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                  <text>Check out the WMCC Timeline here by clicking the link! &lt;a href="https://cdn.knightlab.com/libs/timeline3/latest/embed/index.html?source=v2%3A2PACX-1vR4kBKQBUzb4cnvPOyrF54lC5xFZlrZI43LDJ55Dnw7xe8T_UV-qSVwlB1z-29SBMFMPhE7KYiXjN1l&amp;amp;font=Default&amp;amp;lang=en&amp;amp;initial_zoom=2&amp;amp;width=100%25&amp;amp;height=650"&gt;https://cdn.knightlab.com/libs/timeline3/latest/embed/index.html?source=v2%3A2PACX-1vR4kBKQBUzb4cnvPOyrF54lC5xFZlrZI43LDJ55Dnw7xe8T_UV-qSVwlB1z-29SBMFMPhE7KYiXjN1l&amp;amp;font=Default&amp;amp;lang=en&amp;amp;initial_zoom=2&amp;amp;width=100%25&amp;amp;height=650&lt;/a&gt;</text>
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                    <text>vague but something about it made me think it was Doug Bitter. With the
exception of my one dimly lighted window, the place was in darkness.
I watched the figure move closer to the house, and with sudden sur­
prise a beam of light swept out of the darkness, shone for a moment on the
house, then vanished. Startled, the figure crouched at the side of the house
porch. It appeared that another figure was now making its way along the
path. It seemed to float to within a few feet of the crouching form and then
it paused. Because of the darkness and the costume it wore, I was unable to
see the new stranger other than as a dark form.
Again the first figure was illumined in that blinding flash of light.
With a kind of gurgling cry, it sprang upright and started to run toward
the cliff’s edge. Doug—if it was Doug—paused and looked wildly around.
Suddenly that other shapeless form was behind him. There was a shriek,
and Doug, if it was Doug, went hurtling over the edge. I blinked my eyes.
There was nothing at the cliff’s edge.
Before I knew what I was doing, I found myself irresistibly pulled out
of the house. I stumbled up the dark path until I could see over the edge
of the cliff. A dark form lay sprawled on the cold moonlit rocks below.
I straightened up, took a step backwards. Hands dropped upon my
shoulders and pushed me forward. I lurched around, freeing myself from the
pressure, and swung to catch the wrists. I grasped nothing. Nothing!
NOTHING.

I hear the same familiar footsteps coming down the corridor to my
room as they have for the past nine years. There is the usual pause, then
the knock and Nurse Brown’s voice asks, “Mr. Weakly, is your script
ready? Then she said a curious thing, as if someone else was there. “We have
to keep the patients busy doing something, and poor man, he really thinks
they are sold each month.” She paused, then went on, “Yes, just as I
thought, word for word, it’s the same one he’s written month after month
for nine years. After the same story over and over without a word changed,
I sometimes wonder if perhaps he’s not crazy; perhaps such a thing could
have happened.”

"WHAT A DAY IT HAS BEEN"
Tom Norman
“Mom,” I called. “I’m going now!”
“Oh, honey, do you have money?”
“Yes,” I said as I slipped on my coat.
“Now, if you should have an accident, do you know what to do?
There’s an accident report form in the glove compartment.”
“Yes, I know.”
—2—

�Mom always worried when I took the car. I had been driving for two
years, and had never had an accident or a violation, and she trusted me with
the car, but she always worried.
“Drive carefully, and have fun,” she said as I left the house.
I slipped into the driver’s seat and started the engine. As I backed out
of the driveway. Mom stood and kept the kids from running in back of me.
I waved goodbye as I drove away, and turned left at the corner.
As I drove along, I thought of the many years I had known Martha,
and how, five long days ago, I had finally summoned the courage and
fortitude to ask her for a date. I had caught fire inside with joy, and
half swallowed the happy lump in my throat when she said “Yes, I’d love
to John.”
To my way of thinking, Martha was the most beautiful, the most “fun”
girl in the world. I simply couldn’t imagine any human being who might
be more right for me than she. She was simply wonderful.
Well, here was her house! “Stop the car, put on the brake, and don’t
forget to remove the key in your hurry,” I said to myself.
Approaching the door, I hesitated a moment, but in a final spurt of
decision, I pressed the bell. The door opened, and I was suddenly confront­
ed by a solid hulk of man — her father.
“Good evening,” he said with a deep, booming voice that seemed to
shake the very foundations of the porch. “You must be John.”
Stammering, I pulled myself together and managed somehow to spit
out the words, “Er, uh, yuh-yes! I - I am!”
“Well, come in, John!”
“Uh,.... Thank you, sir!”
“Thank you,” I said, as I untied the knots in my fingers. “How’ve
things been going?” I offered as a conversation starter.
“Quite well, thank you.”
“I like your house. I think this is really nice.”
“Thank you.”
Our conversation went on like this, until I finally hit upon the sub­
ject that he wanted to talk about—the high school football game that night.
We both wanted the home team to win, of course, but he said he would
have to put his money on our opponent. I had to agree.
I stood as Martha entered the room, quite beautiful, even in her band
uniform which hid her more than ample physical assets. She had red hair
and brown eyes, and quite a pretty face. She made my heart go pitterpatter just to look at her.
As she approached me, she held out her hand, and I, being the ham
that I was took it, bowed to her, and kissed it. Somehow, I felt more com­
fortable with her in the room.

�We bade Mr. Patton goodbye, and left the house. She was always such
a lady. I liked it, because that allows a man to be a gentleman. I enjoy being
a gentleman.
Something that a boy of seventeen likes vary much is for a girl to move
over to the middle of the seat when she enters the car. Martha did this.
When we arrived at the school, Martha took her flute, put the plume
on her uniform hat, and handed the hat to me.
We ventured on into the school building, and into the bandroom,
where we picked up music, glockenspiel, and a few other necessary items.
Fifteen minutes later, we arrived at the football field, and assumed our
places in the ranks of the band. The night was cold, and none of the instru­
ments were warm, so everyone was either flat or sharp, depending on wheth­
er or not they tried to compensate. Cold weather has little, if any effect on
a glockenspiel, so I wasn’t on key with anyone. The band sounded pretty
bad that night.
After the game was over, we went to a drive-in hamburger and coke
joint, and each of us had a coke. We sat and talked for a while, and then I
took her home by way of the park. We sang a few songs, and the last one
we sang was “Almost Like Being In Love” from Brigadoon. It begins with
the lyrics, “What a Day It Has Been.” This was our song. I think it was
that night I fell in love with her for good.
By the way, we won the game!

CONDEMNED FREEDOM
Steve Halvorsen
It seemed she would not or could not catch up with herself. As she
walked, her shadow caught on a tree, fell to the ground and stretched as if
made of rubber bands. She was certainly no china doll about to break. She
seemed capable of stretching into any form imaginable. The whole spring
scene appeared as a thick green mist. The figure of the little girl blended
in with the landscape like the fluid motion of an impressionistic painting.
The continual flow of movement created a romantic frame for her awakened
innocent body skipping along through the moist woods. And as the early
morning rays of the sun produced a repeated sparkle in her eyes, she would
whisper to the flowers the natural and slowly vanishing secrets of her liber­
ated morning in her own little private fantasy world. The true expression
of those eyes articulated the final irreducible secret of life itself. She wander­
ed alone in the depopulated environment of the non-objective. She was the
pure and simple beauty of innocence. And that innocence was free from
any prejudice of the discrimination of race, creed, or color. The anonymous
morning was painted with yellow sunlight, while umbered shadows melted

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                <text>The Casper College Archives has archived this story to encourage the use of its Expression Literary Arts Magazines for digital humanities and other related educational uses. Requests to take this story down should be made to the Casper College Goodstein Foundation Library Western History Center.</text>
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