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T&gt;''

St a '/ /i

SONNET 95. / lovely lovable.
rosebuds.
y budding name developing reputation.
5 thy days how
you spend your days.
6 sport amorous adventures.
S Naming .
report the mere mention of your name removes the stigma from any evil
deeds that are reported of you, j mansion magnificent dwelling place.
1} large privilege unlimited sexual freedom. 14 hardest sharpest.

‘T6

+ ^15

^the shame
w sweet^and lovely dost thoi
ri
ich, like a canker in. the fra.
spot the beauty of.ths^]^
sins en^j
,)in what sweets dost
tongue that *tel^?jthe(s^ of
iris lasckviouX comfnegXTo^ tlr ^ori
disorai but/ii^ ki^of p; isei/,
mingn:hy£naineg^s^^ ai(flihreport.
lOl what a mansiO^ ha^th
vices got
ch for theij^b^bitati
IWl^re beauty’^e^^ot^ coverleverytblo
And all things tilfns tOy^ that eyes can
t,.pf this large privilege MA/D
ke heed, dear h
e hardest knife il s’d doth ^ose^is edge.
2C

nt
ZJtt fwa

SONNET 96. 1 wantonness lechery. 2 gentle aristocratic, high-minded. r&gt; ,
sport amorous adventures. 5 of more and less by people of high rank and
of low. 4 Thou mak’st . . . resort you make graces out of the faults ' '
which reside in you. 8 translated transformed, deem'd judged to be
‘
9 stern cruel. ro If like . . . translate if he could transform his appearance into that of a lamb. 11 away astray.
12 strength
state
full extent of your power. 13-14 But do .. . good report This same
'couplet IS used to end Sonnet 36. mine . . . report your good reputation
IS in my keeping.
e
j
crvryw* .
a

V&gt;S'

,4^

-tw

some wantdnpess;
Some sayThy' grj ts'youth, and
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truthsnransl
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|lTIike^limb ^le could JyUooksl(t?§^
(^^^.^.^lowyaanymighty thoudead
If thou woukllt use the strength of all th’
Cv'
do not so. I love thee in such sort
OU bein'

.tiC’,’

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                    <text>f-not^ike a winter hath my, absence b
From thee, the pleasure of the'fleetiji
'Wllat freezings have I felt^^whaF Mri
^h^t old Ded€nmer^s bareness everywhere!
Apd yet this time remov’d was&gt;m?imerj
eerrung^tumn. big with^icTi increase,
ar pg'^ewanton burden of the prime, C
widowed wombs after their lords’ d^ea

PNNet?7. 2 pZeosure most pleasing part. y time remov’d period
my separation from you. 6 teeming fertile, prolific, fcig pregnant, in­
crease harvest (conceived of aS the child of autumn).
7 Bearing
^ime giving birth to the frui||Of the spring’s amorousness. 9 abundant
issue rich progeny.
10 hope . . . fruit unborn children and uncreated
fruit. II wait on thee are your,servants to command. 12 cheer cheer­
fulness.
z'

le of^orphans and unfathered fruit;
iiier^d his pleasures[waitpn thee,
3u
the very bi^ are mute; j\
they sing, ’tis withySo dull a cheer z'
That leaves look pale, dreadine- the winter s near.

Ti’H-i

+1

»b. 2 prona-pted splendidly variegated, trim ornamentation
"clothes”). 4 heavy sober, sad. Saturn the planet believed to
cause melancholy in men. 5 Yet nor yet neither. /ay*s songs. 6 difflowers in flowers differing in. 7 summer’s story tell write in a
happy manner. 8 proud showy. 9 wonder at admire. 11 but fleures
mete representations.
As with . . . play I played with these flowers &lt;&lt;&lt;
as I might play with a mere picture of you
•

FrQm Vt^ U.^e I be
Whtb'^^ud^ied i
Hhth puTa^^nir^
everything,
Tiiat heayv\Saturrriaugh’d and leapt with
iir/- i^G^et
the lays of birds, nbf^thei^^t^
’
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TiNor praise thejieep^ej7n^4on' in the
\ They were buC^eet/but figures of deligh
rawn after you, yot^atterri^of ^|^hosq.
1,

iXulX

'^s4d.th your shado^I with these^j;^

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                <text>&lt;span class="value-content"&gt;The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in January of 2024.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SONNET 97&lt;/strong&gt;&lt;br /&gt;’97—still another Armada attempted&lt;br /&gt;40th year of E’s reign—Essex refuses to come to celeb[ration]&lt;br /&gt;Donne with fleet in ’97—Azores&lt;br /&gt;’97—Lord Howard (not Es) is named Lord Admiral + now named Earl of Nottingham + Essex compensated as Earl Marshall&lt;br /&gt;’97—Essex tries to arrange marr. bet. Lady Hatton + Bacon; Coke wins&lt;br /&gt;1597—Sept-Azores [illegible] by Essex (Ral. quarrel)—treas. loss (seizure of cochineal [a dye derived from insects]) makes for loss of real treas. ships&lt;br /&gt;Donne served under Lord Tho. Howard in Azore&lt;br /&gt;Line 2&lt;br /&gt;Fleeting: Howard[?]: ship fleet commander&lt;br /&gt;Line 6&lt;br /&gt;Teeming: Fleet [illegible] in Oct&lt;br /&gt;Line 8&lt;br /&gt;Decease: Cecl&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SONNET 98&lt;/strong&gt;&lt;br /&gt;’98—Coke marries Lady Hatton&lt;br /&gt;1598 = Cecil succeeds Burl.&lt;br /&gt;Wedding: Lady Southh. + Wm Hervey&lt;br /&gt;’98 Eliz. Vernon pregnant South marries her secretly&lt;br /&gt;Partial Cause of E’s anger—Es’s promotion of disgraced South&lt;br /&gt;Line 10&lt;br /&gt;Vermillion: blush&lt;/span&gt;</text>
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                    <text>XC, SONNET 99. An unusual fifteen-line kmnet. i forward early, spring-’CC"
rebuke. 5 /inde splendour. y grossly obviously. 6 for
for attempting to imitate the whiteness of your hand. 7 tZjy
"”y “can the perfume rather than the colour of his friend’s
!
The comparison of hair to marjoram buds has occasioned much comment.
/ear/aZZy conscious of their guilt. v One malone; q: “Our ”
■ y ly eat ate
ly sweet ssNoet smell. Some editors would read “scent ”

'11
ri ivp’tZXZ/r

Z^NNET 100. r-a IFhere art... thy might Tho poet addresses his

T j;P°" resuming sonnet writing after a lapse of some time, devoted
probably to writing for the stage. 5 fury poetic inspiration (conceived of
conventionally as a kind of frenzy), worthless ignoble.
4 Dark'ning,
diminishing Zend give, base inferior. y straight at once. 6 gent^
’
verse. idZy (a) foolishly (b) uselessly. 7 lays songs. 8
jjf ^^argument
matter. yp resty xii\^MiCiH.
indolent. iU
10 1.^
If to see whether. jz
y'
, subject
J - ------------------------J-° decay write satires on the ruins of time (a conventional
14 So thou prevent'st in that ■way you will forestall.

/

-

&gt;it T|re forwardj/iolet thus did I chide;
thief, whence didst thou steal thyl
smells,
not num
from my xu
love’as bre
±1 iiUL
un, ath? The purplejtrj
&lt;u \i£
jQVl^h on thy sofApheek.Vor complc^on d
—&lt; j Iff my love’s veins thou hasj too\grossly(^y’(
-C
The lily I condemned for thyjiand;
And buds of marioram had stolhi thy hair,
fearfully on thorns did stand^
za &lt;
One blushing shame, another white despair;
A third, nor&gt;;^ nor whitejhad stol n ofTro^
QJ ,
f^d to his^btfry had h^cHh^Jjreath; i
Avf all
D
Tfi^t, for histKeft, in/^idepf
ali hisiPTOW^'v
his/'grow' /
engeful canker ea uh up to dpath.
oul
ers
ted, yet I jho
colours had(stol n om thee.
But sweet

FTthou,(Muse) that thou forget’st so long

^m’st thou thy(fury
some wort
larP^ing dky^ipwA+odend base subiect&lt;J.ig(it
^Aurn, -forgetfi^ Muse Jand strai
ee
so idlM spent
entle num
jfig to the ear tliaT doth thy lay^estbem
nd gives tjiy^ryboth skill and Sgument.
is^ te^^f Musey my love’s^e^face survey,
ha^e^ any wrinkle^r^^ therg.
If any, be aJ&amp;tipe to decay
'
w-^77
And make Time’s spoils desj)ised everywhere.
Give my love fame faster than Time w^es life;

k•
100

101

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                <text>&lt;span class="value-content"&gt;The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in January of 2024.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SONNET 99&lt;/strong&gt;&lt;br /&gt;Check on sp. of marjoram&lt;br /&gt;“marierom” = Mary of Rome?&lt;br /&gt;Has one line too many—a kind of action incident&lt;br /&gt;Essex nearly dies—ill&lt;br /&gt;Line 1&lt;br /&gt;Forward violet: Hamlet is “forward violet” I, iii, 6, 7&lt;br /&gt;Line 13&lt;br /&gt;Vengeful canker: Essex&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SONNET 100&lt;/strong&gt;&lt;br /&gt;About 1600—Essex very ill—Announced death; Prayers in churches, E jealous&lt;br /&gt;1600 Charles I born&lt;br /&gt;Here + next sonnet he tries to reaffirm over-all good of subject&lt;br /&gt;1600 Bruns burned at stake in Rome&lt;br /&gt;Eng is theme (not Eliz.)&lt;br /&gt;Line 1&lt;br /&gt;Muse: Invocation: to return to theme- forgiveness [illegible] reproach&lt;br /&gt;Line 4&lt;br /&gt;Base subjects: vs. royal?&lt;/span&gt;</text>
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                    <text>[100 word story
Stories

Essays

Interviews

Photo Stories

Book Reviews

Martha
Sophie left Chicago for Panama City, Florida. She made the
trip every year, toward the end of February. In Panama, she
ate burgers. She watched game shows. She went to flea
markets. This time she found a leather belt. Amid imprints of
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suitor saw her by the bar. He said, "Martha?" She did not
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Sophie didn't know how to dance to that type of music, but
Martha knew.

Chad Hanson serves as Chairman of the Department of Sociology &amp; Social Work at
Casper College in Casper, Wyoming.
Photo credit: Chase Clark

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                  <text>&lt;a href="https://rightsstatements.org/vocab/CNE/1.0/"&gt;http://rightsstatements.org/vocab/CNE/1.0/&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="51">
              <name>Type</name>
              <description>The nature or genre of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="109489">
                  <text>Image</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="70">
              <name>Is Part Of</name>
              <description>A related resource in which the described resource is physically or logically included.</description>
              <elementTextContainer>
                <elementText elementTextId="109490">
                  <text>&lt;a href="https://caspercollege.cvlcollections.org/admin/collections/show/11"&gt;Frances Seely Webb Collection&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="109491">
                  <text>NCA 01.v.1985.02_BEP</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="109492">
                  <text>JPG</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="109838">
                  <text>English</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="109839">
                  <text>Boney Earnest; Martha Earnest</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="53">
              <name>Abstract</name>
              <description>A summary of the resource.</description>
              <elementTextContainer>
                <elementText elementTextId="109840">
                  <text>A collection of photos related to Napoleon Bonaparte "Boney" Earnest and Martha Earnest as well as their families, friends, and properties. The Earnests were early settlers and ranchers in the Carbon and Natrona counties of Wyoming in the 1800-1900s.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="110074">
                  <text>Casper College Western History Center</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="109616">
              <text>Photo</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="109614">
                <text>Martha Earnest and her pet colt Samie</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="109615">
                <text>&lt;a href="https://rightsstatements.org/vocab/CNE/1.0/"&gt;http://rightsstatements.org/vocab/CNE/1.0/&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="109637">
                <text>NCA 01.v.1985.02_BEP_23a; NCA 01.v.1985.02_BEP_23b</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="70">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="109660">
                <text>Frances Seely Webb Collection</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="109677">
                <text>Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="109694">
                <text>JPG</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="66">
            <name>Has Format</name>
            <description>A related resource that is substantially the same as the pre-existing described resource, but in another format.</description>
            <elementTextContainer>
              <elementText elementTextId="109711">
                <text>TIFF</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
