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1- A-cT

SONNET
I Or either. 5 From hence frorh the earth. 4 in me each
/lart every one of my qualities. y from
'___ hence
___ from these poems. 6 to
all the world in so far as all men are
concerned. y but a common grave
---------------merely an ordinary undistinguished grave.
8 entombed in men’s eyes
®'^™orialized (as in a monumental tomb) in the eyes of the men who read
my poems.
ii rehearse recite.
ly virtue power.
14 breath
_6reat/ies language is most alive. .
_ t

•

1

SONNET 82. 2 attaint dishonour.' o’erlook read over, t j dedicated
. -cui, words (a) words in a dedication of a txmk to a patron (b) words consecrated to their subject.
blessing every book causing every book they
write to be blessed (in being read by the friend). 5 hue complexion,4si
beauty. 6 Finding The subject is “Thou.” limit extent, reach. The unlearned poet is incapable of praising his friend’s “knowledge” as his more L
learned "rival poet” apparently has done.
8 Some jresher . . , days/.
some newer represenmtion of yourself (stamp) written in the manner of
these superior days (in which poetic techniques have so improved). ro
V .
strained exaggerated.
11-12 Thou, truly . . . true\ ytelling friend you, being truly beautiful, would Be most truthfully repres^nted in the simple words of your friend who speaks the truth (rather^*''’^vry
rhetorical exaggerations of other poets). 14 in thee in apply-^ I .
*^2k&lt;Pgittothee./,
J

? 4tb.'r
‘inJi-t*A.4iwN7
Q

shalL_Qve your epitaghto i^ak
rotte
you survive when I in) earth
m hence your memory death cannot
&lt;.^'*"1''“’' Xe'
ough in me each
oufxname from hence J
aX life shall have,
u^ I, once gone, to^alfyhe woWd mustjdie.
earthjan^yield me but a iConytoj/^ave"^
,
,ha
liK
^u entoijibed in men’s
lonument shall be myfgentle rse.
^eX nof yet created s
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.breathers of thi^p^orld^^ dead.
tall live (such virtue ha'th my pen)
a.th most breathes, ewn in the mouths of

^rie^to my Mus€
ithout attaint o’er:
words 3141 idi writ
'iyg eVeilv book.
in knowledge as in hut

Ipv^yet wh^
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touches Wietoric can'lehd&gt;'&lt;^1^
I, wejl truly sympathiz’d \
1 bAhy t?ue-telling friepa/
aintingimght be better us’d
eed blood: in thee it is abus’d

IfZi-'^
‘:b,

5)

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1?

C

*

artificial beautifying,

a/mV beauty, set applieiT

^•»&gt;

fruitless offering with which a poet attempts
5 slept in your report neglected to flatter you ^6
ordinary, comt^onplttce

A,,

patron.

what worth
What worth,
*131x11.

J^o °
grote exist.

silence failure to flatter you.
*
monument.

i^therefore to jourlairjio painting set^
ound (of thought I fpdnd) ujlid qi^ed
ender of^ poet’s de
ereforS ha\)e I sleiAUin youi^eport,
Th^ you yourself, bei
Howfar a mod

»f

hlwhaLwSrth^
his silence r my s
OU,
ich shaly be m

ircU&gt;vVxu

*5 Urfu

am

ore
ur

in

r

«■-

IS It th
an thisfri

1,^1/
■ ■''• equal grew in what poet’s treasury is
p such beauty as would be necessary to depict your equal. The
^ts treasury is conceived of as a walled-in (immured) garden where 5’--^

A

praise jy.that yo
hose con le im^ur^d is ti
should
rnple where youry
W

y.®’'glorious.
/r counterpart copy, repre^ntation. fame hts wtt make him famous for his poetic skill
ij your
n
Lr
are blessed.
14 f^d on T"'' \
• ■:
det^cts^from your woph (b”

d?

one of

hat tQ;his sub]
lend£ltot som
I C&lt;
.But he tha rit^XoTyou, if he ca
dignifies his(sj
at io you is It,
at nature made
N^t making worse
rt (shall fameTii
a coun
M in,, _is sYyld’^f
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ou'to your beaute^sfblejsings adc
Being fond on J&gt;ra^s^ which makes your, praises ^orse.\ ~ J

S^f (~ya.&lt;
X»c

-fjt

Tl^j^ ‘^•''

i.i"’')

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Vm

^Aur

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                    <text>^‘ft p.

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intelligence.
5 new/angZed ill ugly in the latest fasfon^^
strength,
vidual temperament, his its 'adiunrt r" '
disposition, indimeasure but none of these oartfo X “"«P°“‘’“g. 7 But these . . .
kind of pleasure I enjoy. « All these
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all of these pleasures^ by having osse ole^surt h'
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plcasure which includes them all.
ni^ take pride'4ft-p essi
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S )m0n^heir garments, though newfanded ill;
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Ajid every humoutjiath his adjunct pleasure
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;IpSiculars are not mv measu
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etcheq i

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(complete alienation from you) for I wiU be^k ira
(the first sign of coldness froi, you)
slightest evil
r/2ou camt . . . doth lie vou^an^ ,
«'him, caprice. jhzo
since your first turniXay “o^ meTi^kiU me"“" Z T
to happiness. 12 habljv tn di,
™
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row of losing your friendship.
^^noiJTt no^^
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*’“• l&gt;eing de;...J ^^ble me to escape the pain of total Cof your‘'frTendLrp°“’‘^ otherwise-en■
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ee a better, slate to me belongs
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t ^what_jLhaf){^_ijd£jlQi^
,^^a^y to have thv Tox e, happyTo drcl^
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Thou mayst be false,.and yet I knovv it not. 1

93

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it'

L v2rh&lt;±ii £*’” ■

------ ZJnYh^
ET 93. / .5o in that way (as suggested in the last line oFt
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^ns of angry disposition, strange unusual. j&gt; in thy creation when you
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t■

’1

J 3

:'t' -

shall I g.y
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e^s\ver
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73t ^S. 7^

'1^

^4

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7J oy i/ieir^eeds b^ act^g in^an evjl way. ia fester

/ w-T"

a

* &lt;i

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Ji.
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Others but stewards of their
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c
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^^■-7
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T&gt;''

St a '/ /i

SONNET 95. / lovely lovable.
rosebuds.
y budding name developing reputation.
5 thy days how
you spend your days.
6 sport amorous adventures.
S Naming .
report the mere mention of your name removes the stigma from any evil
deeds that are reported of you, j mansion magnificent dwelling place.
1} large privilege unlimited sexual freedom. 14 hardest sharpest.

‘T6

+ ^15

^the shame
w sweet^and lovely dost thoi
ri
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spot the beauty of.ths^]^
sins en^j
,)in what sweets dost
tongue that *tel^?jthe(s^ of
iris lasckviouX comfnegXTo^ tlr ^ori
disorai but/ii^ ki^of p; isei/,
mingn:hy£naineg^s^^ ai(flihreport.
lOl what a mansiO^ ha^th
vices got
ch for theij^b^bitati
IWl^re beauty’^e^^ot^ coverleverytblo
And all things tilfns tOy^ that eyes can
t,.pf this large privilege MA/D
ke heed, dear h
e hardest knife il s’d doth ^ose^is edge.
2C

nt
ZJtt fwa

SONNET 96. 1 wantonness lechery. 2 gentle aristocratic, high-minded. r&gt; ,
sport amorous adventures. 5 of more and less by people of high rank and
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‘
9 stern cruel. ro If like . . . translate if he could transform his appearance into that of a lamb. 11 away astray.
12 strength
state
full extent of your power. 13-14 But do .. . good report This same
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e
j
crvryw* .
a

V&gt;S'

,4^

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some wantdnpess;
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                    <text>f-not^ike a winter hath my, absence b
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Ti’H-i

+1

»b. 2 prona-pted splendidly variegated, trim ornamentation
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•

FrQm Vt^ U.^e I be
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Hhth puTa^^nir^
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Shakespeare, William, -- 1564-1616 -- Sonnets; Sonnets, English -- History and criticism </text>
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            <description>An account of the resource</description>
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                <text>&lt;span class="value-content"&gt;The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in January of 2024.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SONNET 97&lt;/strong&gt;&lt;br /&gt;’97—still another Armada attempted&lt;br /&gt;40th year of E’s reign—Essex refuses to come to celeb[ration]&lt;br /&gt;Donne with fleet in ’97—Azores&lt;br /&gt;’97—Lord Howard (not Es) is named Lord Admiral + now named Earl of Nottingham + Essex compensated as Earl Marshall&lt;br /&gt;’97—Essex tries to arrange marr. bet. Lady Hatton + Bacon; Coke wins&lt;br /&gt;1597—Sept-Azores [illegible] by Essex (Ral. quarrel)—treas. loss (seizure of cochineal [a dye derived from insects]) makes for loss of real treas. ships&lt;br /&gt;Donne served under Lord Tho. Howard in Azore&lt;br /&gt;Line 2&lt;br /&gt;Fleeting: Howard[?]: ship fleet commander&lt;br /&gt;Line 6&lt;br /&gt;Teeming: Fleet [illegible] in Oct&lt;br /&gt;Line 8&lt;br /&gt;Decease: Cecl&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SONNET 98&lt;/strong&gt;&lt;br /&gt;’98—Coke marries Lady Hatton&lt;br /&gt;1598 = Cecil succeeds Burl.&lt;br /&gt;Wedding: Lady Southh. + Wm Hervey&lt;br /&gt;’98 Eliz. Vernon pregnant South marries her secretly&lt;br /&gt;Partial Cause of E’s anger—Es’s promotion of disgraced South&lt;br /&gt;Line 10&lt;br /&gt;Vermillion: blush&lt;/span&gt;</text>
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                <text>Demorest, Margaret; Shakespeare, William</text>
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                <text>ENG, LAT</text>
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                <text>Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections.</text>
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                <text>CCA 10.2011.01_Demorest_Sonnets_97_98</text>
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