734 10 9760 https://caspercollege.cvlcollections.org/files/original/9e695f7d583421d9b8da09eccc0e0a50.pdf c10131b67c829c572eb953e546d745a1 PDF Text Text :v< wire’t au^t to me I bore the canopy, With my ^^ern the outward honouring dr laid great bases for eternity, Whichfjirove\more short than wa<te or ruining hiave l not seen dwellers on topna and jayoyr Se all, and moterhy paying too much r^, compount^lweet^going simple savo^ Pitiful thrivers, in their gazing spent?^ No, let me be ob^e^iouUiUhy, n^Tak^t^vTy obiatig^poor but ffice. ichiT with nds, knows no mutu^fender,_ ine for ^§6. ^g^Gborn^d informer! Ajrue soul most ijnpeach’d^^t^dsIeasUh SONNET 125. z Were’t aught to me would it be of any advantage to me if. bore the canopy Canopies were held over kings and nobles on cere monial occasions. Various specific events at which Shakespeare might have held up a canopy have been suggested, none very convincingly. 2 With my . . . honouring by my external actions hoilouring external qualities. Or laid . . . or ruining or created the bases for eternal fame (the poems he has written) which proves to be briefer than time devoted to waste and extravagance, proves q; malone, k: “prove/’ 5 dwellers . . . favour those who overvalue mere outward appearance ^ith a pun on the sense of “tenants”). 6 Lose all .. . much rent lose their patron’s love by paying excessive tribute to his external features. 7 For compound . . . savour for the compounded sweets (of high position and external beauty) give up the simple taste (of experiencing true love). Pitiful thrivers . . . gazing spent those who thrive poorly because they give up all for the sake of merely gazing at the one they love —like courtiers looking upon a king for preferment and receiving nothing. 9 let me . . . thy heart let my true duty be felt in your heart (rather than displayed in outward show). zo oblfitton offering, free freely given, zz mix’d with seconds adulterated with baser matter, knows no art is without artifice. 12 mutual , . . for thee exchange of my true self for your true self, z^ suborn’d informer false witness. If there was an actual informer against the poet, he has not been identified. 14 im/feach'd a<> cused. I g “Jltn I*";. y,\ ^elve lines in rhymed coifpl^s provide an*^^^oy ^he sonnets written by the poet to his friend. The remaining sonnets .jt^ 5^ addressed to his mistress. z-a in thy power . . . sickle, hour Youth aspects of time in his power; the mirror in which man sees his \K beauty fade, the sickle and the hourglass, Who hast . . . self grow'st . iV' (paradoxically) gro^n in beauty with time’s passage and thus by ' J J contrast revealed the aging of your friends. 5 wrack ruin, decay. 6 still y always. 8 disgrace render ignominious. 9 fear distrust, minion darling. forever, zz-za Her audit . . . render thee Nature must eventu ally render her account to Time, and she can only make her settlement by surrendering you. ! V wa/x O’ f/o thAu..TOylqve . .>&¥■ who in th Dost h61d Tiijie’s Mtle glass, his sickle. Who hast by Waning grown, and therein show s ~ self grow's^y If Nature (sovereignTmist^sv^ver wrack),< As thou goest onyfardsTstil 1 ftluck thee bac , She keeps thee to .this purpos May time disgracei^ and wr^he^VninuU! Yet fear her, O thoi\^mjnroB^f he'^leasurel^ She may detain, but^n'ot stiH kee _ 'TKit^^though d^lay:iansweVd_raust_^; \ And her quietuys to^md^Xhee Cik vA 127 >> X.. c � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Annotations on Shakespeare's Sonnets Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Description An account of the resource Scans of a copy of Shakespeare's sonnets containing former Casper College English instructor Margaret Demorest's annotations. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Margaret Demorest, William Shakespeare Language A language of the resource ENG Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Written Annotations Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Sonnet Annotations: Sonnets 125 and 126 Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Subject The topic of the resource Shakespeare, William, -- 1564-1616 -- Sonnets; Sonnets, English -- History and criticism Description An account of the resource The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in January of 2024. SONNET 125 Essex on one side + Leic. on other at Tilbury 1600–E. considers trial[?] of Essex. Cecil advises Es. on letter in which he prays that the cup might pass from him. 1576–1st playhouse (Burbage) Christ images here may preshadow Essex + Christopher Blount Bradley interprets this [sonnet] as repudiating early position of loving for reasons of eternal beauty. Could this be linked to S’s part in rebellion: Rich. II performance recognized by E.? Line 1 Bore the canopy: Essex carried canopy at celeb. of defeat of Armada and also at funeral of Eliz–impossible! [Essex died two years before Elizabeth’s death in 1603.] Essex commanded part of fleet against Armada. Line 10-12: relig, again Donne poem Line 12 Only me for thee: like Christ Line 13 Suborn’d informer: Judas Iscariot SONNET 126 ’86–1st quarrel Es + E, – runaway + [illegible] by Carey ’26–Perhaps written early when Essex alive? ’25–after trial realized Love’s not Time’s Fool [Sonnet 116, Line 9] – but men are subject to Time Nature in Sp. + in wh[?] prec. Ph. + Turtle unit Line 1 Lovely boy: Eliz? Essex? Thy power: England? Line 4: = England Line 12: Render: Rendering now follows in 2nd section–Dark lady Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Demorest, Margaret; Shakespeare, William Language A language of the resource ENG, LAT Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets_125_126 Format The file format, physical medium, or dimensions of the resource PDF https://caspercollege.cvlcollections.org/files/original/ec125a4ff4f65a8007f29d8e63973093.pdf c40947441756ce17fc59de5120bdc7e7 PDF Text Text ar V* / I /O 1 b I * t/(i' b C&ijMii tAzS- > i/^ iitjU-o. ' SONNET 127. 1 the old age tormei times. In chivalric rt^ances only blonde women were considered beautiful, and this tradition survived in . " the sonnets of Shakespeare's contemporaries, counted fair considered (u/Jifrf beautiful (with a pun on “fair” in the sense of "blonde”). 5 successive heir heir by right of succession. 4 And beauty . . . shame and blonde beauty is declared illegitimate (as supposedly the product of cosmetics). —5-6 For since . . . borrow’d face because everybody has assumed nature’s k/ power and is making ugly faces beautiful by painting them. y-S Sweet beauty ... in disgrace true beauty has lost its identity and dwelling place and is either profanely imitated or entirely discredited. p brows'•«/ ' ) STAUNTON; q: “eyes.” io so suited similarly dressed, also black. 11 not^'f'p^ born . . . lack although not born blonde have acquired beauty by arti0’’ means. 12 false ^teem false appearance of beauty. ij becoming 0/adorning, gracing. — , / Yet so they mourn, beaaming of their woe, That every tongue says beauty should look so If 3 Butdit^ is black beauty’s suc^ yJLsxv • And beauty slanjler^with ^~bastar Ik byveacbT hand^ath put on nature s power, ai^g the fotrt^r^art’s false I borrow’d face, eet beauty hath/^ name, no’holy bower, 'theisold age bla^ gt counted faur, ut profat^, iRnwas^ ives in disgrace, if it were, it borefnof beautyl^ name; - } SONNET 128. 1 thou, my music you, who please me as music does. 2 blessed wood the wooden keys of the virginal or spinet, made blessed by your touch. j-.f gently sway’st . . . ear confounds gently control the harmony of strings which amazes my ear with delight. 5 jacks keys. IO chips keys. rz thy cildon; q: "their.” 13 happy fortunate. z^ thy^ gildon; q: "their “ music, Vi oft, wh^ on thakbj^ _ th thy when thou gently swayjs^ The wirVcoiKord that mine ear confounds, 3 To kiss the tender inward of th^hand, j/ ‘ 3^,4 J 'lo my poor lips, which should that hartoy^^P’ ,*l^t the wood’s boldnes\by thee blushingst^l \^be'^odckledAthey t^uld change thdrsu^ Cf , X * zo „ And'^tuatibh'witTT those, da_ncing chips ' n^rwhcin^thyfingerswal^withgenjle.gait,_,^ p ' M^jm^aead wood^of^ bj^s^^aniliving lip^ ^"^ce Saucy pckslso happy are in this, ' Ci VP Them thy fingers, me thy lips to kiss. . eiL>. 128 1^? zi'* 0 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Annotations on Shakespeare's Sonnets Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Description An account of the resource Scans of a copy of Shakespeare's sonnets containing former Casper College English instructor Margaret Demorest's annotations. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Margaret Demorest, William Shakespeare Language A language of the resource ENG Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Written Annotations Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Sonnet Annotations: Sonnets 127 and 128 Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Subject The topic of the resource Shakespeare, William, -- 1564-1616 -- Sonnets; Sonnets, English -- History and criticism Description An account of the resource The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in January of 2024. SONNET 127 What if 18 next sonnets–127 thru 144 corresp. to 1st unit (+10 more?) Each a variation on theme? Lifestory of Essex as judg[?] agst Eliz? Black = symbol of lost souls My mistress = theatre (where trials do take place judging magistrates) Betrayal of D. by artist may corresp. to betr. of Essex by E. Could each sonnet here be an accusation (or judgment [illegible]) against E. – 1 crime or testimony per sonnet? [illegible date] = Bastard claim to throne puts her there ’98 Geo Blackwell appt. by Pope as arch-priest of Cath. in Engl. Art that praises falsehood does damage to beauty of truth–so he tells truth: she is black SONNET 128 Southampton would in vain to kiss E’s hand Play = virginals = pretended virginity Their = Jacks = people like Raleigh (can have their fingers for kissing Hand-Kissing = sign of good graces Fickle–’64 ceremony scandal as Dudl. made Earl Leic. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Demorest, Margaret; Shakespeare, William Language A language of the resource ENG, LAT Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets_127_128 Format The file format, physical medium, or dimensions of the resource PDF https://caspercollege.cvlcollections.org/files/original/a49497b88e0c77cbdf2107ce78655d0a.pdf cb29276518c6aff4f6ef1ba57c684cf6 PDF Text Text ch* • SONNET 129. 2 Th' expense . . . shame the using up of vital spirits in a shameful act. 2 till action until it is expressed in action. 5 full of blame (a) harmful (b) guilty. 4 extreme violent, rude brutal, to trust to be trusted. 20 quest pursuit. 22 in proof when experienced, prov’d, 4. MALONE; q; “proud and.” 2./ the heaven (a) the sensation of bliss (b) the woman who provides it eric Th’texjpense of iritin was^ of shame TsYti^n hctio'rit and till action,^lust Is perjuj’d, murd’rous, bloody, full of blame, t Savage^^^reme, rude, cruel, not to trust; ' Enjoy’d no sooner but despised straight; Past reason hunted, and no sooner had, Pa^ reason hated, as a swallowed b^i\ On purpose laid to make tlm_taker mad; Mad in pursuit, and in pos^^sito so;^ i, having, and in quest to^tav^rryrsme; liss in proof — and p{%v’ya very woe;^ e, a joy propos’d: l{isAhe world shun the -^eaven 4 f ;rt«X tritt^ft SONNET 130. While the poet burlesques the elegant hyperboles of contemporary Petrarchan sonnets, he at the same time affirms his love for his mistress in spite of her failure to conform to the impossible ideal of the sonneteers. i nothing not at all. j dun dark. y If hairs be wires Comparison of a lady’s hair to the fine golden wire used by Florentine goldsmiths in filigree work was Conventional. 5 damask'd variegated (mingled red and white). 8 reeks is exhaled. The verb did not have its present connotation of distaste. ii go walk. 12 treads on the ground walks on the earth, like any other mortal woman. 25 love mis tress. rare beautiful, splendid. As any . . . compare as any other woman who is lied about by means of impossible comparisons. .X ISO ■ \ My misyess’ eyes are nothing « Coral is faf'more red than her lips’ red; ? \If snow be white, why then her breasts ar l^d in some“perfumes is there more ddlijdit \^an_in the breath that froin inv mistimes- - ’ I love to hear her speak; yetjSsieil I know ^usic tiath a far mp^e pleasing s( I gran*I never saw a god^esjjgo: My mis,^^ when shfiwalks, treads on the ^ound. And ^fThy\heaveri4 think my love as rare\ As any she belied with false compare. / � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Annotations on Shakespeare's Sonnets Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Description An account of the resource Scans of a copy of Shakespeare's sonnets containing former Casper College English instructor Margaret Demorest's annotations. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Margaret Demorest, William Shakespeare Language A language of the resource ENG Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Written Annotations Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Sonnet Annotations: Sonnets 129 and 130 Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Subject The topic of the resource Shakespeare, William, -- 1564-1616 -- Sonnets; Sonnets, English -- History and criticism Description An account of the resource The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in January of 2024. SONNET 129 Maybe WH really is Willm Hews[?] of Essex household 1579 Stubbes exec. By 1598 all Ireland in revolt ’99 Essex made Lord Lieut. Sailed Apr. Paper figure of 17,000 men. Increasing dimensions of sexual irreg. Worse charge: Lust + prompting of revolts in others: tantalizing power May be poisoning rumor about Leic + Lord Es.? Could this be treachery at a meal–of Irish leaders–1st L. Es.? Ambition is source of Essex’s downfall? Flaw is because she is Human (not divinity) SONNET 130 York + Platag. roses Humanness (yet beloved Truth of her is still great Infatuation perhaps is sin here? Praise in spite of app[illegible] = position of Eng. about her (incl. Essex) Line 3 Dun: Dunkirk? (Fr. coast) Line 4 Hairs: heirs? hares? Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Demorest, Margaret; Shakespeare, William Language A language of the resource ENG, LAT Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets_129_130 Format The file format, physical medium, or dimensions of the resource PDF https://caspercollege.cvlcollections.org/files/original/2705d4b73b9a81a8c6d2fe8280c6e589.pdf 5c90d447f599e95c44ede104f5b91b74 PDF Text Text Against thfelgormv gusts of^hteT An/bar^ ~ £<){ deat^eter^ ‘ba^pthriit^ipieaiT^^.____ ^u had a I'atliei- - kt youyson ^y so. . _ i- - ' fY‘'''~^ SONNET 13. I O, that . . . yourself O, that your present self could be your eternal self. The opening sentence deliberately shocks the reader ‘ by its ambiguity, and the rest of the sonnet serves to explain it.. 1-2 you ^are . . . here live you retain your present form only so long as you remain alive. j Against in anticipation of. 5 in lease for a short time only. Man can only lease his body; he cannot own it since it must be taken away from him by death. 6 determination ending (a legal term). ; you were you would be. 7 Yourself malone; q: “You selfe.” 8 issue offspring. co husbandry (a.) prudent management (b) tillage (c) assuming the role of husband, in honour in marriage. J2 barren rage of fruitless ravaging by. 13 unthrifts O, that you were yourself! but,,.... ' Nolon^ yours thanlyau yourseQ Against this rorning e^i^^ou should prepare your pweet spHtjH^tice to some other give hould mFSLbearityJwhich you hold in ThyPendA/tru^ andi^auty’s doom and date. Wjhen sj Who! WhicH '• 8 -'T . Ci'jt e-zs f^tf. A ", y SONNET 14. I pluck derive. 2 have understand, astronomy ability to future by means of the stars. There was no -distinction in Shakespeare’s day between astronomy and astrology. j-y of good . . . ''seasons’ quality "These were the traditional subjects of astrologers. 5 to ‘ brief minutes down to the smallest details, covering the shortest periods of time. 6 Pointing to each assigning to each minute, his its. 8 oft predict that often predicting what. 10 read such art gather such knowledge. 2, store fertility, convert turn. Thy end .■ . . and date ’ill also mark the prescribed end of truth and beauty. Not from th)e(stai>)do I my judgmenl '~And yet methinks I have Astronomy; But not to lell of^ood or evil luck, jTi»u(‘^of d^Fths, or s^sons qu can I koftmie to_brief'minut^ telL.’pointing t<j> each hisfthu^e^^airC^nd^ind^ j Or say witl{ fiinc^if5trSnal^go well] By oft predict thaiJ. in heaven find; Co ^ut frgrnjthin^ye^V knowledge 1 derive, , suchjart) u A^nutWSl ifeau^^iall together thrjvp__ . If from yself to4m^llhou wouldst^ojyerty ■FOT elsOUheslhis I prognosticate: . A J5 U-t V.) 10 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Annotations on Shakespeare's Sonnets Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Description An account of the resource Scans of a copy of Shakespeare's sonnets containing former Casper College English instructor Margaret Demorest's annotations. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Margaret Demorest, William Shakespeare Language A language of the resource ENG Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Written Annotations Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Sonnet Annotations: Sonnets 13 and 14 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">https://rightsstatements.org/vocab/NoC-US/1.0/</a> Date Created Date of creation of the resource. 1968 Subject The topic of the resource Shakespeare, William, -- 1564-1616 -- Sonnets; Sonnets, English -- History and criticism Description An account of the resource The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in January of 2024. SONNET 13 Overall Notes (13) Father of Cath. – Ferd. – proves treacherous + makes truce with France. Henry leads troops in [illegible]. Cath. found [illegible]. Scotl. Skirmish [sic] of Chillingham. She sends Henry the bloody tunic of [illegible]. “determination”. Legal term meaning “forth[?] to an end” (Keeton, p. 30) *’13 – Eliz. Blount[?] attracts Henry SONNET 14 Overall Notes ’14 – Desertion by [illegible] leads to anger – new fig. on council: [illegible] uses Bish. of [illegible] + Lincoln – Archb. of York 1514 – Q. of Fr. dies + Princess [illegible] Louis XII ’14 Mary Tudor wed to Louis 12 Intelligence service—Bacon’s Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Demorest, Margaret; Shakespeare, William Language A language of the resource ENG, LAT Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets_13_14 Format The file format, physical medium, or dimensions of the resource PDF https://caspercollege.cvlcollections.org/files/original/9bec103ac886e451d7502a71501fb60d.pdf 82bcce4f55c22e4bc5344894656423df PDF Text Text TH > {Thoy/art cfe tyrannous, so as'^hou AsThose whoSrteauties proudly make then^cruel FyiusteH^th^know’st to my dear doting hear'^J' ^hoy artTEe fairest and most precious jev^. ; , YetTin good fmth, soine^^T^^*^ behold, Thy face hath not the power to make love'jgropT.' To sa^they err I dare not be so bolcV Although ^swear it to myself aJoAe. / And, to be sure that is not false I swe^, . /-’/A thousand.^rQaris,^ut thinkipg/in thy face,\^_ • (pir^n anotfier\pec^ do witness bear^ Thy black isf^Ic^stn^m^Jud^ent’s^place. In nothing^^hojlblackfeave in thy deeds, 1 And thencetlds. {land^) as I think, proceeds. SONNET 131. 1 SO as thou art being as you are (without such beauty as is conventionally praised). a whose beauties . . . cruel who are made cruel through pride they feel in their beauties. j dear doting (a) ten derly^ loving beyond reason (b) foolishly loving to my own cost. 7 To say to assert publicly. 10 but thinking on when I merely think of. ii One . . . neck in quick succession. 12 in my judgment’s place in the position— which my judgment assigns to it. /a this slander i.e. that of line 10 ’ 3 -- (S-J'XP SONNET 132. 2 torments walker; q; “torment.” ruth pity. 6 be comes adorns. 8 Doth renders. 9 mourning gildon; q; "morning.” Probably both meanings are intended. 10 as well also, beseem be fitting for. II doth thee grace makes you beautiful. 12 And suit . . . every part and dress your pity (in black mourning) like the rest of you. 14 thcK i.e. other women. /ouZ ugly. ‘ q ■S M < 132 \rPR I (/I ' I love, an'i^ they, as pitying me,'' Knowin^hy heart totments me with disdain. T iHave put ori bl^k and laying mourners be,'' ■* Looking with prettyyuthjujx^n niy pain. And truly not the mor^ng^n pf Better becomes the^re^cbe^j of tjyf^ast, Nor that full^ar thjt usl^ers in t V Doth hall As those two mourning eye^ become thy fac O, let it then "as well beseem thy heart \ro mourn for me, since ournin .nd suit thy pity like infever^arL "hen^ill)! ^ear bea’uty herself^black; md all they(f^ljthat thy comp@on lack � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Annotations on Shakespeare's Sonnets Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Description An account of the resource Scans of a copy of Shakespeare's sonnets containing former Casper College English instructor Margaret Demorest's annotations. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Margaret Demorest, William Shakespeare Language A language of the resource ENG Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Written Annotations Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Sonnet Annotations: Sonnets 131 and 132 Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Subject The topic of the resource Shakespeare, William, -- 1564-1616 -- Sonnets; Sonnets, English -- History and criticism Description An account of the resource The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in January of 2024. SONNET 131 Could fairest be pun (pro. of Coke) on “first” – “Robt the First” Exec. wore black as M. wore red Introduces the Prosecutor of Essex Raleigh trial 1603 Could this be the Irish atrocities sanctioned by E., commited by 1st L. Essex? (early in E’s life?) Echo of likeness bet father + son + assass. by E. Erratic guilty of tyranny—cruelty (not longer beautiful–but also “fair”) her black deeds Line 3 Heart: “hart” = Essex Line 4 Jewel: = 1st Lord Essex a Bishop is [illegible] jewel SONNET 132 K. Grey was major contender for succession 1598–E 1598–E mourns for Burleigh Cheek must be succession question (but why?) She does grieve and repent (Sorrow over Essex?) her black for mourning + for successor Black as mourning (rather than evil) is appropriate Repentance redeems, endures Rob. Parsons favored daughter of King of Sp. as successor Is black a symbol of painting = theatre? Gray is “sweet enemy” Grey = Is she Arabella Stuart who acc James inv. to live at court? Line 1 Eyes: Contrasts with non-loving eyes of #141 Line 7: James image of illness + grief Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Demorest, Margaret; Shakespeare, William Language A language of the resource ENG, LAT Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets_131_132 Format The file format, physical medium, or dimensions of the resource PDF https://caspercollege.cvlcollections.org/files/original/5ec47550099c8cbfc2006f2f557af6da.pdf 0d33dd5afd4c6f61760c16852f18ef4a PDF Text Text SONNET 133. / Beshrew curse (in a mild sense), 4 slave to slavery enslaved to the enslaved condition of his friend, 5 Me from . . . taken your cruel eye has taken me away from my own true self. 6 J nd my . . . hast engrossed and my true friend you have even more securely cap tured to keep entirely for yourself. 8 crossed thwarted, afflicted. 9 ward guarded cell. The notion of the lover's heart as imprisoned in the bosom of his mistress is a conventional one. 10 my friend’s . . . bail let my heart free my friend's heart by serving as your prisoner in its place. 11 keeps me holds me prisoner, his my friend's, guard protector. 12 Thou canst . . . my fail you cannot then make my imprisonment seem severe to me. 15 pent locked up. 14 Perforce {sl} by force (b) of neces sity. in me in my heart — i.e. my fri^d, whom you thus imprison also by imorisonine me. . . L , >• 33 ^0"? SONNET 134. The sonnet plays on the trouble meanings of legal ternw^ relating to the lending of money. i now now that. 2 mortgag’d to thy will pledged to satisfy your lust (and liable to forfeiture if I do not). 5 so on condition that, that other mine my friend. restore give back. still in the future. 5 wilt not will not give him back to me. 6 kind (a) compliant (b) natural — in his sexual desires. y-8 He team’d . . . doth bind he was merely taught to underwrite, as my surety, my bond of indebtedness to you, which now binds him as securely as it binds me. 9 The statute . . . wilt take you will take the full forfeiture (both my friend and me) provided for by the bond which is your beauty (and the enjoyment of it). 10 put’st . . . use who will lay out no part of your beauty except at interest. jj came who became. 12 my unkind abuse your cruel deception of me. 14 He pays ... not free although he pays the entire debt (satisfies your lust completely) I am still not free from my obligation to vou ' . -a Beshrew that heart that inaKes myhi t to groan at deep wound it giyes my frien^ and me! Is’t tot enough to torture me alone.. B.utBlave to slavery my sweet’St friendpiust iieJ ■ V^Me fimm myself thy cruel eye hatK taken. eQt self thou harder hast engrossed, iself.andtheej^m forsake /■ A torment^rice tjireefold j^us to crossed.; / Priran my neartin ^hy steel bosom’s war But i^en^hy friend^l^ ’f poor heart le oe’er keeps me, eart be his guard: canst not theri use rigour in my jail. Ayid yet thouiwUt) for I, being pejit in tjiee, rforce am thine, and all that is ii now I have coji(gs£^ that he is thi: d I myself am ort^ag’d to thy will? forfeit, so that other mifle^ ^twe to be my comfort still. \ wlft not, nor he will jiot-be free For thou art covetous, andbe_U.kind^ e learn'd hut &urd;ty-like 0 wrif^or nib->, nder that^rond Ithat him as fa^ dpih bind statute of thy beauty thou(wilt fake, usure that put’st forth ^Jo us^ nd^ue^ friend came deHor for my sake: i hmT ose rough my unkinTa thou Him ha ___ hast both him nd me: e pays the whole, and yet am I not ee ’135 V W k-c . t � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Annotations on Shakespeare's Sonnets Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Description An account of the resource Scans of a copy of Shakespeare's sonnets containing former Casper College English instructor Margaret Demorest's annotations. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Margaret Demorest, William Shakespeare Language A language of the resource ENG Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Written Annotations Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Sonnet Annotations: Sonnets 133 and 134 Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Subject The topic of the resource Shakespeare, William, -- 1564-1616 -- Sonnets; Sonnets, English -- History and criticism Description An account of the resource The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in January of 2024. SONNET 133 Has “eye” become symbol by now of E’s gov.? Maybe eye = ēē = E. = Eliz – I also? Iago 33 = age of Ess.? Yes; he dies at 33 “To give comfort” is (I believe) to aid a rebel Line 2 My friend and me: Southampton + Essex Line 7 Of him, myself, and thee: triples Line 8 Crossed: transmutation of Acteon? Or Blount + Essex SONNET 134 Essex calls South his other self in letter [illegible] before Irel. 84–Death of Alencon (It is Eliz. speaking to Time about Essex) Perhaps his “confession” gets South. Freedom! Line 11: Perhaps Essex pleading that S is implicated only because of his influence; better theory here on South regretting Essex– Perhaps regret that Essex dies + South in prison – while Sh the voice of the same love, goes free (but not wholly) Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Demorest, Margaret; Shakespeare, William Language A language of the resource ENG, LAT Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets_133_134 Format The file format, physical medium, or dimensions of the resource PDF https://caspercollege.cvlcollections.org/files/original/7e32556a10a616f617199cab7d5060e4.pdf 7643a9ec1461d5683acd61fffe3d66e7 PDF Text Text ' [ill will fuilfil the tr^ast^jMlKy^loyg,^ ij, fill it full with wills, and my will^m^ Whoever hath her wish, thou hast th ill. things of great receipt with ease yve prove^^ ill to hn^t and WrH-i An iiong a numbeij'’'onys Ct Morel tna I th mee still To thylsweet'will ir __ additionThiis-. ^must be; JWilfc^thou, whose will i afge and spaciou. Not once vouchsafe to hide my will in thine? all will in others seem right gracious nd in my will no fair acceptance shine? he sea, all water) yet receives rain stilf' d in abundance addeth to his store; OU, being rich in Will, add to thy 1 jpil^will of mine to make thy large Willjmor t no unldnd no fair f^seecher ink ail but'dne, and me in that one \jVill ' (9^ S^ -i* -7 “”*^ *’‘® f°l’°wing sonnet the poet plays on various _ Mmeanings of the word ‘'Will” (a) his own name, and possibly the name of ’’K *lady’s husband (b) lust or carnal desire • wilfulness, volition (d) the male or female genitals. Where the word is . O::tp«P“alized in the present text it is both capitalized and italicized in Q. r U'iiA.Tti ' 1 °°°\ addition. WiZZ in overplus an extra Will. Perhaps the poet -y means himself, the others being his friend and the lady’s husband. 3 still always. 4 To thy .. . addition thus adding myself to what you sweetly desire. 6 vouchsafe consent, hide . . . thine i.e. grant me fuly !/ i filment of my sexual desires. 9 still continually. . i} unkind refusal / (on your part), fair beseechers legitimate pleaders. 14 Think all . . . \ consider all your "Wills” as one corporate lover, and include me 3'*>^.)+-*n that one "Will”-all the meanings of the word apparently being i-ff present in this final example of it. ufijCV //# SONNET 136. I check rebuke. to your sexuality (b) come so close to your beS. 2 blind soul deliber” ately unsemng soul (which should protect the lady’s chastity). j will carnal desire, admitted allowed to enter, there in your bedchamber. 4 fulfil grant. 5—6 Will will . . . will one The lines are coarsely sexual in their playing on the various meanings of "will.” 7 receipt capacity. prove know from experience. 8 Among . . . none a single item in a large quantity is not considered significant. 9 untold uncounted. zo Though I do increase the total number of your lovers. hold me regard me as of no consequence, so it please - thee so long as^it pleases thee to. my name i.e. will, in the sense of desire. J4 f^ because.-^ 136 } *) thy soul^cl^c^hee that I comeiso ne to thy blind soul that I was thyfWill, (Ahd will, thy soul knows, is adrnkted there ^^us far for love{my love-suit, swegt/fulfil. inline en in the num et me pa ough in th______ account I o ^^or nothingAioi<rme?fe That notningme, a soroething,^sw^Oto thee. Make biit my name thy love, and love that still, • And then thou lovest me for my name is Will. 137 fcsstr'J � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Annotations on Shakespeare's Sonnets Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Description An account of the resource Scans of a copy of Shakespeare's sonnets containing former Casper College English instructor Margaret Demorest's annotations. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Margaret Demorest, William Shakespeare Language A language of the resource ENG Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Written Annotations Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Sonnet Annotations: Sonnets 135 and 136 Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Demorest, Margaret; Shakespeare, William Language A language of the resource ENG, LAT Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets_135_136 Format The file format, physical medium, or dimensions of the resource PDF https://caspercollege.cvlcollections.org/files/original/504ac58ab662f4b19a8ef25742f69810.pdf 858503985f81de3dc95ae49cccd5bc7f PDF Text Text 105 "a unkindness cruelty, infidelity. 3 Wound me . . . thy tongue do not make me see your infidelity; merely tell me about it. 4 Use power . . . by art kill me directly with your full force and not by indirect contrived means. 5-6 but in . . . eye aside but when you are with me restrain yourself from casting loving eyes upon another. 8 o'erpress'd . . . bide overpowered defences can resist. jo pretty wanton, lascivious. Ji my L■ e to justify the wrong That thy unkindness lays upon my heartl Wound me not withjhirm ^e, but with thy torigue; Use power with^wet, and slay me not by^ll!') Tell me thou elsewtfere,-^ but in my sight. Dear heart, forbear to glance thine eye aside. lA T.Ti _ . .1»_. 11- -fTT ____ j1 with] cunning when thy need ’st—thou ,wound) Is more than my o’erpress’d defence can bide?'' Let me(S^se thee: — Ah, my love well know^ Her pretty looks have been mine enemies; And therefore from my face she turns my foes,Thatjlx£.y.elsei^here might dart their injuries.^ /"VeiLdo not s^^ut since I am near slain, > Kill me outright with looks and rid my pain. -* ’ 140 SONNET 140. J press oppress. 4 pity-wanting unpitied. 6 so i.e. that you do love me. 7 testy fretful. 8 know are told. ii ill-wresting misinterpreting everything in an evil way. j2 mad ears i.e. persons as ready to believe slander as I in my madness will be to slander you. 23 1^0^. , „ ' ’ Mv^on^e-tiet^ipatience with too much disdain; • Lest sorrow lend me words, and words express manner of my pity-wanting pain. I If II mieht teach thee ^it', better it were, though not to love, yet, love, to tell me so; H {As testy sick men, when their deaths be near, ^o news but health from their piiysicians know. i^or if I should despair, I should grow mad, \ h in_my madness might speak ill of thee-. \ this iU-wresting^wprld IS grown sdTjad^ / Mad slanderers by mad ears believed be. That I may hot be so, nor thou belied, Bear thine eyes straight, though thy proud Iwart go wide. 7 / 5 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Annotations on Shakespeare's Sonnets Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Description An account of the resource Scans of a copy of Shakespeare's sonnets containing former Casper College English instructor Margaret Demorest's annotations. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Margaret Demorest, William Shakespeare Language A language of the resource ENG Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Written Annotations Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Sonnet Annotations: Sonnets 139 and 140 Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Subject The topic of the resource Shakespeare, William, -- 1564-1616 -- Sonnets; Sonnets, English -- History and criticism Description An account of the resource The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in February of 2024. SONNET 139 Essex letters to Queen, 1600, in despair of his condition–she refuses him audience–or letters–after 8 mos impri you “rejected my letters and refused to hear of me, which to traitors you never did.” “What remains is only to beseech you to conclude my punishment, my misery, and my life.” She had abandoned plan for Star Chamber trial. Now she brings him before special commission. She hopes to reform him. “It was a most pitiful + lamentable sight to see him that was the minion of Fortune, now unworthy of this last honor.” Still begging her vision to be wise Begs her to see + speak–not turn away Line 11 My foes: she will not give Essex an audience Line 12 Injuries: Your face the founder of my smart “That pleasant looke formed the offence + wound” SONNET 140 Essex letter now to Q (1600–Aug.) “My uttermost ambition is to be a moste[?] person in that presence where joy + wonder would bar speech” Essex ill–bells toll “Ill-wresting”--resting badly 1599–Ess. almost dies Eyes + ears = E’s sign Begs her to put on appearance of virtue, the actual is lacking (Pleads for “false show” for sake of world?) Lines 9-11: Also he loses control and blasts her with words (godson) Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Demorest, Margaret; Shakespeare, William Language A language of the resource ENG, LAT Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets_139_140 Format The file format, physical medium, or dimensions of the resource PDF https://caspercollege.cvlcollections.org/files/original/f9035405d56343a60672362bca4743ef.pdf bc4f6e76e1c98061143810fa88003d9f PDF Text Text SONNET 141. 2 errors defects. TF/io which, despite of view in spite of what can be seen. 6 Nor tender . . . prone nor my delicate sense of feeling inclined to respond to any ordinary common touch (it requires something more rarified). 8 alone in particular (and not with other women as well). p But my but neither my. five wits These were de fined by Stephen Hawes, the pastime of pleasure (1509). as common wit, imagination, fantasy, estimation and memory. 10 serving thee being jour lover. /i Who which (his "foolish heart”). 11-12 leaves unsway'd . . . wretch to be leaves the mere outward semblance of a man without a ruler in order to become your proud heart’s slave and miserable vassal. The poet’s heart (which should rule his body) has abandoned him to serve the heart of his mistress. 13 plague affliction, thus far . . . gain I consider profitable to the following extent. 14 awards me pain inflicts punishment upon me (in the act of sinning, and thus spares me a full measure of punishment thereafter). 2 Hate of . . . SONNET 142. I dear chaYacteristic, valued. loving hatred of my love (for you) because it is adulterous. 4 it my state. 6 their scarlet merits not reproving does not desire to be reproved. ornaments The lady’s lips are equated with the red waxen seals upon such bonds as marriage contracts. 7 as mine as my lips have done. 8 liobb’d . . . rents cheated other wives of the marriage rights due to them. She has had affairs with other married men. p Be it let it be. IJ what i.e. pity, hide withhold. 14 self-example the example you set. if? For they in thee a thousand errors note; But ’tis my heart that loves what they despise, Who in despite of view is pleas’d to dote. Nor are mine £ars wi^thy tongue’s tune delighted;\ Nor tender feeling td^a^jbuches prone, Nor taste, nor smell, desire to be invited To any sensp^^east with thee(albne; But my five wits nor my five senses can Dissuade ^g-Toolish heart from serving thee. Who le;K^esunsway’d the likeness of a man, Thy,^roud heart’s slave and vassal wretch to be. ^f^ly myj)l^u?l thus far I count my gain, ^^nat she that makes me sin awards me pain. j IO Love IS my sin, and thy dear virtue hate, Ha^of my^in, grounded on sinful loving. O) bjht with mine compare thou thine own si Alid thou shalt find it Op if it do, not from hat have profan’d their scarlet ornamei And.^^eal’d false bonds of love as oft as nr Be it lawful jl love thee' as thou lov’st^hose ’ ine eyes woo as mine impo'rti^ne' thee, R .pitjyin thy heart, that, when it_grows, Chy'pity may deserve tofpined be. u'ffy If thou dost seek to have what thou dost hide, y /eH-exampIe^mayst thou be denied! ..w 142 143 5 ' a- � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Annotations on Shakespeare's Sonnets Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Description An account of the resource Scans of a copy of Shakespeare's sonnets containing former Casper College English instructor Margaret Demorest's annotations. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Margaret Demorest, William Shakespeare Language A language of the resource ENG Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Written Annotations Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Sonnet Annotations: Sonnets 141 and 142 Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Subject The topic of the resource Shakespeare, William, -- 1564-1616 -- Sonnets; Sonnets, English -- History and criticism Description An account of the resource The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in February of 2024. SONNET 141 Letter from Es. to E. “Shaming, languishing, despairing Essex” he writes in supplication to Queen after hearing + partial release from imprison. (barred from Court) “It is not in your power, great Queen as you are, to make me love you less” q. Jenkins, p. 301 Plague in London 1592 (Theatre closed 3 mos.) 1593–Plague closes again 1594–Plague until surrender Non-repentance? (vs. Angels sonnet of D = [illegible], repentance [Likely refers to the poem “Angels and Air” by John Donne, which is not technically a sonnet.] Heart loves in spite of errors SONNET 142 Sh. given 4 yds scarlet cloth for [illegible] under James 1603 [This cloth was issued to be made into clothing for James’ coronation procession.] Seal–at Essex Hs. day of Rising Cecil’s plea with Infanta? = false bonds? ’92 Greene’s death Could be James, who knighted 600 in 3 mos– (before he was crowned): summoned all who had £40 a year in land to come Line 6 Their scarlet ornaments: judges of Star Court wore scarlet Lines 9-10: Essex woos public—she woos him Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Demorest, Margaret; Shakespeare, William Language A language of the resource ENG, LAT Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets_141_142 Format The file format, physical medium, or dimensions of the resource PDF https://caspercollege.cvlcollections.org/files/original/3ebbcdd7b7fe29267c30d59755f10d8a.pdf d71fcc457dcff7bf7f1ee3e6ae6edc8d PDF Text Text Vs - SONNET 143. I careful provident. 5 dispatch haste. 5 holds her in chase runs after her. 8 Not prizing disregarding. ii thy hope that which you hope to catch. thy Will the man you are pursuing, pre sumably the poet’s friend (with a quibble on the sense of “carnal desire”). ’ Lo, as a careful housewife runs to catch One of her feathered creatures broke away, Sets down her baJae, and makes all swift dispatch In pursuit of the thing she would have stay; But Whilst if thou her catch neglectedf thy hope, ^il^turn holds back hertoinme chase, Cries to catch her whose busy care is bent To follow that which fli^s before her fac^, NoTprizing her poor i nt^ ^jfcontent J So runn^st thou aft^r^a?which flies from thee» Whilst I thy bab^ chase thee afar behind; uni’T '• SONNET 144. I of comfort and despair one which offers comfort and the other which offers despair. Comfort (the hope for divine mercy) and despair are in theological terms the forces which vie for man’s soul and lead to salvation or damnation. 2 suggest me still continually urge me. 4 colour'd ill (a) of dark complexion (b) of evil nature. 6 side the PASSIONATE PILGRIM, MALONE; Q: (jsjght.” 8 foul pride display of ugliness. 10 directly clearly, unambiguously. ii But being . . . each friend but when they are both absent from me, each being friend to the other. 12 one . . . hell i.e. they are engaged in sexual intercourse. 14 Till my . . . one out until my evil angel has infected my good one with venereal u Two loves I have, of comfort and ^es^air, spirits do suggest me still. better angel is a man right jait. The worser spirit a woman colour’d To wih'ineloon to hell, my female^ Tempteth my better angel from myside,And would corrupt my ^nt to Agoing his purity with he^ OU ridas—jAi^d whether that mj^^ge turn’d fien i^Sjispect I may, yet not directly tell; But being both from me, both to egch friend, I guess one angel in another’s hell.' this shall I ne’er know,'But live in doubt, (Till my bad angel fire my good one out. " t;'' � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Annotations on Shakespeare's Sonnets Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Description An account of the resource Scans of a copy of Shakespeare's sonnets containing former Casper College English instructor Margaret Demorest's annotations. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Margaret Demorest, William Shakespeare Language A language of the resource ENG Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Written Annotations Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Sonnet Annotations: Sonnets 143 and 144 Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Subject The topic of the resource Shakespeare, William, -- 1564-1616 -- Sonnets; Sonnets, English -- History and criticism Description An account of the resource The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in February of 2024. SONNET 143 Danger to Sh. from Rich. III Form of sweet wine sought by Essex in vain Hubler interprets [this sonnet] as plea for dark lady “to go her way + come back to him later” Her failure to recognize what she really wants–the ease with which love could be reclaimed Maybe not chicken but “bird”--like Sh. in “borrowed feather” (another poet) SONNET 144 Henslowe (owner) com[?] with Rose theatre Note heaven-hell images in this unit Two kinds of duality in these sonnets: Public-Personal[;] Man-woman: Queen vs. indiv, Good angel - bad - Fair vs. Black[;] Interwoven nature of all of us–true also of E– (S’s compassionate comprehension of mankind) Dichotomy: Could this be his view of human nature? - body, soul - both good? both bad[.] E. as repr. of all of us here? Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Demorest, Margaret; Shakespeare, William Language A language of the resource ENG, LAT Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets_143_144 Format The file format, physical medium, or dimensions of the resource PDF