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                  <text>Sheep, Sheep Ranches  &amp; Sheep Herders Series</text>
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                  <text>Sheep -- United States.</text>
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                  <text>Charles (Chuck) Morrison Collection. Goodstein Foundation Library, Casper College Archives and Special Collections (Western History Center), Casper, WY 82601</text>
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                  <text>Sheep, Sheep Ranches  &amp; Sheep Herders photograph series found in the Charles "Chuck" Morrison Collection is organized according to 6 series of photographs. Each series documents an aspect of sheep ranching in Wyoming. The Chuck Morrison collection includes records from the Cole Creek Wreck including passenger lists, obituaries, and correspondence; records of New York Oil Company in Casper; District Court correspondence and files; Personal Correspondence between Wyoming State Representative Chuck Morrison and other Wyoming Representatives; Chuck Morrison writing to his family and friends, etc ; letters Chuck Morrison received and sent to various ski and outdoor clubs; ski and wildlife magazines; Chuck Morrison's historical stories and articles he wrote while working for the Casper Star-Tribune newspaper; photographs taken and collected by Chuck Morrison of Wyoming's historical sites, churches, neighborhoods, cemeteries, local flora and fauna, etc. ranging from the 1920s to the 1980s; personal photographs of Chuck Morrison's family, property, etc.; boxes of negatives related to the rest of the photos and photo rolls; Chuck Morrison's WWII credentials, awards, and photographs from his time in WWII; a special collection of letters of correspondence between Chuck Morrison, his mother, his father, and his friends, written during his time in World War II; and a special items box containing some of the plaques and awards Chuck Morrison earned over the years for writing, sportsmanship, photography, etc.</text>
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                <text>Men Shearing Sheep (old shears) </text>
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                <text>Men Shearing Sheep (old shears), part of the Wool Warehouse section of the collection; Sheep shearing photograph as found in the Charles "Chuck" Morrison Collection. The Chuck Morrison Collection includes records from the Cole Creek Wreck including passenger lists, obituaries, and correspondence; records of New York Oil Company in Casper; District Court correspondence and files; Personal Correspondence between Wyoming State Representative Chuck Morrison and other Wyoming Representatives; Chuck Morrison writing to his family and friends, etc ; letters Chuck Morrison received and sent to various ski and outdoor clubs; ski and wildlife magazines; Chuck Morrison's historical stories and articles he wrote while working for the Casper Star-Tribune newspaper; photographs taken and collected by Chuck Morrison of Wyoming's historical sites, churches, neighborhoods, cemeteries, local flora and fauna, etc. ranging from the 1920s to the 1980s; personal photographs of Chuck Morrison's family, property, etc.; boxes of negatives related to the rest of the photos and photo rolls; Chuck Morrison's WWII credentials, awards, and photographs from his time in WWII; a special collection of letters of correspondence between Chuck Morrison, his mother, his father, and his friends, written during his time in World War II; and a special items box containing some of the plaques and awards Chuck Morrison earned over the years for writing, sportsmanship, photography, etc.</text>
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&lt;div class="element-text"&gt;&lt;em&gt;Expression&lt;/em&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;claims first North American rights to submissions selected for publication. All rights revert back to the author/artist after publication.&lt;/div&gt;&#13;
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                <text>2024</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Mariah Geis</text>
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                <text>Expression Literary and Arts Magazine, CCA 04.ii.c.2022.01 WyCaC US. Casper College Archives and Special Collections.</text>
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            <name>Identifier</name>
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                <text>CCA 04.ii.c.2022.01_Exp_2024_Art_90</text>
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                <text>Casper College</text>
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                  <text>This collection consists of 18 digitized copies of photographic prints taken by E.R. Schuler for the Works Progress Administration in 1937. The photographs are of the buildings and grounds at Fort Caspar. The photographs document renovations to the site made by the Civilian Conservation Corps (CCC) who had technical staff in and around Casper during the 1930s.</text>
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              <name>Is Part Of</name>
              <description>A related resource in which the described resource is physically or logically included.</description>
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                  <text>The unofficial Natrona County Archives City of Casper holdings of the Casper College Western History Center's special collections. In particular, this collection is organized and stored within a range of small collections of one or more photographs.</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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              <description>The file format, physical medium, or dimensions of the resource</description>
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              <description>A related resource from which the described resource is derived</description>
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                  <text>Works Progress Administration Photographs of Old Fort Caspar, NCA 01.iii.2020.01 WyCaC US. Casper College Archives and Special Collections.</text>
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          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <description>Information about rights held in and over the resource</description>
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                <text>Photograph of the Mess Hall and Squad Room at Fort Caspar. The collection this photograph is a part of consists of 18 photographic prints taken by E.R. Schuler for the Works Progress Administration in 1937. The photographs are of the buildings and grounds at Fort Caspar. The photographs document renovations to the site made by the Civilian Conservation Corps (CCC) who had technical staff in and around Casper during the 1930s.</text>
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                <text>Works Progress Administration Photographs of Old Fort Caspar, NCA 01.iii.2020.01 WyCaC US. Casper College Archives and Special Collections.</text>
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                    <text>MdMma^kosLS
Eva Stone
I was once trapped on the ground
Beliefs forced onto my head
And the pressure keeping me down

That type of life limits your view
All you know is what is inches in front of you
Imagine only seeing a single blade of grass
When if you just looked around you would see a meadow
With flowers and the open sky waiting to welcome you
There is a whole world out there
There are those from all walks of life
That creates a beautiful existence

But because you are afraid of the unknown here you stay
Staring at that one blade of grass
With that one way of thinking

Not realizing how it shackles you from your full potential
That was how I lived
That was my entire existence
My entire purpose
A single blade of grass
I remember getting so mad

When people told me how there is a whole world out there
They told me how the grass was technically a weed
And how if I looked up I would see a vast sky
They told me that I could be happy in a place so big
Even if those before me in my bloodline said the opposite
And willingly chose the shackles that held them down

Over time I let my anger go

And let them help me open my eyes
This is the stage of transformations
64th EilLtionlite.'iatu-'ie.

XIX

�M^tama'iphasLs

This is the stage where I learn how to be free
So once I am free I know how to be me
I have made my cocoon
So I can start healing

The bruises on my wrists
And adjust to the new lighting
1 have chopped off my hair
And embraced my skin

That is the story behind the butterfly on my arm
It is a reminder of all the work I had to do
And what I can eventually become

One day I will break out
Fully changed by potential
Shackles falling to the ground
As I spread my wings and fly

For the very first time
This is my metamorphosis

XX

Exfi'ussian.Ma^azbte.

�</text>
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                    <text>Methodfa'i E^iasit're
Jamie L. Smith
Non-Fiction
I fell In love once between midnight kisses and sunrise sex. I told him
my secrets. I had been molested as a child and raped at twenty. He carved
“damaged” into my skin. On a beautiful spring day, six months pregnant
with our son he told me dating a woman with children is the lowest thing a
man could do. He carved "unwanted” into my skin. While holding our threemonth-old son he told me I was just some bitch that had his baby. He carved

“unloved" into my skin. I found a way to make those words disappear, to erase
them from my skin. I found a method for erasure, and it was the high I would
chase for fifteen years.
I found that glorious feeling when I was treated for migraines. It was
right before America found it had an opioid epidemic. I could get a ready
supply. I started out with migraines, real ones, not the psychosomatic migraines
I would later use to get pain meds. Hydrocodone was the most preferred. It
was the best at achieving the disappearing effect I wanted. It was the only thing
that erased the words carved into my skin.

My method was simple. I wouldn't eat anything all day. It's best to
take drugs on an empty stomach for maximum effect. I would take three
hydrocodone pills when I got home. I didn’t add any other drugs until after I
felt it take hold. It was like a shot of whiskey hitting my stomach and the heat
radiating throughout the body. The erasure started in the abdomen; it didn’t
radiate heat, but the empty darkness grew. The words would disappear from
my skin, and I could hide for a short time in that void. When the erasure took
hold, it was glorious.

Mom found me, she always found me. My face ashen with labored
breathing and heavy-lidded eyes. I looked half dead as she tried to get me up
to walk around. Her voice told me this time was different. “Jamie, you need to
get up, ok? You need to walk around, drink some water— Jamie, you need to
get up. JAMIE! Please get up. JAMIE? JAMIE? Wake up honey, get up. You've
got to get up.”
Mom called 911 after my dad came home. This time nothing she
usually did to help me in these situations was working. I stumbled and fell, and
I couldn’t walk with or without her help. She asked the EMTs not to run the
sirens. She didn’t want a spectacle and didn’t want to explain the situation to

the neighbors: her daughter overdosed like a junky on a heroin binge. “Jamie
stand up. The ambulance is coming. Come on Jamie!”
6^tk CdLtunilUx.'uibi'ic

XXXVII

�M£thadfd'i S'tasn'iC

The Narcan came first, a drug given to overdose patients particuiarly
when narcotics are invoived. Mom sat on a stool beside my bed. She patted
my arm periodically to let me know she was there. In some ways it reassured
her that her baby would be ok. I had an oxygen mask on and was lying quite
still. The ER doctor worked quietly giving the nurses directions. They poked and
prodded with IVs, needles collecting blood, wires connecting machines that
didn’t make sense to me. Mom was talking to the doctor and I could hear Darth
Vadar standing vigil, breathing.. . waiting. .. breathing.. . waiting...
I lay motionless, gray with labored breathing, on the gurney as the
doctor checked me for my vital signs Mom patted my arm again to let me know
she was there. She patted my arm to reassure herself that I was still there. The
doctor came back and felt my neck around my esophagus. He wrote some
information on my chart and said to Mom, “I normally can’t tell you all of these
things, but I just felt her to see if there was a reflex. Normally when someone is
still with us, they have a small response when you touch them there.”

"She had been doing so well with her sobriety. 1 don’t understand,”
Mom didn’t know that I had gotten a shot and hydrocodone pills.

The doctor, quiet and grave, "No, no she hasn’t. Her levels show five
different medications at higher doses than prescribed.”

"Oh.”
He gave mom a fast tap on the shoulder, swallowed, and nodded. It

was all he could do.

“Will she be ok.. . when she wakes up?”
“We will have to see when she wakes up. But for now she is showing
signs of improvement and we’re going to be sending her to the ICU.”
I don’t know how long I was in the hospital, days didn’t mean anything,
everyday and everyone bled into the other until I had recovered enough to be
discharged. I had only a t-shirt when I came into the ER and had thrown up on

it some time in the ICU. I had no clothing to go home in. The discharge nurse
had provided me with a two sizes too small t-shirt and billowing MC Hammer
sweatpants. To add to the indignity, I had no bra or underwear. I had to wear

hospital socks home because I had no shoes. I had no one to pick me up. I
couldn’t get in touch with my mother.
Apologies didn’t mean anything coming from me. Mom had stopped

listening to them years ago. Promises meant nothing as well. Mom wasn’t
going to forgive me this time. After fifteen years, two rehab stints, two
overdoses, and one near-death experience, the sincerity of my repentance

XXXVIII

Expression Magazine

�Methodfox E'lasu'ie

obtusely ignored. I didn’t mean any of it then, but this time, this time was
different.

The hospital provided me with a cab voucher, I sat in a lone brown
pleather chair in front of the entrance to the hospital. Little old ladies shuffled
past me not meeting my eyes. Other people came and went with quick smiles
and eyes darting to other places besides me. I didn’t know what I looked like.
I had taken a shower after throwing up, but I didn’t know which day that had
been. I had all of my hospital swag in a clear plastic trash bag. I tried to make
myself small so no one would see me or recognize me. I wanted to disappear
again. Erase everything.
1 took the remaining three pills when I got home before I changed my shirt.

64th CditianUte'iatM.'ie

XXXIX

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                  <text>Mrs. Robert Blackmore Collection, NCA 01.v.1974.01 WyCaC US. Casper College Archives and Special Collections.&lt;br /&gt;&lt;br /&gt;The finding aid for these and other items in this collection is available for viewing:&lt;br /&gt;&lt;a href="https://caspercollegearchives.libraryhost.com/repositories/2/resources/307" target="_blank" rel="noreferrer noopener"&gt;https://caspercollegearchives.libraryhost.com/repositories/2/resources/307&lt;/a&gt;</text>
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                <text>&lt;a href="http://rightsstatements.org/vocab/NKC/1.0/" target="_blank" rel="noreferrer noopener"&gt;http://rightsstatements.org/vocab/NKC/1.0/&lt;/a&gt;</text>
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                <text>The reformatted images in the Mrs. Robert Blackmore Collection are for personal, not-for profit use of students, researchers, and the public. Any use must provide attribution to the Casper College Archives and Special Collections (Western History Center). While being the property of Casper College, all text, images and other materials are subject to applicable copyright laws. Commercial use, electronic reproduction, or print publication of text, images, or other materials is strictly prohibited without written permission. All permissions to publish must be obtained from the rights holder and are not the repository's responsibility for securing. The rights holder may or may not be the repository. Users also agree to hold the repository harmless from legal claims arising from their use of material held by the institution and made accessible in this digital repository.</text>
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                  <text>Frances Seely Webb Collection</text>
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              <description>Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.</description>
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                  <text>The material in this collection may be reused so long as attribution is provided to its original source.</text>
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              <description>An account of the resource</description>
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                  <text>The Frances Seely Webb Collection contains over 1,400 photographs, correspondence, handwritten research notes, the proof copy of Webb's book, Casper's First Homes, and a series of scrapbooks. Materials documents Casper buildings, cultural institutions, homes, and society from 1890-1978. Also included are photographs of individuals and groups visually documenting Casper society. In addition are items originally collected by Boney Earnest, a frontiersman and former member of the Natrona County Historical Society. Subjects documented in Webb’s correspondence, notebooks, and scrapbooks include things related to her ongoing research, obituaries, Casper and Natrona County homes, businesses, and cultural institutions.</text>
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                  <text>Frances Seely Webb</text>
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                  <text>&lt;a href="http://rightsstatements.org/vocab/NKC/1.0/"&gt;http://rightsstatements.org/vocab/NKC/1.0/&lt;/a&gt;</text>
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                  <text>NCA 01.v.1985.02</text>
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          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Midwest Hotel, Casper, Wyoming</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="1949">
                <text>&lt;a href="http://rightsstatements.org/vocab/InC-EDU/1.0/"&gt;http://rightsstatements.org/vocab/InC-EDU/1.0/&lt;/a&gt;</text>
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            <name>Publisher</name>
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                <text>Casper College Archives and Special Collections (Western History Center)</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Image</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Frances Seely Webb Collection, NCA 01.v.1985.02 WyCaC US. Casper College Archives and Special Collections.</text>
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            <name>Access Rights</name>
            <description>Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.</description>
            <elementTextContainer>
              <elementText elementTextId="1954">
                <text>The material in this collection may be reused so long as attribution is provided to its original source.</text>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>ca. 1912-1914</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Photograph of the Midwest Hotel in Casper, Wyoming, with a residence in the distance. The photo was made for the Casper Townsite Company by Wiswall, Denver. The image is undated but was likely taken between 1912 and 1914. The Frances Seely Webb Collection contains over 1,400 photographs, correspondence, handwritten research notes, the proof copy of Webb's book, Casper's First Homes, and a series of scrapbooks. Materials documents Casper buildings, cultural institutions, homes, and society from 1890-1978. Also included are photographs of individuals and groups visually documenting Casper society. In addition are items originally collected by Boney Earnest, a frontiersman and former member of the Natrona County Historical Society. Subjects documented in Webb’s correspondence, notebooks, and scrapbooks include things related to her ongoing research, obituaries, Casper and Natrona County homes, businesses, and cultural institutions.</text>
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                <text>Frances Seely Webb</text>
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Denver Wiswall</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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            <name>Identifier</name>
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                <text>NCA 01.v.1985.02_Midwest Hotel</text>
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            <description>A related resource</description>
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                <text>&lt;a href="https://caspercollege.cvlcollections.org/collections/show/11" target="_blank" rel="noreferrer noopener"&gt;https://caspercollege.cvlcollections.org/collections/show/11&lt;/a&gt;</text>
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                  <text>Mrs. Robert Blackmore Collection</text>
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              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="7595">
                  <text>&lt;a href="http://rightsstatements.org/vocab/NKC/1.0/"&gt;http://rightsstatements.org/vocab/NKC/1.0/&lt;/a&gt;</text>
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              <description>An account of the resource</description>
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                  <text>The Mrs. Robert Blackmore collection consists of 140 photographs dating from 1888 to 1938, including images of the Blackmore family and friends, the Standard and Midwest Oil Refineries, the Gothberg Ranch, and historical photographs of early buildings in Casper, Wyoming, and various locations in Bessemer, Wyoming. The collection also includes letters, writings, genealogical information, scrapbook pages, news clippings, and various family documents. Mrs. Robert Blackmore was the wife of Robert Blackmore, who was the son of Walter A. Blackmore (1863-1923). Walter A. Blackmore was a prominent early Casper resident and was mayor of Casper from 1920 until his death in a train accident in 1923.  </text>
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                  <text>Mrs. Robert Blackmore Collection, NCA 01.v.1974.01 WyCaC US. Casper College Archives and Special Collections.&lt;br /&gt;&lt;br /&gt;The finding aid for these and other items in this collection is available for viewing:&lt;br /&gt;&lt;a href="https://caspercollegearchives.libraryhost.com/repositories/2/resources/307" target="_blank" rel="noreferrer noopener"&gt;https://caspercollegearchives.libraryhost.com/repositories/2/resources/307&lt;/a&gt;</text>
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                  <text>Blackmore Family</text>
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              <text>Photographic print </text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Midwest Oil Refinery</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="8755">
                <text>&lt;a href="http://rightsstatements.org/vocab/NKC/1.0/" target="_blank" rel="noreferrer noopener"&gt;http://rightsstatements.org/vocab/NKC/1.0/&lt;/a&gt;</text>
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          <element elementId="63">
            <name>Access Rights</name>
            <description>Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.</description>
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              <elementText elementTextId="8756">
                <text>The reformatted images in the Mrs. Robert Blackmore Collection are for personal, not-for profit use of students, researchers, and the public. Any use must provide attribution to the Casper College Archives and Special Collections (Western History Center). While being the property of Casper College, all text, images and other materials are subject to applicable copyright laws. Commercial use, electronic reproduction, or print publication of text, images, or other materials is strictly prohibited without written permission. All permissions to publish must be obtained from the rights holder and are not the repository's responsibility for securing. The rights holder may or may not be the repository. Users also agree to hold the repository harmless from legal claims arising from their use of material held by the institution and made accessible in this digital repository.</text>
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          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>1920</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Black and white photograph of the Midwest Oil Refinery, Wyoming. Smoke stacks and tanks can be seen stretching into the distance. </text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Mrs. Robert Blackmore Collection, NCA 01.v.1974.01 WyCaC US. Casper College Archives and Special Collections.</text>
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                <text>&lt;a href="https://caspercollege.cvlcollections.org/collections/show/42" target="_blank" rel="noreferrer noopener"&gt;https://caspercollege.cvlcollections.org/collections/show/42&lt;/a&gt;</text>
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                  <text>The Mrs. Robert Blackmore collection consists of 140 photographs dating from 1888 to 1938, including images of the Blackmore family and friends, the Standard and Midwest Oil Refineries, the Gothberg Ranch, and historical photographs of early buildings in Casper, Wyoming, and various locations in Bessemer, Wyoming. The collection also includes letters, writings, genealogical information, scrapbook pages, news clippings, and various family documents. Mrs. Robert Blackmore was the wife of Robert Blackmore, who was the son of Walter A. Blackmore (1863-1923). Walter A. Blackmore was a prominent early Casper resident and was mayor of Casper from 1920 until his death in a train accident in 1923.  </text>
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                  <text>Mrs. Robert Blackmore Collection, NCA 01.v.1974.01 WyCaC US. Casper College Archives and Special Collections.&lt;br /&gt;&lt;br /&gt;The finding aid for these and other items in this collection is available for viewing:&lt;br /&gt;&lt;a href="https://caspercollegearchives.libraryhost.com/repositories/2/resources/307" target="_blank" rel="noreferrer noopener"&gt;https://caspercollegearchives.libraryhost.com/repositories/2/resources/307&lt;/a&gt;</text>
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                  <text>Casper College Archives and Special Collections (Western History Center)</text>
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                <text>Midwest Oil Refinery</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a href="http://rightsstatements.org/vocab/NKC/1.0/" target="_blank" rel="noreferrer noopener"&gt;http://rightsstatements.org/vocab/NKC/1.0/&lt;/a&gt;</text>
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                <text>The reformatted images in the Mrs. Robert Blackmore Collection are for personal, not-for profit use of students, researchers, and the public. Any use must provide attribution to the Casper College Archives and Special Collections (Western History Center). While being the property of Casper College, all text, images and other materials are subject to applicable copyright laws. Commercial use, electronic reproduction, or print publication of text, images, or other materials is strictly prohibited without written permission. All permissions to publish must be obtained from the rights holder and are not the repository's responsibility for securing. The rights holder may or may not be the repository. Users also agree to hold the repository harmless from legal claims arising from their use of material held by the institution and made accessible in this digital repository.</text>
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            <description>Date of creation of the resource.</description>
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                <text>1920</text>
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                <text>Black and white photograph of the Midwest Oil Refinery, taken from along the bank of the North Platte river in Wyoming. </text>
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                <text>Mrs. Robert Blackmore Collection, NCA 01.v.1974.01 WyCaC US. Casper College Archives and Special Collections.</text>
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                <text>Casper College Archives and Special Collections (Western History Center)</text>
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