735 10 9760 https://caspercollege.cvlcollections.org/files/original/d4ad949ae0da99f4c093333d5616253f.pdf 956b6f731b2878367702adf9ef04c899 PDF Text Text Those lips that Love’s own hand did make Breath’d forth the sound that said “I hate” -^4^ .V To me that languish’d for her sake; ‘ But when she saw my woeful state, , Straight in her heart did mercy come, Chiding that tongue that ever sweet Was us’d in giving gentle doom, " y And taught it thus anew to greet; ‘‘I hate” she alter’d with an end That follow’d it as gentle day Doth follow fught, who, like a fierid^^ From heaven to hell is flown away. “I ham” from hate away she threw, AndAsav’drn^life, Uving “not you.” 145. The poem is not a true sonnet, being written in octo syllabic lines. Some critics have considered it to be a non-Shakespearean intrusion in the sequence. i Love’s Cupid’s. 5 Straight at once. IVas us'd . . . doom vias accustomed to pass gentle judgments. 8 greet address me. Ji like a fiend Night is conventionally referred to as the child of hell. 13 1 hate ... she threw she removed the words “I hate" far from hatred, thus altering their meaning. SONNET SLxvJ - ' ii > S • <a- h 146. I earth body. The analogy of the human body to the physical earth is a Renaissance commonplace. 2 Fool’d by malone; q: “My sinfull earth,” which is obviously repeated from the previous line. )x*^"Malone’s confe'ctiire makes sense, as do various others which have been . « - made to supply the two missing syllables. K indicates the hiatus without venturing a guess, rebel . . . array rebellious flesh that encloses you. \ 4 Painting . . . walls adorning the body. 8 charge object of your ex- penditure, the body. 9 upon . . . loss by giving less to your servant, the body. IO And let .. . thy store and let the body suffer so as to increase your resources. That bodily privation increased the health of the soul was an ancient religious commonplace, ii Buy terms ... of dross earn im mortality in heaven by giving up sordid hours on earth. 12 without on the outside. ij So shall . . . on men in this way you shall conquer death, which destroys men. SONNET 146 ' Poor soul, the centre"of my sinful earth, fA^ool’d by these rebel pow’rs that thee array,--^ 'Why,dostithou(^ine^ithin and suffer ^arth. Painting thy outward walls so costlVg^L^ Why so large cost, having so short a lease, ' Dost thou upon thy fading mansion spend? Shall worms, inheritors of this@:ess,H Eat up thy charge? Is this thy body’I'end? / /Then, soul, five thou upon thy servant’s Idss, ' 5 IO Buy terms divine in selling hours of dross; Within be fed, without be rich ho mpre. So shaft thou feed on Death, that feeds Anrruen, > X And Death once dead, there’s no more dying then. / J � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Annotations on Shakespeare's Sonnets Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Description An account of the resource Scans of a copy of Shakespeare's sonnets containing former Casper College English instructor Margaret Demorest's annotations. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Margaret Demorest, William Shakespeare Language A language of the resource ENG Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Written Annotations Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Sonnet Annotations: Sonnets 145 and 146 Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Subject The topic of the resource Shakespeare, William, -- 1564-1616 -- Sonnets; Sonnets, English -- History and criticism Description An account of the resource The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in February of 2024. SONNET 145 Perhaps impr. 1601–E saved him Temporary end of “eclipse” (Bacon letter) as E “agrees” to send Essex to Ireland? Facing: hatred + mortality Code of rebellion Reconciliation possible (but rebellion hidden) SONNET 146 1599–pious Es. ill–funeral bells Globe theatre opened ’99 Religious melancholia for Essex (recurrent but strong at end) Remuneration of flash[?] Death faced (avoid in 1st part) Body is servant to soul here–pine in Tempest (Ariel’s prison) Line 9: mourners feed his spirit[.] Perhaps this is of Essex Lines 13-14: Donne poem [Likely referencing the sonnet “Death, be not proud” by John Donne.] Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Demorest, Margaret; Shakespeare, William Language A language of the resource ENG, LAT Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets_145_146 Format The file format, physical medium, or dimensions of the resource PDF https://caspercollege.cvlcollections.org/files/original/15e3f8b7adee872ae87a5335b419ed59.pdf 11116f6a73de0a285261efde41b60152 PDF Text Text -115 SONNET 147. I still always. 2 nurseth nourishes, ke 5 ill illness. ./ Th' uncertain . . . to please to cater to the fickle, unhealthy appetite (of the patient). 6 prescriptions orders, instructions, kept fol lowed. 7 / desperate I who now am desperate. 7-S approve . . . did except now realize by experience that desire, which refused the help of reason’s medicine, is fatal, p Past cure . . . past care I can no longer be cured, now that reason has left me. zo evermore constant, eternal. 12 At randon . . . express’d at variance from the truth and senselessly expressed. “Randon” is an old spelling of "random.” SONNET 148. 2 Which have . . . true sight which see nothing as true sight would see it. 4 censures judges, interprets, aright rightly. 5 false distorting. 7 denote indicate. 8 eye There is a probable pun on “aye.” IO vex'd afflicted, watching lying awake at night. zz mistake my view misjudge what I see. ij Love (a) Cupid, the god of love (b) the beloved lady. 14 foul faults (a) physical ugliness (b) moral defects, find dis cover. 148 My love is as a fever, longing still For that which longer nurseth the disease; Feeding on that which doth preserve the ill, Th’ uncertain sickly appetite to please. My ^ason, the physician to my Love, Angry that his prescriptions are not kept. Hath left me, and I deaerate now \ Desire is death,lwhich ^ysic did e: Past cure I am, now JJason is past t And frantic-mad with evermore u My. thoughts and my discourse as madmen’s are, At \randon from the truth'va^lZexpress’d; For I have sworn thee[fairjana thought thee bright, • Who art as black as hell, as dark as night.- jO'me, what eyes hath Love put in my head, A^ich have no correspondence with true sightl Or, if they have, where is my judgment fled. That censures falsely what they see aright? jAhat be fair whereon my .false eyes dote. What means the world to say it is not so? If it be not, then love doth well denote ve’s eye is not so true as all men’s no. How can it? C)^ow can Love’s'eye be true. That is so vex’d with watching and with tears? -x__ 10 ^No marvel then though I m|stake^my view: "^“The sun itself sees not till heaven clears. .. Q-Cunning Lovel with tears thou keep’st me blind,' u. f\ ^es^^ well-seeing thy foul faults should find. 149 A-o - � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Annotations on Shakespeare's Sonnets Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Description An account of the resource Scans of a copy of Shakespeare's sonnets containing former Casper College English instructor Margaret Demorest's annotations. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Margaret Demorest, William Shakespeare Language A language of the resource ENG Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Written Annotations Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Sonnet Annotations: Sonnets 147 and 148 Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Subject The topic of the resource Shakespeare, William, -- 1564-1616 -- Sonnets; Sonnets, English -- History and criticism Description An account of the resource The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in February of 2024. SONNET 147 E sent her plays to Es. Essex longed for death “I owe God-” Next time this phrase belongs to Raleigh 147 Regret at writing series? 158 Recog. of impossibility of knowing truth? Love is illness Love is unsure of truth Perhaps this is Essex spkg. + #152 is E. spkg. Error he thinks he has committed–but not sure SONNET 148 Bacon forgives Harrington letter (wr. by Rob. Markham) spies Could be Eliz. to Mary Truth difficult Poet uncertain as to what is so– (emotion + time-blinded) Line 13 Blind: Cupid Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Demorest, Margaret; Shakespeare, William Language A language of the resource ENG, LAT Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets_147_148 Format The file format, physical medium, or dimensions of the resource PDF https://caspercollege.cvlcollections.org/files/original/2acbf7fcd85ae13375efe47c27c0e31d.pdf 80c5c237289e934a4818c6bd9697a40e PDF Text Text I ... thy sake when I forget myself, complete tyrant, for P agree that ‘-tyrant" refers to the lady rather than to the poet, although the matter has been disputed. 7 low'r'sl on frown upon, spend mete out. 8 present moan immediate suffering. 9 respect discern, zo so proud . . . despise too proud to serve you. zz de fect lack of good qualities. zs motion prompting, impulse. z./ Those Wat . . . am blind Since the lady loves only those who can see her defects her hatred of the poet constitutes a recognition of his blind passion. vt W»>^ "" iXJ ■ Canst tho^ Ocruell say I love thee not t When I[ag^stmYseJflvith thee partake? “ * '*$?! think on thee when 1 forgot -. of myself, all tyrant^ fqrjjty sake? i ' /who hateth thee that I do^Xll my friend? I On whom frown’st thou thatj^o^wn upon? 1 ! if thou low’r^stjm-m<^. do ynot spend -1 Zj^>J<eVen'ge\iponr~myseIf witlw^semlmoan?! What meri^ioj in myse|f^pec^^ f^j , That IS so proiX^ s^ice to dgpste<^ When all my be^doih wbfsliip thy defectr^'7~~’7^ r^mmahdedj * he motion of thine eyes?;> But.Tove^ate for now I know th^fmmdL^,^^ Those that n seeYhou lov’st, 9 ’’h 1 .(Urt^c >< K^k; SONNET 150. 3 H'jf/i insufficiency \iy virtue cff yotir very shortcomings. sway rule. 5 give . . . sight deny the truth of what I actually see. 4 that brightness . . . day that it is not brightness that makes the day beautiful (and thus that it is darkness which docs). 5 this becoming . . til this power to make evil things seem good. 6 very . . , deeds most worthless of your actions. 7 strength . . . skill powerful assurance of excellence. 10 cause of reason for. If thy .. . of thee if my passion is so strong that your defects can arouse love in me, I am all the more worthy of being loved by you. 0 150 • I: VO^rom what_pow ’r hast thou this pow’rful might jjyjth insufficient my heart to sway? , I Tp make me give the lie to my tru&-sight -“ ' Ahd swear that brininess dotlTnot ^ace the \ Whence hast thou Ais becoming o^ thing! .. '-That in the yie/y^use bf th^eeds antissxof skill , a/’ /There is such 5ireng vorst all bett That in my mind;t wVo make me tove thea^o^ e^juit cause of hate^ , ear an 'he mor? whafothers do a^i^r, Tthough I □th others ais’Tlove* in me. If tin ti ort to be be 'More’^’i^ort U-V.o: l^er^ . 151 rtf IO � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Annotations on Shakespeare's Sonnets Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Description An account of the resource Scans of a copy of Shakespeare's sonnets containing former Casper College English instructor Margaret Demorest's annotations. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Margaret Demorest, William Shakespeare Language A language of the resource ENG Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Written Annotations Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Sonnet Annotations: Sonnets 149 and 150 Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Subject The topic of the resource Shakespeare, William, -- 1564-1616 -- Sonnets; Sonnets, English -- History and criticism Description An account of the resource The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in February of 2024. SONNET 149 Grenville dies in ’91 in Revenge fight ’88 Revenge is Drake’s in fight with Arm. Perhaps this is his repudiation of former friendships See Vaughan poem. [Possibly referring to the poem “Vain Wits and Eyes” by Henry Vaughan.] Perhaps based on Bible: Christ heals blind– Love not hate is this seeing Irish war–South + [illegible] appts denied by E. – Dublin arrival April 1599 Essex here recalls the sacrifice made for E. in service Love is blind Love is power 149 Abases self–for love 150 Acknowledges that love elevate lover SONNET 150 Mild grief at all the losses Or Sh. favors E. over Ess.? (how?) Power of love elevates them both Necessity of overthrow = Rising Essex favors E over James? Could even be E. of Es. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Demorest, Margaret; Shakespeare, William Language A language of the resource ENG, LAT Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets_149_150 Format The file format, physical medium, or dimensions of the resource PDF https://caspercollege.cvlcollections.org/files/original/0cc0ad82157a301017959b72c93f9744.pdf 76548c06644b5d3e10c4b67c3485f39c PDF Text Text 1-jV ^4 e ' SONNET 15. I consider consider feiat. f " 2 Holds ensures. stage the world (which Shakespeare often conceives of in terms of the ^-Pt theatre). shows Insubstantial external appearances. 4 Whereon . . . xr-ti comment The stars are conceived of as influencing the course of human events in the same way that the audience may comment upon the performance “f players on a stage, but while the audience reacts noisily, the stars comment in silence, "Influence” is a technical term in astrology for the power exerted by a star. 6 Cheered encouraged, check’d (a) rebuked (b) restrained, 7 Vaunt boast, exult and swagger, sap vigour. 8 wear . . . memory v/ear away their magnificent condition (as a garment is worn out) until it is forgotten. 9 conceit thought, inconstant stay imperma nent condition of life. 11 debateth with contends in rivalry with. 14 ingraft you give you new life (by means of my poetry) as trees are revivified by grafting. Here the poet introduces a new theme: the power of his -- boetry to keep his friend’s beauty alive after it has faded. .1 'Sa When considgLfii^ry thing that grows*" Holds iri^^CTfectiolVtrttt-a4ilt1e moment me his huge stage presentethpaughfput shows Where^tho^ai^in secret influence commentr i'en I perceive that men as plants increase, fip ’ ijch^ered and ^li^ck’d even by the selfsame skyrT»T. Vaunt in their youthfuL^p, at height decreas^ ' wear this infconltant itSLy-ivif ^ip^in youth before my sigh^ vVnere wastefu hue debateth with Decay_^:,[it^e day^f youth tol^ilie^night VTo&anse nd, all m ^with Time for love of yo.^ . As he takes from, you, I i « r, w a'* SONNET 16. / a mightier way mightier than by''the poet’s pen. y ~ fortify repair. ./ barren rhyme The poem can produce no children, '.whereas the "mightier way” can produce a son. Shakespeare is not simply depreciating his own verse. 5 on the^. . . hours at the prime of life. V‘6 yet unset still unseeded. S Much liker . . . counterfeit resembling you yO more closely than your portrait can. 9 lines of life lineal descendants. V yf life repair restore life (through children after life in the parent is gone). IO pencil the painter’s brush, pupil inexperienced, still learning. Some have taken this as evidence that the sonnet is one of Shakespeare’s earliest. a mignti tarit, fortify yourselfiify^r deca meani^oreplessed ihan^y itow stand you on the top oh nd many maiden garden^ ye|? ith virtuous wish would(bear therefore dp hSt my Neither in inwa worth Can make you Idye jl'oui ui To give And you mus(fiivi 5 -«tji � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Annotations on Shakespeare's Sonnets Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Description An account of the resource Scans of a copy of Shakespeare's sonnets containing former Casper College English instructor Margaret Demorest's annotations. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Margaret Demorest, William Shakespeare Language A language of the resource ENG Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Written Annotations Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Sonnet Annotations: Sonnets 15 and 16 Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Subject The topic of the resource Shakespeare, William, -- 1564-1616 -- Sonnets; Sonnets, English -- History and criticism Description An account of the resource The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in January of 2024. SONNET 15 Overall Notes ’15 queen Mary (Fr.) marries Ch. Brandon (produces Lady Jane Grey) Treaty signed with Spain ’15 1515 Louis XII dies = Succ. by Francis I + Mary mr. Ch. Brandon secretly Line 12 Change: Chancellor Line 14 Ingraft: Links to plant world[;] Family Tree restarted (Mary + Ch.) SONNET 16 Overall Notes Feb. 18 ’16 – Baby Mary Garden is England ’16 Ferdinand dies; Charles succeeds him few days before Mary’s birth (see sonnet line 9) Transition to series—portrait of “yourself”—“inward worth” + “outward fair,” subject of sonnets Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Demorest, Margaret; Shakespeare, William Language A language of the resource ENG, LAT Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets_15_16 Format The file format, physical medium, or dimensions of the resource PDF https://caspercollege.cvlcollections.org/files/original/828cf075857d397860bff396177ba9c4.pdf 42b08f522b030e5e5c3426f4731b9a2f PDF Text Text V <J-<5.CO<XXX>0<>O SONNET 151. Some commentators have been shocked by the crude ob scenity of the double meanings in this sonnet. Shakespeare’s contempo raries did riot shy away from acceptance of normal bodily functions. / Love Cupid, a child, conscience awareness and understanding. In the following line the word is used to suggest "guilty knowledge.” j cheater betrayer (of all three men with whom she presumably has been involved), urge . . . amiss charge me with my sin. 8 stays waits for. /o Proud of swelling with, /j want of conscience lack of awareness. :161 Love is too young to know whtft conscience is; > Yet who knows not conscience is born of love? y^jy‘’*Then, gentle cheater, urge not my amiss, X? Lest guilty of my faults thy sweet self prove, For, thou tbeti^ing me, I do 3*etray_-jjQ;^^ My nobler part to my Mv soul doth tell mv5odj\thit he may TrjnmrJj>q love; flesh stays no farther reason, y name, dodj-point-out-thee.,. risin fSftriumpbAnt prize, j^roud of this prid^ is thy poor SrU^r to^Ser— T land in thy affairs^lbby thyside. want of conscience hold it that I ca er "love” for whose dear love Iris r^faU. h? t \ ' 162 f 52. I am forsworn have broken an oath (th^ marriage vow), iu’earing have broken two oaths since you have sworn love to me. j-y In act . . . love bearing i.e. you have broken one oath in your violation of your marriage vow and another oath in your present rejection of me after having sworn to love me. bearing professing. • 7 misuse thee (a) misrepresent you, by calling you beautiful (b) use you wrongly, debauch you. 8 And all . . . is lost and in my dealings with you I have lost all my integrity. jr to enlighten . . . blindness to make you seem bright, pretended to see what I did not see. 12 swear against deny. eye q; ^WELL, k: Q spelling leaves ^e intended pun sufficienny"fer.’' We hetv •r^H. 5 - loevii' 152 X , Qn loving thee thou know st I am forsworn, 7 '’-^But thou art ty/ice forsworn, to me love ?In act thy bed-vow broke, and new faith-torn n ' ■' t In vowing new hate after new love^e^ing. But why of two(2^' b^^^dd I accuse thee t\«nty?J am perjur’d most; xj t^Tpor all my vows are^a^but to rnisuse thee, ■ Andl^ll'myhonesttfaithfeh ^ee is log^ 4' -rFor I have sworndeep^t^f thy d^ep kindi^^' / ; Oath^of thy love, thy truth, thy co; d, to enlighten thee, gave_eyes to blindnf r niade^fHah^ea/iigainst the thing they For 1 have sworn thee fair — more perjur To swear against the truth so foul a liel A ’ f 153 A � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Annotations on Shakespeare's Sonnets Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Description An account of the resource Scans of a copy of Shakespeare's sonnets containing former Casper College English instructor Margaret Demorest's annotations. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Margaret Demorest, William Shakespeare Language A language of the resource ENG Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Written Annotations Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Sonnet Annotations: Sonnets 151 and 152 Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Subject The topic of the resource Shakespeare, William, -- 1564-1616 -- Sonnets; Sonnets, English -- History and criticism Description An account of the resource The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in February of 2024. SONNET 151 Oaths + dirty jokes both charact. of James–who writes of Ind. Theme: “Conscience”[?] Loyalty to Queen of pt. Of Essex at exec. Rev. Ashton gets confession Love is innocent Love tells lies 151 contented with ups + downs 152 acknowledges falseness of celebration Conscience–Relig. issue–Alencon? Treason–reason Could be Essex at end Essex buried a few yards from Anne B. Line 6 Treason: thesis[?] of E. violated by masses Line 10 Proud of this pride: (not sexual–just a conceit) Line 14 Rise: Essex coup called a “rising” SONNET 152 James famous for using oaths– (swearing) Like Peter–one more denial = thrice–Cock about to crow at the end? His purpose in writing these sonnets revealed–L[illegible] futile Seems to be regret at celebration of sonnets–disill. at exec. of Essex Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Demorest, Margaret; Shakespeare, William Language A language of the resource ENG, LAT Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets_151_152 Format The file format, physical medium, or dimensions of the resource PDF https://caspercollege.cvlcollections.org/files/original/70c218bab1a2e9b0cafe61659ac8457d.pdf c772e3d5b7a91ca79117f5f42c261963 PDF Text Text V •st t'ffS ljlin4 163 VsoNNET 153. This and the following sonnet areuStelated to anything else in the sequence. They are variant free translations of a fifth-century Greek epigram by Marianus Scholasticus, first printed in Florence in the Planudean Anthology of 1494. It is unlikely that Shakespeare knew the y. Greek, however. The conceit was a familiar one that had appeared in many poems before his time. He may have found the epigram translated in Giles Fletcher’s licia (1593). ___ 1 brand torch, with which Cupid enflames lovers. :2 maid ' ' ' of Dian’s nyraph in the service of Diana, goddess of chastity, advantage opportunity. ground in that vicinity. 6 dateless eternal, still forever, 7 seething boiling, yef still, prove find to be. 10 for trial to test its power. II withal because of this, /a hied hastened, distemper'd sick. 14 eyes Malone; q: "eye." ; Cupid - A y' ' Cupid laid by brajid-and fell asleep. A maid of Di^’s this advantage fount^ And his love-kindlin£^re ^d quickl In a cold valley-fountain of th« gr< Which boffow’d from ew fir my b thither hied, a sad dist^hiper’d g^l^st/., found no Cure. ThefMthjfor my h^^lies Where Cupid got new fire — my I Lx-'" . ri. a\ 1.:]^ r observe, j votary nymplTwho had sworn a vow of chastity. 7 general leader. i.e. Cupid. 9 by do$e by. /o perpetual eternal. 12 thrall slave, ly and this .. . prove and I have learned and can demonstrate the following fact as a result of that cxperi^ce \f]rM . US The little Love-god, lying once asleep,___ ^^d by his side his heart-inflaming Krand. A^ilst^many nymphs that vow’d ehjs^jj Cai^trippin liut in her maid hanc The fairesd votar ook up that fire Which manl^ion^f true hearts h/d wa^m' And so thelgfflei^ of hot desire and oisar Was sleeping by a virgi '^higCbrand/she quenched'nT'a cooK^ hich from ToveTfire took heat^^pet itowing aifiatl^ and healthful rei^dy jr men diseas’d; but I, my mitties^thrm Cam^^rhere for cure, and this by that 15 Love^r^eatdj water, wa^r cooh not love . � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Annotations on Shakespeare's Sonnets Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Description An account of the resource Scans of a copy of Shakespeare's sonnets containing former Casper College English instructor Margaret Demorest's annotations. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Margaret Demorest, William Shakespeare Language A language of the resource ENG Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Written Annotations Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Sonnet Annotations: Sonnets 153 and 154 Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Subject The topic of the resource Shakespeare, William, -- 1564-1616 -- Sonnets; Sonnets, English -- History and criticism Description An account of the resource The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in February of 2024. SONNET 153 In myth of Venus + Adonis, Venus is wounded by one of arrows of her son Cupid and falls in love with Adonis. Then she roams disguised as Diana. Wild boar wounds him John Clerk Bish. of Bath + Wells was among defenders of Cath. of Arag. S. trying to leave country–can’t 153–needs cure for illness 154–love not extinguished Bath–subversive action? Dian = Bath goddess SONNET 154 Essex dead ’04 Letter from Essex to Eliz. protesting her intentional destruction of him in Ireland This is the summary: the true “conclusion” Blood Bath? Southwell poem–Burning Babe “So will I melt into a bath to wash them in my blood.” [This is a line from the poem “The Burning Babe” by Robert Southwell; the speaker is the infant Christ.] If the brand is his birth–perhaps he really is the secret son–bro to Essex and Bacon? [Essex and Bacon were not brothers, though they were acquainted through Elizabeth’s court.] Cupid–like Stubbes–loses the hand that love held But–one hand gone–he still loves her Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Demorest, Margaret; Shakespeare, William Language A language of the resource ENG, LAT Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets_153_154 Format The file format, physical medium, or dimensions of the resource PDF https://caspercollege.cvlcollections.org/files/original/afebf97839b8b7c57ef6d9cd942ae93d.pdf 6f56ee06b8ac7dbf39fd9413ff74b9f9 PDF Text Text - il? 1 ■>n SONNET 17. 2 wefe fiird with fuUy expressed.^ deserts nrerits. 4 parts qualities, endowments. 6 jresh lively, numbers verses. S touches Either (a) attributes, traits or (b) brush strokes. 11 rage wjld inspiration (and therefore irrational and false). 12 stretched exaggerated, antique quaint and old. A rs v\ X i r VjO xi ' I BtnA-..,, ‘-f ' r XS ' O 4- r~r pel. «• If it were fill’dAvith your most high deserts? Though yet, fieaven knows, it is but as a tomb,~^hich hides your life and shows notfralf j'dur pt could wite the beauty of your^eye^ "s ^n-fresh numbers number^ll your^acps^^ age to come would say, “This poet lie^’ Such heavenly touches ne’er touch’dearljtSo should my papersj^^loyye^withthe^ Bp scorn’d, like ^Idfuiei^yb^^^ruth tha ^d your Jtrue riglTT^ fae4ern?d a poet’sfrag Andjstretched metre bf an antique song. /“Burwer/ some child of yours aliveThat time. You should live twice — in it, andiojny rhyme, i » ■ ■ • 155,! OS? (ah'/ei -i- t h A/.'W'K. F(;, SONNET 18. 2 temperate even-tempered, mild. 5 May In Shakespeare’s calendar May would extend into what in our calendar is the middle of, June. 4 date duration. 5 eye of heaven sun. 6 dimm'd covered with '' clouds. 7 every fair . . . declines every beautiful object must at some (> time cease to be beautiful. 8 untrimm’d stripped of its beautiful orna mentation. 10 fair beauty, thou ow’st which you possess. ii shade '"L place of oblivion. /2 to . . . grow’st become a part of time, are grafted to time, as a shoot becomes part of th e to which it is grafted. 14 this ■ i.e. the poem. ' A, .A-Ai' ’ 1^ Pr Who will^^lieyjg^Y verse in time to come Shall 1 compare thee to a summer s day? hou art more lovely and mor^ temper winds do shake the rlirig buds of t£hft?^s^ease hath all^o short a dat^ . ne too hot the eyt of heaven shines, S ompl^j^n dimm’diy, And ever am from ^r sometime declined, Jt* By diaryee; ornging couigg, Butlthvleternal ^iS^iffer alljiQt fade Nor lose possession^of thah fair ^ou ow’st, Nor shall Death brag thou wand’rest in his sha When in etepfTalUines/to time thou grow’st. I So long asMiewcan breathe or eyes’caiTsee, So long lives this, and this gives life.^t^hee. ■^''^rfssarTr:'' -ti � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Annotations on Shakespeare's Sonnets Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Description An account of the resource Scans of a copy of Shakespeare's sonnets containing former Casper College English instructor Margaret Demorest's annotations. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Margaret Demorest, William Shakespeare Language A language of the resource ENG Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Written Annotations Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Sonnet Annotations: Sonnets 17 and 18 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> Date Created Date of creation of the resource. 1968 Subject The topic of the resource Shakespeare, William, -- 1564-1616 -- Sonnets; Sonnets, English -- History and criticism Description An account of the resource The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in January of 2024. SONNET 17 Overall Notes ’17 Surrey born (exec. for two[?] nights) Reference to Philip Mela[n]cthon? penultimate cycle ended with Luther vs. Pope 1518? ’17 – Martin Luther rises to fame, Wittenberg [Sonnets] 17-18-19-20-21 I think are Sh. talking to E. of his poem celebrating her humanness[?] Line 2 Fill’d: Philip + Mary ’57 Line 6 Graces: Frances, born to Mary Tudor (mother of Jane Grey) SONNET 18 Overall Notes ’18 – Cath’s last pregn. ’18 – 2-yr-old Mary to be betrothed to baby son of Fr. Madeline frail + beautiful 16-yr. old French wife to Sc. King James V died Arrived May in Sc.[;] was dead by July[.] Her father had feared disaster About this time Cath. interested in reforming educ. for women. Vives writes tract on equal intell. + training ’18 Treaty of London – union of christian Ess. agst. infidels James marries Mary of Guise 18 May, 1538 She [Elizabeth] will be “Ever the Same” but only in his poetry This year marks last pregnancy of Catherine. After that she goes into menopause. By age 41 [illegible] will not bear heir to Henry. Had six children: only Mary lived. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Demorest, Margaret; Shakespeare, William Language A language of the resource ENG, LAT Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets_17_18 Format The file format, physical medium, or dimensions of the resource PDF https://caspercollege.cvlcollections.org/files/original/05dd2e5a9ff9adfd567d2c245916807a.pdf a3f204305b28db61bf993d615dca5dde PDF Text Text ' 1*1 ! ' thou the lion heiijjytjfi ^weet b piake ___ __ Plpcl/the keen teeth from the fierce ti;isef*s ii urn the long-liv’djjhtenb^in hi devoPr . brood take bick within herself We beautiful ..things (here primarily the flowers) which have sprung fr^ her. phcenix a mythical bird which, after having lived for many centuries, bursts into fire and is reborn out of its own ashes. It was a conventional symbol of immortality, in her blood alive. 5 fleets dyce; q: “fleet’st.” Both were common Elizabethan forms. 10 antique (a) ancient (b) antic, grotesque. ii untainted (a) untouched, unsullied (b) uninjured. To "taint” was to “hit” in the sport of tilting. 12 beauty’s . . . men model of perfect beauty to be admired by succeeding generations. 13^^ ' wron? iniurv."^^ dCH^vlmte’ef ‘Hiouwilt, swift-footed Time, the wide world and all hfir-feding hweets|_ \ lit I forbid thee one mos/hemoAiirmcl O,! carve not with thyhoursmy love’s fair brow r~ draw no/lines [therej.with thine antiqu^ m in thy course untainted do o r beauty’s pattern(toEucceedin^me ... ' worst, olcPTime! - -Dds it^thy wrtii My love shall in my versqeverllive iS SONNET XU. in tnis sonnet tne poet affirms the’masculinity of his friend and disclaims any homosexual interest on his own part. i with Nature’s . . . painted ot natural beauty, not aided by cosmetics. 2 master mistress mistress who is a man (as opposed to the female mistressesj of other sonnet writers). The point is that his friend’s beauty is causing the poet to address him as other poets address their mistresses, but he is, in fact, a man and the poet’s master, passion love. 5 rolling passing from one object to another. 6 Gilding The metaphor rests upon the notion that the eye exuded beams upon objects in its sight. Like the sun, his friend’s eye gives forth beams of gold. 7 A man . . . his controlling a man whose form (hue) may set the standard by which the forms of other men may be judged. By “hue” is meant the peculiar combination of ^Shumours within the body which was believed to determine the total human being, both in physique and personality. 8 Which who. II de teated defrauded. 12 to my . . . nothing of no use to me. ij prick'd /thee out selected you especially (with the obvious quibble), ^employment tor sexual purposes. Z. . Oman’s fa^eTr^^ Nature’s oj^ harnH pfiintp.d Hast thou, t^ei;^^er^mis^ess):i^^y passionj A woman’s^entle heart, bu^ot acquainted J" With shif^ng change, as is false women’s fashion; X An_£yeAore bright than their s,^e^t^lse ^Idingjhe objectXdjereupon it gazet^;) A man in f^u^ljjXu^n his controlling,i WhTdTsteals mei??J^^nd woprenjs souls amazeth. And for a woman wert thou first created, Till Nature as she wrou^t thea feM a-dO^gJ* ^5, < And by addition me of thee'"defeated By adding one thing to my purposein^thingX '^2 ' But since shejirick’d thee out for wt^nenjs pleasure, ( Mine be thy love,^nd thy love’s'u^heir treasure. . Ji.c <■'2-^ < ZiAi«^‘’’'‘> ■ -ftn 21 »< ) L . k � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Annotations on Shakespeare's Sonnets Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Description An account of the resource Scans of a copy of Shakespeare's sonnets containing former Casper College English instructor Margaret Demorest's annotations. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Margaret Demorest, William Shakespeare Language A language of the resource ENG Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Written Annotations Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Sonnet Annotations: Sonnets 19 and 20 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">https://rightsstatements.org/vocab/NoC-US/1.0/</a> Date Created Date of creation of the resource. 1968 Subject The topic of the resource Shakespeare, William, -- 1564-1616 -- Sonnets; Sonnets, English -- History and criticism Description An account of the resource The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in January of 2024. SONNET 19 Overall Notes Is Essex here compared to base son of Henry? 1519 Emperor dies; Henry is candidate Ch. wins 1559 coronation? Ascension Day = 19th? (Annual Celebr.) Elizabeth Blount bears son to Henry But [Queen] Eliz. could be lion—because [illegible] symbol of Eng. She is also Phoenix Phoenix is close to identity poems Line 8 Heinous: henry? [sic] Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Demorest, Margaret; Shakespeare, William Language A language of the resource ENG, LAT Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets_19_20 Format The file format, physical medium, or dimensions of the resource PDF https://caspercollege.cvlcollections.org/files/original/6b560eab80858b885cdea1dcb2e10586.pdf 6aca4d22dd83dee5c10edcca51ced70e PDF Text Text 21. "In this sonnet th rival poet” makes his first appearance.fl,£,_ i_ Shakespeare compares his own simple style with the ornate and extravagant^^ manner of the poet he is mocking. i Muse poet. 2 Stirr’d inspired. painted artificial (as opposed to the “natural” beauty of Shakespeare's inspiration). every ^air . . . rehearse mentions every beautiful thing C’vf*’ in the world in comparison with the beauty he is praising. 5 couple, merit combination, compare comparison. 8 in this . . . hems that is>‘5^\r> enclosed within this sphere of earth (encircled by the dome of the sky).' 12 candles stars. 75 that like . . . uiell who are fond of exaggerated, econdhand comparisons. 14 purpose not to sell am not a merchant, lerchants, of course, proverbially overpraise their wares. Co n V f n't i 0 -I o.^ , 11 Thei^ook?K^^_th my days should/e^iate. ■ t For all th^t b^a,uty--that doth cover thee^ fP Is but th&seeij^ r^yment of my heart,'^^^.^^ Whichirtftfy breast live, as thine in }x(e Hovy-(^ I then bidder, t .y So IS It not ^I^hdeforedove, be of thyself so / /Stirr’d by a jpaiHted beauty to his v^rse, a7.i Who heaven itself for ornament dqth use fair with his^faTr doth rejrearse't MJ^Jting) a \ouplement of proud compari itn-sun ^^^___Qoix,-wixh earth and sea’yrh^gems, Wit V^H^^i^born flotv^s, and all things rare k«»* That he^v/n's/air/In this huge rondure hems, let me,\true in love, but truly write. — love is asjair , IO °And then arljy fcioti 4^gh not so bright.(j: /So ~^As tho^j;ol^^^le^ fix’djn heaven’s^ir.^'i^vji^^' ■ 7 them sayfoor^tli^like of hearsay^eliy ■ p yilljnot^raye that purpose /VI; 22. The sonnet embodies the Kenaissancgi convention that lovers have exchanged hearts. i glass mirror, old It was conventional/^',, since the time of Petrarch for sonneteers to claim old age. 2 So long ... / one date so long as you are young. 4 expiate finish, wind up. 6 seemly raiment beautiful covering. 11 keep so chary guard so carefully SONNET Cj-iLt- assjhall not persuade me I So lo as youth and thou are of ontTdate; But wh^Mn die^time’s furrows I behold, 4/i OU art] AVv^’^Y e'^ ■ V ' tendeiAiurse^'her babe from(far)ng ill. esume not on thy heart when mine is slaim OU gav’st me thine, not to give back again. OS , O Vi ol 11 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Annotations on Shakespeare's Sonnets Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Description An account of the resource Scans of a copy of Shakespeare's sonnets containing former Casper College English instructor Margaret Demorest's annotations. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Margaret Demorest, William Shakespeare Language A language of the resource ENG Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Written Annotations Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Sonnet Annotations: Sonnets 21 and 22 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">https://rightsstatements.org/vocab/NoC-US/1.0/</a> Date Created Date of creation of the resource. 1968 Subject The topic of the resource Shakespeare, William, -- 1564-1616 -- Sonnets; Sonnets, English -- History and criticism Description An account of the resource <div class="property">The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives Staff member Grace MacPherson in January of 2024. SONNET 21 Overall Notes 1521 – Henry’s reply to Luther – assertio septem sacramentorum [“The Defense of the Seven Sacraments”—Catholics believe in seven Sacraments, and Lutherans in two.] ’21 Mary Boleyn marries Carey (mistress to Henry now?) 3×7=21 Tyndale plans to transl. Bible into Engl. ’21 Anne B. returns from France to court Erasmus thinks Henry’s court “a temple of the Muses” Line 11 Any: Annie? SONNET 22 First use of word “heart” (3 times here) ’22 – [illegible] betrothal for Mary : Charles V But Essex has hart insignia I believe Mary Boleyn affair in early 20’s Cath. 6 years older than Henry (Mary B. in ’22 – affair) Lines 8-9: maybe this means he isn’t older except in aging fast if she should show signs of aging</div> <div class="property">Subject</div> Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Demorest, Margaret; Shakespeare, William Language A language of the resource ENG, LAT Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets_21_22 Format The file format, physical medium, or dimensions of the resource PDF https://caspercollege.cvlcollections.org/files/original/b3bc26053399048502f7ed113132f77a.pdf e5d064ee4090e792f459a0fc39b68855 PDF Text Text SONNET 23. I an unperfect actor an'actor who has not yet learned his part. 2 with by. besides out of. Or some . . . own heart or like a savage beast who finds that his passion by its very intensity makes him incapable of expressing it. 5 for fear of trust afraid of overconfidence, of trusting too much in my own ability. 6 perfect . . . rite exact words appropriate to love’s ritual. 7 decay weaken, falter. 9 looks capfi.l; q: “books.” 10 dumb presagers His looks are likened to the dumb shows which often preceded the dialogue in old plays. They were pantomime enactments of the coming scene. 12 that tongue i.e. of the “rival poet.” that more . . . more express’d that more fully has expressed more of your perfections. 14 belongs . . . wit is a characteristic of love’s fine powejgf^. of perception. ! 6'^'6 SONNET 24. I'^stell’d^xed (capell; q: ‘ ^eld,” which is retained by some editors as meaning “engraved”). 2 t( ble board on which a picture ■was painted. 4 perspective (3) when seen f •om the proper angle (b) when seen as through a perspective glass. The w< rd is accented on the first syl lable. 7 shop workshop, studio. 8 his ts. glazed covered with glass. IJ this cunning want lack this skill, grace j^hance. ^^Ayan unperfe^agto^n the stage , V Who with hij^^^s put besides h Or some'^erce in^ replete with too muc Whose stfen Ji’s abundance weakens his own So I, for f trust, forget to]say — 1 The perfect ceremon j^of Tove’^iteJ Ansij itt rnine own love’s strengtf( seeip to __ ' ’ with burd^ of mine own love’s might. . B^be then the eloquence jo/***”^ presagers ofi, my speating breast; ijVho pieaid Vor li^ire, and look for reco ense.’ yfoi^than tn^ tongue t^at linore |iath,^[or i ess’d. m read jVhat silent love hatnwri ath flay’d tpe painter and hath stell’d Thy beauty’s form in talBle oFmy l^emix My body is the ^ame wherein ’tis held, ) t And perspemve it is best painter’s artr ' Ipr through the paintet must_you^ee^is ikil o find where your trudjmagelpicVhr’d lies, Which in my bojom’s)shop|s hanging still, prhat hath his'.windows glazed wiith thin fjjQW-See what good turn^jeyes fo/eyes|h; ^ine(^^^^ve(Hrawh~~&h^ sha^,jand thine for me Are wiiidoWs tQmij^Si*ealt,~wheyethrough the sui^ Delights to p^p, to gaze thereih on thee. -Ve(^y^:^is cunning want tp/grac^their The'^raM but what the ‘ not the heant osN fG bum 25 if" CS looeJ ' 1/ 'o<s4k IO � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Annotations on Shakespeare's Sonnets Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Description An account of the resource Scans of a copy of Shakespeare's sonnets containing former Casper College English instructor Margaret Demorest's annotations. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Margaret Demorest, William Shakespeare Language A language of the resource ENG Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Written Annotations Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Sonnet Annotations: Sonnets 23 and 24 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0</a><a href="https://rightsstatements.org/vocab/NoC-US/1.0/">/</a> Date Created Date of creation of the resource. 1968 Subject The topic of the resource Shakespeare, William, -- 1564-1616 -- Sonnets; Sonnets, English -- History and criticism Description An account of the resource The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in January of 2024. SONNET 23 Parl. of 1523 – skilfull [sic] Speakership of Commons – More (1st parl. since ’15) Morton also an ecclesiastic under Henry VIII Beloved’s “eyes” are erroneous Master’s[?] eyes are incomplete Line 6 Rite: relig[ious] SONNET 24 Hanging glazed eyes windows – breast draw (+ quarter?) (public hanging - ? Jesuits) “Shop” is Eliz. slang for “imprison,” used esp. for spies + informers Picture of E. + eyes + ears – on dress Eyes = Leic. Line 1 Stell’d: Could be pun on Stella—the Sidney model satirized sometimes here Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Demorest, Margaret; Shakespeare, William Language A language of the resource ENG, LAT Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets_23_24