continual flow of movement created a romantic frame for her awakened
innocent body skipping along through the moist woods. And as the early
morning rays of the sun produced a repeated sparkle in her eyes, she would
whisper to the flowers the natural and slowly vanishing secrets of her liber­
ated morning in her own little private fantasy world. The true expression
of those eyes articulated the final irreducible secret of life itself. She wander­
ed alone in the depopulated environment of the non-objective. She was the
pure and simple beauty of innocence. And that innocence was free from
any prejudice of the discrjmination of race, creed, or color. The anonymous
morning was painted with yellow sunlight, while umbered shadows melted

�</text>
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            <description>Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.</description>
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              <elementText elementTextId="66505">
                <text>The Western History Center respects the intellectual property rights, copyrights, and other proprietary rights of others. If you believe that your work has been copied or published publicly in a way that constitutes copyright infringement, or your intellectual property rights have been otherwise violated, please contact the repository directly.</text>
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                    <text>Zb pasHMUBt of fow BottArad TblW Pilars (*4^«00) aad
other raloBhla aonelderaKoQ«» the receipt of ahi eh 1«
hereby eei^oo^Iedged md Ci^t^eseed, X hereby eeelgB all
Mile .end, iBtereat iB .ead to-eemleeloaa cm—'
■-•Wje s*?X® of hedhe were g3eo4fs.efaiy fewrlhed In a
eoatreet, &lt;»» ot whieh la etteehed hereto* glren la-tlay*
1933 by and between the CoohlB^en @hea|^ GOa|j«^ of
Pendleton, Oro@oa» party of the ft ret part* Boy B, Sloore,
Waaatoa, l^lJig* party of the seooad part,
B* ai»i^
of Gaaper* Wyoe^lag, party of the third part.
the oomlosloas that er® being aeslgned in this Aasiga«
west corer the oontraets for ^e pwohase of hus^s to the
following ladlwldsals and she amber of hmhe as sat opposite
^elr aAee:

Z»» !.« auM^ iSamyaay
boate L«wd &amp; Llveetock CO9
HlXow Greah ^e«^ 0o»
Z« i^heap' OEN^peny.

100

he«^
»

so

21S

wttaossi

Oatoa ®t CaaiPWg I^Qiaiae l&amp;l,® Ist &lt;ay 9t Atigwat, 1939,
**4

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�</text>
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                  <text>Roy B. Minty was a livestock broker out of Casper, WY. His office was located in the lobby of the Henning Hotel. Researchers will find letters and telegrams exchanged between Minty and Draper and Draper Incorporated Wool out of Boston, Massachusetts among other items of potential interest to the sheep and wool industry in Wyoming during the 1930s. Minty's papers consist of correspondence, data on Wyoming sheep ranchers from 1934, correspondence in regard to the Careyhust Ranch from 1937-1939, information on a Wind River Day School lamb sale, as well as ledgerbooks, settlement slips, bills of sale, contracts, agreements, and more. These records date from the late 1920s to the late 1930s.</text>
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                  <text>Archivists are happy to assist anyone with accessing the physical or electronic copies of these records. The Casper College Goodstein Foundation Library is glad to grant uses of this material that it actively manages and cares for and will provide its publication policy upon request.</text>
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                    <text>Maxwell von Gunten
Non-Fiction
My first long term relationship had just ended, and I had spent a
majority of my adolescence living in that reality. My young heart panged
because it felt like it needed someone to fill the supposed void of solidarity. As
a part of Gen-Z, I of course went to my phone to find the answers I thought I
needed. In this age of technology we have been introduced to a myriad of new
apps that are supposed to help us navigate our everyday lives. From supporting
our local couch potato with food delivery straight to his door, the dictionary and
encyclopedia embedded in every phone, and finally the new age way to fall in
love.. .Tinder. The mindless activity of swiping through our social media feed
has now been transformed into a zombified love connection. We put the best
versions of ourselves into these tiny boxes to be judged with the hope that true
love will swipe our way—and for a couple extra bucks our odds may be greater.
As I watched this version of love connection sweep across my friend
groups and even after dipping my toes into this pool of love, I found it to be
quite empty with shallow connections. The dates I had with the women I
matched with always lacked substance. They of course had no fear behind a
screen and keyboard, but when sitting face to face with them they were void of
any life. 1 asked one of my dates, "If you could live anywhere other than the U.S.
where would you live?” Thinking a simple hypothetical question would get some
engagement, she coldly replied, "Ummmm, I don’t know. I realty don’t have a
reason to leave.” Where was the Imagination?! I didn't go on any more Tinder

dates after that.

After that brief experience I returned to the dating pool in the real world.
The pain that infected my heart had begun to subside, and I was beginning to
accept the single life I was living. I didn't think I needed to introduce another
element into my life. Then without realizing I had slowly started growing closer
to a friend that had been by my side for many years, Jane was her name. She
was freshly heartbroken and was planning on running away to see the world

again after freeing herself from the chains of a relationship. For one reason or
another, she decided the world could wait, and we slowly started our dance
stepping on one another's toes as we explored this new found connection.

It had only been three months since we had started this experiment
with each other, and Jane had proposed we take a road trip to visit my
brother.. .in Michigan. We lived in Casper, Wyoming, and that was a 20 hour
drive. I was surprised she was willing to lock herself in a metal can with me for

so many hours.
XLVl

Sxf'iession Magazine.

�Reconnect

The day of departure finally came that summer, and as the sun rose
casting its golden hues across the vast expanse of Wyoming while we loaded
up the trunk of our car, excitement tingled in the air like static. The road
stretched before us, a ribbon of endless possibility, and with each passing mile
marker, we would unravel the layers of our budding romance. We were both
stepping into uncharted territory, our relationship still in its infancy, yet brimming
with the promise of adventures yet to come. As the wheels hummed beneath
us, our conversations ebbed and flowed like the rolling plains outside our
windows. We quickly passed through the Rocky Mountains and entered into
the corn filled plains of Nebraska.
Once in Husker territory, the mind numbing landscape of the flatlands
removed most, if not all, of our filters in the conversations. She tested the
waters and asked me, “Do you want me to come visit you while you are in
Laramie?”

After that summer I was going to move to the University of Wyoming,
and she was clearly skeptical of the idea of distance being a part of the
relationship. I replied, "Yeah, of course. It’s not far away at all so I’d love to have
you come visit me anytime you wanted." It didn't seem tike my answer truly
satisfied the thoughts she had bouncing around her head. She dug further,
“Are you sure you don’t just want to be a free single boy in college? Because
I don’t want to take those experiences away from you." It became clear that
this conversation was going to determine the strength of the relationship we
were entering. I carefully told her, “You are everything that I value in a partner.
You give me the freedom to be myself and communicate with me about difficult
topics like this. It’s hard to find that these days with the instant gratification
that Tinder and social media creates in relationships.” Jane nodded and let the
silence and limitless view wash over her as she placed her hand on mine.

Of course the 1-80 drive through Nebraska seemed eternal, but as the
sky and clouds began changing into brilliant shades of pink and orange we had
just crossed the Nebraska border and entered into Iowa. That night we camped
just outside Des Moines. After a game of cribbage we laid down in our sleeping
bags as the brook babbled behind our tent and the frogs groaned in the humid
night. I caught myself smiling, it was a joy to have someone so real and honest
in the pursuit of a relationship. The connection I had been looking for was right
there in front of me all along—I just had to put the phone down.

64th EdltianUte’iatn'ie

XLVIi

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                  <text>&lt;a href="http://rightsstatements.org/vocab/NKC/1.0/"&gt;http://rightsstatements.org/vocab/NKC/1.0/&lt;/a&gt;</text>
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              <name>Date Created</name>
              <description>Date of creation of the resource.</description>
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                  <text>1908</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>Collection of photographs and postcards of Casper during the quite early twentieth century.</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>Image; text</text>
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              <name>Is Part Of</name>
              <description>A related resource in which the described resource is physically or logically included.</description>
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                  <text>Sheffner-McFadden Collection, NCA 01.v.2024.12 WyCaC US. Casper College Archives and Special Collections.</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                  <text>NCA 01.v.2024.12_MyMomsCasper</text>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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              <text>Photographic print</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Red Cloud. Chief of the Sioux</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a href="http://rightsstatements.org/vocab/NKC/1.0/"&gt;http://rightsstatements.org/vocab/NKC/1.0/&lt;/a&gt;</text>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>1880</text>
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          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>1868 Rd Cloud signed treaty ending the war.</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Indian name: Mahpuiua-luta. (Red Cloud) led the combined Sioux and Cheyenne forces in guerilla warfare against the soldiers, settlers and gold seekers continually invaded their sacred hunting grounds of the Wyoming territory. Finally in 1868, a signed treaty ended the War. For the next 30 years Red Clouds People were cheated of their lands in including the 'Black Hills</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>image</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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              <elementText elementTextId="75790">
                <text>ENG</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="70">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Sheffner-McFadden Collection, NCA 01.v.2024.12 WyCaC US. Casper College Archives and Special Collections.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="75792">
                <text>NCA 01.v.2024.12_MyMomsCasper_02</text>
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            </elementTextContainer>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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              <elementText elementTextId="75793">
                <text>JPG</text>
              </elementText>
            </elementTextContainer>
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