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                    <text>'■A &lt;')
) are favoured by their stars
&gt;&lt;vhich were believed to determine human destiny). 5 whom . . .
A probable reference to Shakespeare’s lowly station as a player.
Un- ' i
■■ look’d for unexpectedly, that what. 6 marigold The English marigolc^,
(Calendula officinalis) closed at sunset.
9 painful toiling, famoused f
famous, fight Theobald; q: “worth.” 10 foil’d defeated in battle.
quite erased entirely. 14 I may . . . be removed I may not cease &gt;
r to be loved.

J

Liet(those wht2_^e in favour
itars^
Ot public ^^^o^^:^^rou(
J^ilst I, whorrQoMnie'bf'S.
Unlook’d^E^joy in that
_
J^reat princgsWavouritesJtl/eir ^^ir leavi sprgaS
^arjgold-jat the^jmrr’TgFycy^^^
p^in themsplyes their^^^.li« butied/
or
they in thei)^^ gloryyje.
e painful warrior famous^etnorJ^j^tTj”
-After a thousand vkt^es oncFToil’d. Il Cc^
' is ^om the book oCjonouc^asecI' quite,
And all tj^e res^fot^ot(^^which he toil’d.
Then happy ifthat love and/am beloved ■
Wher^ I may not remove jnorJbe removed. --

*

5 fCiAJ)

1^3
26. This sonnet is'a formal letter in
his friend as a vassal might address his lord. Some suspect that&gt;jt was
written to accompany the gift of the preceding sonnets. 5 embassage
message delivered by an ambassador (q: , “ambassage”).
witness give
evidence of. wit skill. 7 good conceit favourable opinion. 8 In thy
. . . bestow it will receive it to your heart despite its nakedness. 9 mov­
ing existence. 10 Points on sheds beams upon, fair aspect favourable
influence. The “aspect” of a star was an astrological term for the “influ­
ence” it exerted on human affairs. 12 of thy capell; q: "of their.” ' 14
prove test.
t SONNET

LordJJ®

tiy IpVe, to
ya^rajage
^lath
my'S
my
o^ee I send^^
_
- v
Tifjen embass^e,
- Toiwit^ess dut^not to show
lA'"'t
IK r r t«.
v-^dJuty s^^reat, whicrr wi$_soDoor as mine tx
5
• ^Ttfaymake seen^a^Jinf^nfing words to show it,
But that I hope soine^isQ^ conceit of thine
.. i j
'Uf-L^y soul’s thought (alwill bestow it:
|
atsoevef^starAh^tgwdes my moving^^ •"
QiiTne
w^li fair a^pect&lt;^^'
IO
Andpu
{Tpa^o~n iny]t^eYedloving"&gt;ctM
e worthy of thy ^ect^resp^c.L
I boasOit^^I do love thee;
n
i^ljthenl
fmy head t^fagre thou maysi) proy]^

T

S

’SW»'!S3!»5

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                    <text>1
-I fc
,
,■
,
,
r'^
SONNETSj2»-28. These sonnfts, expressing the poets sorrow at separa‘n\*-ek.vrtio^ tion from his friend, were probably written while Shakespeare was on a
»
J tour of the provinces with his company.
“

"

ary with toil, I haste me to my bed,
e dear repose for limbs with travel tired; •
t then begins a journey in my head
y
work my mind when body’s work’s^^iredC
then my thoughts, from far where I abide,
z^alQus’i^grimag^to thee,
,^.^.d keepmy drooping eyelids open wid^
i
\^ooking oVi darkness which the blind dc^e^
Save that my soul’s imaginary sightr^
r o
Presents thy (shadow!to my sigM
^jei^ hung in ghastl
sjblacl^mign^eauteous and he 'd face nev^.
,0. lihus.'hv da; y limbs, l^£nlght^y mind,
orTthee, and for
elf, no quiet find.

2 travel (a) labour (b) travel. 4 work my mind keep my
thoughts active.
6 Intend set out upon, pilgrimage The lover as a
pilgrim and his beloved as a saint was a common metaphor of Renaissance
love poetry. j&gt; imaginary existing only in imagination.
10 thy capell;
q: “their.” shadow apparition.
13-14 by day . . . quiet find by day my
use of your

'Sonnet iT.

'*

-1-7 *
'4

.J

■

3 oppre
6 shake
hands ratify their agreement. 7 to complain by causing me to complain.
8 How far I toil no matter how far I travel.
10 dost him grace confer
beauty upon him (the day). 11 flatter beguile, swart-complexion’d composed of blackness.
12 twire peep, twinkle, gild’st the even make the
evening shine like gold. 14 draw draw
th dyce:
q: “length.’Jj^

U;

fde.

■b'

can I then return in happyfpTight
at am deb^r’d the benefit of fest,2k.
;n day’s oppression is not eas’d bljif
_
nid^ft^hjp by _day oppress’d,"
d each, thougH^nemi^sTto cither’s reigr?^
7'
in consent~3iake hands to torture me,
j
le one by"toil, the other to complain^.!
H- '■
f^w far I toil, still farther off from th^?_...
Ltell the day,^to^leasej!^m, tliouiart]bright
d .dost him grace when clouds dtf^bjpt the heax^nt
flatter I the J^warT-compl^
sparkling starrtwirF
lay doth daily dravynfy sorrows dongi
d ^igll^^dotf
y make grief's
seem

.

;.^'J
TO-7-

la

. A,

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                    <text>1

I in disgrace out of favour.
fate referring prob­
ably to his position as a common actor. y bootless futile. 5 more rich
in hope with greater expectations. 6 like him, like him like one man,
like another man. 7 art skill or learning, scope intellectual range. 8
most enjoy possess in the highest degree. He probably means his poetic
talent.
jo Haply by chance, state state of mind. 12 sullen gloomy,
dark.

..

I

W/vj wi^en. in di^ac^ with Fortune and men’/eyes,^
p
i
aljtne beweep my outcas^ stat^
iS Ani trouble deaf heaven with
bootless cries,'
? ■
look upon myself and curs ly fate,
? , , Yet
in these
ughts
myself almost des^sing,
^wishing
met Ij^
to one
’ Featur
(S^piy
I
on
my^^ate^
’d like him, lik thee,
im and
withthen
friends
possess’d,
' ^*^man’/^rt,)and that marks scope,
With what I mo enjo^coi^tented lea\(;

c&gt;

-Ge

Like to e lark at break of day arising
ullen earth, sings hymns at hea
’sgate;
F
hy sv^eet love rememb’ret^
eajth brings i &lt;1^ 'i
hat then I skorn to change m

10
SONNET 30. 1-2 When to . . /things ptUst Thought is concefved of as tt
court of law (sessions) before which past memories are summoned tq
render their account. 5 sigh lament. 4 with old . . . time’s waste in -'
recalling ancient sorrows (or in addition to them) I weep anew for the
wasting of my precious time. 6 dateless without termination. 7 And
weep . . . cancell'd woe and by freshly weeping pay again the debt of
sorrow (for unrequited love) which has long ago been paid in full. 8 t
expense loss. o foregone already past and done with. 10 heavily sadly.

fessions^ ob swegij sileirr
ummon up remembrance of things past,
I I /igh the lack o.Lin
’ .(• J And with old^oes&gt;
dear time’s ^ste
can I drown
or jferecious friend
w
Jong since^ancelljl
[id moan th’ ex
'' any a ya'nish’d siffit.
Then can I levef
.nd heavily' ffbm
lad account o
hjfncw^y ^f not paidlbe
t H the wh^l^I think oh thee, dea
losses are restor’d and sorrows end^

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                    <text>3

•7

1^’

■

7-77-.yc-z

0

-

-O'

V
tf fresh repair youthffel condition,
beguile cneat. tin(W«s
SONNET
fail to bless (some woman with motherhood). 5 unear’d untilled. 6 husbandry cultivation of land, farming (with a pun on “husband”.), I fond
foolish, tomb monument. 8 Of his . . . posterity to eliminate the possibility of descendants because of his own self-love. p1 thy
’ mother’s glass
hnrk TPralls
the reflection of your mother’s beauty.
10 Calls back
recalls, prime '
springtime, youth. // windows i.e. children, through whom in your old
age you will be able to see your own youth, 12 Despite in spite, golden
time youth.
75 But if . . . not to be but if you live so as not to be
remembered (by children).

I

f

tell the face
thou’dviewest
Lookan
th ;lass/an
For
where4s)she
so d(fair.-whose
unear
wombh?e- "I
NovUfslheTime that ------face should form anothe
Whosexesh repair if ino^thou not rene
hou doT^begj^e the^orld, unbl^^oiii^^^f^
n

tomb

I VA .*’•

Of KisAel

,Then how, whe^
What accffpti\bl
Thy UL
Which,

Av’"io

e-

iCaflls back t

3-'

5

indows of^hp^ie age shalt(gee,J
h
4^n time." Ncw&lt; 1
yvrinkles,it
ive remem’bred ilot to be,
ies with thee.

jUO

.

c&gt;
SONNET 4. 2 thy beauty's legacy the Beauty which‘you have inherited
and should bequeath. 4 frank generous, are free who are generous.
5 niggard miser. 6 largess generosity. 7 use invest at interest. 8 live
(a) earn a living (b) continue to live in the memories of children. 10 de.
ceive cheat. /a audit account.
lives ... to be would live (in the^vsTt • I
form of a child) to be your executor.
,,
i

loveline

hy\jost . hou spend

If

\l^ c ,
K 5 fA

re-

Nature’s bej^uest
thing, but dotMend,
And, bMng jrankZshe lench to tihose areffreeY~
enTI^^uteo niggarjZjKthy dost thou ab^seje /
The bouniei;;ys;i^
&lt;'Profitiess/u^e^^J
So gfeaTa sum pf sums, yet can
For, having traffic with thyself ^one,
Thou of thyself thy sweet self\dost decgive.
calls th tob^gonfej
It nst thoii 1
ea*uEy7nust be/fomb’djVith
h’ execu
5

, j
'
’

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                    <text>—1

li
SONNET 31. The point
et’s past friends, &lt;2yt
supposedly dead, are enshrined in his living friend.
i endeared withC/i^irX • /
made more precious by.
j parts qualities, attributes.
5 obsequiom.^^^~Z^
shed in mourning.
6 religious faithful.
■] interest a right or claim.
appear are revealed to be. 8 But things remov’d merely absent things.
thee gildon; q: "there.” 10 trophies memorials, such as were hung on
'
tombstones to honour the dead, lovers friends.
11 parts shares. 12 &lt; y Js’
due of many what was formerly due to many. 14 all they who unite all
of them in yourself, all the all the sum total (of all my parts}.
«

Thy bosom is endeared with)
I*\
WhichTbyl^inghave suwoseddead)
[rZr'k ' (
there reigns love, and.^^love’s loving parts,
** '
^ifthose friends which I thought buried,
many aJioly and obsequious tear
^th dear religious love stol n from mine
^'nterest of the dead,(w‘Tiirf^ow ^pp^ar
"k{ • . _ ^s____
’J ’d
«. V that^n
« I ddenli
rZfrl
remov
i^the^,Ai?
rav^Twhere
buried
love doth
i^Rhou a^n&lt;
with th J trophies of my lovers gone,
Djheir jarts of me to the^did^ive:
iu^of m any now is thin£a^ane,
ir imafift s I lov’d I view in thee.

ck"-

Sonnet 32. / my well-contented day the day (of my death) which I will
: pleased to see. 2 churl rude country fellow. Death is envisioned as
gravedigger. 5 by fortune by chance. ./ poor rude lines That Shakepeare should appear to deprecate his own verse is entirely in accord with
Renaissance custom, lover friend. 5 bett’ring of the time improvement
\ ' lyr^^^ug made in the poetry of this age. 7 Reserve preserve, rhyme ex■ cellence as poetry. 8 happier more fortunate (in having greater poetic
gifts).
JO grown . . . age improved as the poetry of this age has im­
proved. 12 in ranks . . . equipage in the company of poets of superior
style. "Equipage” is literally “military equipment.”
jy better prove
turn out to be better. 14 Theirs their poems,
y g-.-t »
•
('i'

’’^~'~^f)tho
dti^hall cover,
3^en that clijid peath my
e oncet
lover
eseitjoor rudeUnr^qf'f
e ti
mpare them with
]^though they. e ou
sewe them(K)r,
5«ded by the height of
I
O^hen vouchsafe ^e but this jo'^
Z* this^owl^ age,^^
earCT^t^tUnthishi^ehaVbrou^ht^
narch in r^^l^of better equipage;
BuVsince ttfdied, and poets bette

,1'^

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                    <text>p 36

J

SONNET 33. 2 Flatter . . . eye The sun flatters the mountaintop on
which it shines just as the king flatters the subject upon whom he looks.
The sun-king analogy is traditional, ; basest darkest. 6 rack mass of
drifting clouds. S disgrace blemish, disfigurement, 12 region cloud the
"rack” of clouds of the upper air. i} no whit not at all. 14 stain giw
dim, lose their brightness.

Full manv /gIori/&gt; srhorning have I
Flatter the mountaA tops with soyerei
Kissing with^gol^^^^ face the nieadow^?een,^&gt;^
Gilding palg-slfeams with heave^ al
n permit the basesF
ith iiglyjrack^onVis cej^s^l^ade o^'/---from the fofwa^rl'd hj&gt; visage hide,
uaseen ^We^yi'ith thi^^^s^ace. ]7
so
my
sdn jme earf^^morn did Ain;
Ev
ur on m
ith all triutmiMi nt sole
our
waf bu
ffom me novi.-rr^
The/^on dwd hatl
^Yd^mf^mhh my love noVhi isdaineth;
^^hs of t^e world\mayaain hen heaven’s sun

4

‘

'

staineth.

ih ■ F.,t
ci\‘

SONNET 34.
base dark. 4 brav’ry splendour. roZfeti smoke unwhole­
some fog (commonly believed to carry the plague).
6 the rain i.e. my
tears, 8 disgrace blemish, scar. 9 give physic to cure. 12 cross frus­
trating burden (capell; q: “losse”). 75 sheeds sheds. The Q spelling is
preserved for the sake of rhyme. 14 ransom atone for.
\

d--.

y didit/thou ^romis^pch a
&gt;/
•rrrlt’Jn

ft’

cloak
-t
let ba e clodd^^JSkeJpg' in my way,
ling thy hjir^y jn 'their rotten smoke? ,
^Tis not eM^u^/tharthrough .the cloud thou break
..'/To d^m^am^n my sto^:b^ten face,
-v■

Ar'tbf'!

• e^t. p-

^3^

\v

■/fe

OiiJ X d••dl| ■ii

;^^Lheals th^un^nd^es not the disgrace:
- -Wo 7an thy diame give physic to my grift;
"^3ugh thpu_repent, yet i have stilL^^^^^^
'
Thfoffender's sorrow lends but’^eak reliefZfi. j
*To him tha/bear) the strong off^ce’sJgS^y.!?^/ f
Ah, butSlmse tgais ar j^rl^v^h thylove sheeds, ,
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'

t-elit,

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                    <text>- 1-

er^. -anr'l

’^ 7

lev’d at that which thou hast done:
) Z^(Rc«es hAve thorii fid silver fountains mud;
ecTTpses stain both moon and sup
'^■'^^‘r.t^Clunds
;r lives in sweetest bud?
,,and even I in this,
ss with compare,
a^n^ thy amiss;
han thy sins are;

It in

p-.5(l
r X. - -^**fP**
3 itain darken. /"cariker a green caterpillar which feeds
^Jii&gt;^*7ipon blossoms. 5 make faults have their faults. 6 Authorizing justify- ,
‘"S'
compare by comparison.
7 salving thy amiss in palliatingoffence. 8 Excusing . . . sins are offering excuses for your sins (so&lt;’ 7'
.
! anxious am I to forgive you) that are greater than your sins would call?'
l^y ■ ■ •
caeell: q: "their . . . their.”
p sense (a.) reason, ra-^~j
t- - A tiooalization (b) feeling, sympathetic understanding. There is a probable"' ’
l/T? y,
"incense.” 10 Thy adverse , , . advocate the one you have in- '
you.
accessary accomplice. 14 sourly bitterly.

’Js.-fG
love and hate
7,
an/aci4^ry needs must be
sweeT^ief which sourly(rolj^ from me. / I'
ii.&lt;A,£ih-

/3b

separated. j blots deteJlsi^fle^^ E'^r^rring
C 91^ to the corruption he has himself suffered because of his friend’s disloyalty, ‘ '
} one respect a single attitude. 6 a separable spite a spiteful (cruel) situation which separates us. 7 love's sole effect the emotions to which only
'
love can give rise. p not evermore no longer, acknowledge thee give
B
^?^^_^igns that I know thee (when we meet).
10 bewailed lamented, guilt
To just what guilt the poet is referring is not clear. It may be the “blots”
3’
perhaps his relations with the "dark lady.” ii public kindE ness public recognition by a nobleman. 12 Unless . . . name unless you . * &gt;
S wish to dishonour yourself by so doing.
mine . . . ireport your good
.i
reputation is in,jny keeping. Shake§pea/e use§ this^^jSame^
le, ccju
CQu
3
W
Sonnet 96: '
"

y Let ftie confess^atl
I Although our^ndivide
Schall thos^lXlj that
/Wh^iout thy help by me be jiorne algp
'3
jJJ?:’ ■?&lt; - i I Ini our (w^oves there is but &lt;6
ite
1, XJjiough infbu?

^0-

'

V/^et doth i^t^al sweet hQt^fromTove’s delight
I may notpye^pre acknowled^ejjiee,
t. y.n j - —shame

JtlV'

lono
Irom t

•Np2^hou witJ^uWic
U^e^hoii tak§J;ha(,

e.
name.

thou beipg mine, mine IstIw good@port.
It
ctv-y

f it -

■

, uA

t4 -

' o

V*

WtWM

liX"

(Tt

,

-HA'^ ' '

4

A
‘^'osenA

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                    <text>dut^i^hat cannot6yrjOii^thee,T'’f^'
ielf dosr'givezirtventli

V I

4
ry
\
t^ •

s^NNEir 37. 5 made lame handicapped. We are not to conclude, as some
have done, that the poet is referring to aspecific physical defect,
dearest
direst, most grievous. ./ worth nobility.
7 Entitled . . . sit sit crowned
among your virtuous qualities (parts),
thy capell; q: “their." 8 en­
grafted to this store fastened to and drawing sustenance from this abun­
dance (of your “parts”), as a shoot is grafted to the trunk of a tree. 10
Whilst that . . . substance give while this idea of mine (that I share in
“your “parts”) enables me to share in their actuality. “Shadow” and “sub­
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ii suffic'd
satisfied, contented. 12 And by . . . live The poet lives by his love for
his friend, and that love is itself a part of the glory which his friend
possesses. 13 Look what whatever
"X
Q' Xk

'So I, made
truth;
e all my com
ilth,
or wit
whether be^jy,
my of thesej^iyo
itled in thy parts (lo.t^cor^ed
' I make my love engrafted to thi;
■V ^o then I am not lame, poor, nor^^is’d
'whilst that thi|^hado'wdoth(^ch^bstai
That I in thy a^^^n"cfe
ffiVd
And by a part ofmyh
ve.-” " J
Look what is t0t - thafttes I wishjiijthee.
This wish I have; thenlmnjtin^ hagp^ me!

S

) "
Q.J t'. „

SONNET 38. z subject to invent subject matter for poetry, Invention” is
"poetic creativity.” ) argument theme.
Eor every . , rehearse for
any common piece of "writing to express. y-6 if aught . . thy sight if
*
anything I have written which is worth the reading meets your eye. ro' &gt;
11 upon for inspiration.
12 numbers verses. date
ij these curious days this highly critical age.
^4
\ P&lt;^in effort, trouble.

1)
’

j
Z38

/Vvn
'(•&lt;

fHdw can niy_Mu^e w^nt &gt;
•sjfintoh(iy verse
"yVhile thou dost brejltKe, that p
et a ument, too/ex lent
Thi
t((rehears
hanks if aught fin me
.
mej-^gainst
thy
mlhj peruj
?oi^ho’s s
jght?
When thou
1
Itimes
toor^
n
Be thou thdten
Than~those
which rhymefs in^^^te;
^d he that fails on thee, let him brin^^f^h
^fit^nalinumber^^ opflive long date.
V*’ '
"
~
use
^Jjlease
these
curious
days,
Ifmyj
line, but thine shall be_thepraise.2
siAj n.

- .....

39

.

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                    <text>k

0 - i-f

Si,

f6", how th^orth with(p^ners4hay 1
When thou artlll the better pailpfmg?
What can mine own praise to mine own self bring?
jidVhat is’t put miy oyn wheri I
;ven for this let . divided live V
n^ur dear love lose name of ^ngle ope
is^^rratiorill may give
\
at b
-4'^
thee which thou deserv'stjalpto.'
O’aB^rice, what a torment wouldst thou
Were it not thy sour leisure gave sy^
1 To entertain the time with thoughts of lo
Which timft^niDthoughts so swFetly doth
dlhat^ou teachest how to makqfone twaif^&gt;^ ..,
A-

SONNET 39. / With manners
iJdesty (Snice^'i^htSrTnOTMt*’'^
to praise oneself). 2 the better part of me my soul. 5 for because of. "t
6 name report (as opposed to the reality). 8 That due that which is
owed.
9 absence separation, prove prove to be.
ii entertain pass '.-f,
pleasantly. /2 doth malone; q; “dost.” deceive beguile.
73 to make
one twain to make one person appear to be two. Absence of his friend
causes the poet to envision him in his imagination and thus add his
friend’s presence to his own. 14 hence away jrom here.

oyi/p

o1

! I

*

’•

.t-J

a;„,
O0CX&gt;€&lt;&gt;&lt;XXXX&gt;

, '10- fJ\
SONNET 40. r
„„
„
/a) my love for you (b) my mistress whom I love. 3-^ No love . . . this^li,omore the love of my mistress cannot be called true love, and all my love
'■ ,„-^for you was already yours before you took my mistress. 5 for my love
(®) because of love for me, since you must love anything that belongs to
rJ
'■' K* me (b) in exchange for my love for you (c) because of my love for her.
'‘^^^thou . . . receivest you take my mistress. 6 for because, usest employ—
,
sexual purposes.
7 thyself maione; q: “this selfe.” deceivest betray, are false to. 8 wilful taste (a) lustful savouring (b) deliberate enjoyment. thyself refusest your better nature would reject.
10 all my
poverty all the little I possess. 12 hate’s known injury that kind of injury
of which we know hatred to be capabje. 73 Lascivious grace beauty and
charm in lustfulness,
spites outr^eous injuries.

Caj

'.J-^

'^(j)

iy loves, my love, ycsi, take tl^

,

,1
(O

|‘+'^No love, my love, that thou may^true Ip
y
(^|ra»iwe..was thine^|ore thou hadst
Jhen, if'lor m^oyFtEpir^^
1 cannot^lame th'ei^r my lov^ho
n’^Hfthou thygelt d^cfe
of whai thyself tjef

^vethy robblrj^^
ny poverty;
er grief
j’sjcnoy^i^njury. •

fjr,,j a ve^

sr; vi nil s^afT)Un

m;meylA^te^et we musLnot(^^s.‘

. ic /\ I

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etty wrongs (3} slight misdeeds (b) misdeeds graciously '5
'■
Lascivious grace" of the previous sonnet, liberty lust.
,
/} 4 still always. S sourly rudely. s/ic-MALone; q: ‘‘he.’’
my seat forbear “
ft forgo the special position that belongs to me — i.e. not take my place withA-v^j^
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‘
\
II riot debauchery. 12 a twofold truth the faith (troth) of the mistress
friend to the poet.i

Those pretty wrongs tha^ liberty commits
When T am sometime absent froni.Yhy heart/
Thy beauty and thy ye^s full well befits,
Pnr stiff temptation follows wherejthou ail.
4 , GentleIthou art, and therefore to be won;
Beauteous/thou art, therefore to be assailed;^
And when a woman woos, what woman’s son
Will sourly leave her til^sh^ave prevailed?
Ay me! but yet thou mightst my seat for^eiar^ .
And chide thy beauty and thy straying/^out]^

i

k
.tr
I'*

!«mI

Who lead thee m their riot even there
Wljerejlhou^t forc’d to break a twofold truth
(Hers, by thy beauty tempting her_tothee,
\ Tpine, by thy beauty being false tg^e.

I.
T^thouJ^d^heii it is not all my grief,
Ar d yet ittoay be said I loy’djier dearly:
Tl tat shelhatljthee is of my/waiyhg chief,o^n love that touches iiie^orc'nearly.
PLi ving offenders, thus I will ^^use
loujiosfeiove her becau^ thou know's^
itffOT my^salce even ^dot^^he abuse me
5
i&lt;cme
jnv frienchft^ iny sake to approve her.
my love’s gain^ &gt;
I
friendDh^xbyound tKSt^o
3 7-7A^d\osiT)g her,
“jsand IifosepothX^ra^
.^■t^f^oth find eatjic
:e ray orrme thtscrossj
fy,.r/ x^d both for m\BVt here’s the joy — my, friend and(^i^e/one
' ‘‘’1« ry •
flattery 1 then^^l^s^ut m^^

r't-

SONNET 42. 5 if my wailing chief nly chief cause of lame
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10
' losing her if I lose her. rr both twain both
them. 22 cross affliction.
14 Sweet flattery pleasing^lf-deception.

■’’v I
'. Al '

IrVitf t

A.
»»i »»»-l

c

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                <text>Margaret Demorest Sonnet Annotations: Sonnets 41 and 42</text>
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                <text>&lt;div class="element-text five columns omega"&gt;&#13;
&lt;p&gt;&lt;a href="https://rightsstatements.org/vocab/NoC-US/1.0/"&gt;http://rightsstatements.org/vocab/NoC-US/1.0/&lt;/a&gt;&lt;/p&gt;&#13;
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                <text>&lt;span class="value-content"&gt;The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in January of 2024.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SONNET 41&lt;/strong&gt;&lt;br /&gt;Overall Notes&lt;br /&gt;41—Countess of Salisbury—in Tower for 2 yrs—executed&lt;br /&gt;Yorkshire uprising to kill[?] Pres. Of North, Llondoff—Failed. 60 exec. [illegible] Sir John Neville&lt;br /&gt;41—Cecil married&lt;br /&gt;42—Thomas born&lt;br /&gt;43—Mary died&lt;br /&gt;42 would be [illegible] of Anne of Cleves had been friend of Cath. Parr. [sixth wife of Henry VIII] = ?&lt;br /&gt;1541 Cranmer brings proof of Catherine’s misconduct earlier[?]&lt;br /&gt;’40—Div. from Anne of Cl. [illegible] by Exec. of Cromwell—others with him burn&lt;br /&gt;Cranmer was twice married (tho clergy)&lt;br /&gt;Cross of House of Guise is two-barred cross of Lorraine&lt;br /&gt;1541 Henry crowned King of Ireland&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SONNET 42&lt;/strong&gt;&lt;br /&gt;Overall Notes&lt;br /&gt;42—Kath. Howard infid. + beheading&lt;br /&gt;Mary St[uart] born 1542&lt;br /&gt;1582 = Alencon + St. in prison&lt;br /&gt;James V dies Dec, 1542&lt;br /&gt;I think it has to be two males competing for E.&lt;br /&gt;Tho[mas?] Seymour loved Cath. Parr before marr[iage] to King&lt;br /&gt;Line 3&lt;br /&gt;Wailing: Wales&lt;/span&gt;</text>
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