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                    <text>J &lt;£ culd Be 3ea(ous
Samuel Orr
I could be jealous
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And the attention that you’ve met
I could be jealous
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Of your talent and grace, and first place in the races
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I could be jealous
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But from the loving Lord above

From him alone my value comes
Not how alike I am to you
For he does not see what we’ve amounted to be
In terms of our twisted view

189

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                    <text>I Fled a Humorless University Job
for a Sanctuary of the Liberal Arts
5

BY CHAD M. HANSON

HEN I became a com­
I attended, rather than as a result of a
munity-college teacher,
particular set of educational policies or
it meant resigning from
practices.
a position as a research
As an undergraduate, I realized that
associate in the University ofmy
Texas
­ one of contrition. I was an
rolesys
was
tem. Before I left, colleagues approached
inconvenience to my professors, and I
me one by one, well meaning and ear­
knew that. They were paid to conduct
nest, warning me that if I went down the
research, and if they were successful in
ladder, I wouldn’t be able to climb back
their writing and publishing, their re­
up again.
ward included the chance to rid them­
That dire pronouncement made the
selves of me and my kind. Even so, I
transition feel risky and even a little bit ir­
muddled through, and then, years later
responsible. I lay awake in the wee hours,
as a graduate student, I took a job teach­
fretting about whether my impulse to
ing part time at a community college
teach at a two-year college would hurt my
to help pay the rent. It was there that I
career by scarring me with a stigma. In
discovered the meaning and purpose of
the end, I left my job at the university to
postsecondary life.
teach sociology at a community college.
I have never been comfortable within
More than a decade hence, I remain an
the boundaries of academic departments.
unrepentant two-year-college teacher.
My unwillingness to stick within the
I am a product of the American uni­
confines of a single field is so great that
versity system. I have universities to
my doctorate became interdisciplinary,
thank for my ability to write and think
out of necessity. Mainstream sociology
and conduct myself as both a citizen and
is empirical and quantitative, and al­
a scholar, but the university system is
though I revel in the joy of sophisticated
flawed. At times it seemed as if I earned
multivariate analysis, I also appreciate
my education in spite of the institutions
Zen poems written by Chinese moun­

W

tain hermits in the era before Christians
began keeping track of time. When it
comes to understanding or casting light
on social patterns, I am convinced that
both are valuable, and in the university
such convictions come with a price—un­
employment. Despite the interdisciplin­
ary history of the social sciences, sprout­
ing as they did from the study of phi­
losophy, the lines between the sciences
and humanities are rarely crossed by
career-minded academics today, at least
those on the tenure track.
In contrast, community colleges offer a
refuge for those with wide-ranging curi­
osities. Community colleges are sanctuar­
ies for generalists. When it comes to the
advancement of knowledge, the contribu­
tion of specialists is obvious, but scholars
with broad interests and abilities should
find comfort in knowing that there are
nearly a thousand public institutions in
the United States with the express pur­
pose of offering the first two years of the
baccalaureate, two years dedicated to pro­
viding students with a general education,
the sole purpose of which is to sharpen
wits and fuel imaginations.
y first book was a col­

lection of short stories and
literary essays about fly­
fishing, collected under the
title Su'imming With Trout. The
was published last fall, and to promote it,
my publisher arranged a series of read­
ings and book signings. The first event
was in Laramie, Wyo. When I walked

M

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B30

THE CHRONICLE OF HIGHER EDUCATION • COMMUNITY COLLEGES

OCTOBER 31, 2008

�into the bookstore and introduced my­
self, the proprietor looked surprised and
said, “Oh—I expected someone quite a
bit older." She knew from my biography
that I taught sociology, and she explained
that she had assumed I had reached the
end of my career as an academic, since
I had found time to write a book meant
for a general audience.
I understood her surprise. University
faculty members must prove themselves to
a narrow audience of experts before they
can take time to dabble in something as
prosaic as writing fly-fishing stories. For
community-college teachers, however,
there is no waiting or hand-wringing over
the timing or placement of publications.
You can write and publish wherever and
whenever you please, and without regard
for disciplinary boundaries.
The tenure process at community col­
leges hinges on student and collegial eval­
uation of teaching performance. I realize
that earning tenure under such conditions
might sound like a cakewalk, given that
teaching receives more attention at com­
munity colleges than either research or
service. But don’t be fooled: Students can
be harsh critics. They are rarely qualified
to assess a faculty member’s overall com­
petence, but they can tell whether they
are receiving an education or not.
A successful career at a community
college depends on shifting one’s per­
ception. Students—even the snarling
ones with baseball caps pulled down
over their eyes and baggy pants hanging
off their posteriors—must become the
focus of one’s work life and the source
of one’s job satisfaction. Regardless of
whether they want or feel as if they need
to take your courses, ill-prepared and
unmotivated students show up in your
classroom, and that fact often presents a
challenge to new teachers. Even so, the
good ones eventually realize that making
ill-prepared and unmotivated students a
priority is a luxury of sorts. At universi­
ties, educators take pride and pleasure in
the challenge of securing grants to pay
for new lines of research, but I have the
freedom to make the surly, often-ill-pre­
pared kid in the back row the challenge
of my professional life, and that suits
me.

laughter that makes your eyes water and
your cheeks ache. I longed for that. I was
surrounded by brilliant people who took
themselves far more seriously than any­
body should, no matter how many ways
you prove yourself or your intelligence.
Once on a coffee break, I caught a look
at myself in a mirror—short-sleeve shirt,
bold-striped necktie, and a pocket pro­
tector lined with upscale pens and me­
chanical pencils. I looked like a ball of
rubber bands wound too tight to be use­
ful to anyone. I knew I needed a change.
Universities are high-minded, reward­
ing, and prestigious places to work. But

HAVE COLLEAGUES who complain
about the amount of time it takes
to teach five sections of such stu­
dents per term, but the fact is that
at comprehensive state universities, fac­
ulty members often teach four sections
per semester, and they are also expected
to find external sources of financing, to
the point that the grant money offsets
a share of their salaries. At community
colleges, grant writing is encouraged but
not required, and when faculty members
are paid through a grant, that money is
typically disbursed in addition to, not in
lieu of, salaries.
Community-college teaching can be
lucrative. I received a pay increase when
I left the tiniversity and took up teaching
at a two-year college. But that’s not why
I left my job conducting research. I left
because, though the work was meaning­
ful, it was humorless. Near the end, as
I sat in front of the computer in my of­
fice, I could feel the hours and days slip­
ping by without the kind of uninhibited

I

OCTOBER 31, 2008

each semester I look forward to meet­
ing my new batch of community-college
students. I especially look forward to
working with the sullen bunch that sits
in the last two rows of desks, near the
door in the back. I consider it my duty
to make them smile at some point early
in the term.

Chad M. Hanson is chairman of the sociol­
ogy and social-iDork department at Casper
College. He also torites poetry and short sto­
ries and is the author of Swimming With
Trout (University of New Mexico Press,
2001).

You can write and
publish wherever
and whenever you
please, without
regard for disciplinary
boundaries.

Is your
IGREAT college a
COLLEGES great place
TO WORK FOR
to work?
CHRONICLE

Be a part of The Chronicle's 2009 Great Colleges to Work
For survey and find out.

The survey, now in its second year, has generated research
and insight that have helped many institutions with their
goals of creating great workplaces.

Your participation this year can help you understand
your employees' perception of your institution, and can
also provide a framework from which you can refine your
recruitment and retention strategies.
Due to the overwhelming response to last year’s survey,
we have opened the 2009 survey to a wider variety of
institutions, including community colleges. But space
is strictly limited, and we expect to reach our cutoff point
soon. Make sure your institution is included—go to
ChronicleGreatColleges.com and sign up today.

THECHRONICLE
Essential Reacli'iig for Higlier Education

COMMUNITY COLLEGES • THE CHRONICLE OF HIGHER EDUCATIONS

B3 1

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Zoe von Gunten
I am not made of warm red blood

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My blood leaks out of my eyes and ears
It is the ice melted from frozen rivers

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Splashes

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I am hollow

All that pollutes my body can be easily rid of

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6^01 CiiitianLlte.'iatn'ie

XV

�la.'Woman

My hollowed corpse can be found without any evidence of my frozen insides

Snow melts away
Water evaporates
Frost dissipates
And all that is left is a shell

No butterfly to be found

No cicada
Not even a moth

Just a shell

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XVI

(jcp'iission Magazine

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                  <text>TIF</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="104056">
              <text>Photograph</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="104048">
                <text>Idaho Ghost Towns Area 1: Cobalt, ID</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="104049">
                <text>&lt;div class="element-text five columns omega"&gt;&#13;
&lt;p&gt;&lt;a href="http://rightsstatements.org/vocab/InC/1.0/"&gt;http://rightsstatements.org/vocab/InC/1.0/&lt;/a&gt;&lt;/p&gt;&#13;
&lt;/div&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="104050">
                <text>1969</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="104051">
                <text>Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="104052">
                <text>Norman Weis</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="70">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="104053">
                <text>Norm Weiss Manuscripts and Photographs, CCA 10.2003.01 WyCaC US. Casper College Archives and Special Collections.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="104054">
                <text>CCA 10.2003.01_Weis_Photos_ID_08</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="104055">
                <text>TIF</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
