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A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Original Format
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Print Magazine
Dublin Core
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Title
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Hand Study
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<div class="element-text">
<div class="element-text">
<div class="element-text five columns omega">
<div class="element-text five columns omega">
<div class="element-text five columns omega">
<div class="element-text"><a href="http://rightsstatements.org/vocab/InC/1.0/">http://rightsstatements.org/vocab/InC/1.0/</a></div>
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<div class="element-text"><em>Expression</em><span> </span>claims first North American rights to submissions selected for publication. All rights revert back to the author/artist after publication.</div>
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Date Created
Date of creation of the resource.
2023
Type
The nature or genre of the resource
Image
Creator
An entity primarily responsible for making the resource
Rita Mata
Is Part Of
A related resource in which the described resource is physically or logically included.
Expression Literary and Arts Magazine, CCA 04.ii.c.2022.01 WyCaC US. Casper College Archives and Special Collections.
Identifier
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CCA 04.ii.c.2022.01_Exp_2023_Art_23
Format
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TIF
Publisher
An entity responsible for making the resource available
Casper College
-
https://caspercollege.cvlcollections.org/files/original/ca3588635b24e3f8984b972e3d135767.pdf
57bf8ea76115bd2ec042457467af68f8
PDF Text
Text
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Letters and Scrapbook of Walter A. Blackmore
Rights
Information about rights held in and over the resource
<a href="http://rightsstatements.org/vocab/UND/1.0/">http://rightsstatements.org/vocab/UND/1.0/</a>
Date Created
Date of creation of the resource.
1973
Description
An account of the resource
Historical information on Bessemer, Wyoming, including ranches.
Type
The nature or genre of the resource
Text
Creator
An entity primarily responsible for making the resource
William A. Blackmore
Language
A language of the resource
ENG
Is Part Of
A related resource in which the described resource is physically or logically included.
Mrs. Robert Blackwell Papers, NCA 01.v.1974.01 WyCaC US. Casper College Archives and Special Collections.
Identifier
An unambiguous reference to the resource within a given context
NCA 01.v.1974.01_BlackwellLandS_Bessemer
Format
The file format, physical medium, or dimensions of the resource
PDF
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Print document
Dublin Core
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Title
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Hand-drawn map of Bessemer with ranches on the back
Rights
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<a href="http://rightsstatements.org/vocab/UND/1.0/">http://rightsstatements.org/vocab/UND/1.0/</a>
Date Created
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1973
Type
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Text
Creator
An entity primarily responsible for making the resource
Robert A. Blackmore
Language
A language of the resource
ENG
Is Part Of
A related resource in which the described resource is physically or logically included.
Mrs. Robert Blackmore Collection, NCA 01.v.1974.01. Casper College Archives and Special Collections.
Identifier
An unambiguous reference to the resource within a given context
NCA O1.v.1974.01_LandS_Bessemer_06
Format
The file format, physical medium, or dimensions of the resource
PDF
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https://caspercollege.cvlcollections.org/files/original/fb154aa427bda412a8e448b604b85a2b.pdf
1f4b2731bfc37e81dc434d7478c16f8b
PDF Text
Text
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Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Text
Any textual data included in the document
Handwritten notes
Dublin Core
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Title
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Handwritten Notes on the CY Ranch
Rights
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<a href="http://rightsstatements.org/vocab/NKC/1.0/">http://rightsstatements.org/vocab/NKC/1.0/</a>
Description
An account of the resource
Handwritten notes on the history of the CY Ranch in Casper, Wyoming as found in the Frances Seely Webb Collection of early Casper Photographs and other papers. Webb was a society editor for the Casper Star-Tribune. She also researched and wrote about Casper's first homes and other historical events and figures.
Type
The nature or genre of the resource
Text
Creator
An entity primarily responsible for making the resource
Frances Seely Webb
Language
A language of the resource
ENG
Is Part Of
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Frances Seely Webb Collection. Goodstein Foundation Library, Archives and Special Collections (Western History Center), Casper College, Casper, WY, 82601.
Identifier
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NCA_01.v.1985.02_CYRanchPapers
Format
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PDF
Extent
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28 pages
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https://caspercollege.cvlcollections.org/files/original/c877ef4d386cdd9cbab4a7da7a8225ce.pdf
1806abb9219ce2df0bfef8ecb2f594ef
PDF Text
Text
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Casper College 1971 Thunderbird Annual
Rights
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<a href="http://rightsstatements.org/vocab/InC/1.0/">http://rightsstatements.org/vocab/InC/1.0/</a>
Date Created
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1971
Subject
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Casper College -- History.; Community colleges -- Wyoming -- History
Description
An account of the resource
Digitized copy of the 1971 Casper College Thunderbird annual yearbook.
Type
The nature or genre of the resource
Text
Creator
An entity primarily responsible for making the resource
Casper College
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Original Format
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Annual print yearbook
Dublin Core
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Title
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Happenings
Rights
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<a href="http://rightsstatements.org/vocab/InC/1.0/">http://rightsstatements.org/vocab/InC/1.0/</a>
Date Created
Date of creation of the resource.
1971
Subject
The topic of the resource
Casper College -- History.; Community colleges -- Wyoming -- History
Description
An account of the resource
Digitized copy of the Happenings section for the 1971 Casper College Thunderbird annual yearbook.
Type
The nature or genre of the resource
Text
Creator
An entity primarily responsible for making the resource
Casper College
Language
A language of the resource
ENG
Is Part Of
A related resource in which the described resource is physically or logically included.
Casper College Thunderbird Annuals, CCA 2023.01 WyCaC US. Casper College Archives and Special Collections
Identifier
An unambiguous reference to the resource within a given context
CCA2023.01_1971_Happen
Format
The file format, physical medium, or dimensions of the resource
PDF
-
https://caspercollege.cvlcollections.org/files/original/6764630bf39d243ef7cde779572a893b.jpg
34cb10d4a21ba70a6d4ba4296759feb9
Dublin Core
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Title
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Casper College Alumni and other Distinguished Honoree Photographs
Rights
Information about rights held in and over the resource
<a href="http://rightsstatements.org/vocab/InC/1.0/">http://rightsstatements.org/vocab/InC/1.0/</a>
Description
An account of the resource
This is a collection of digitized photographic prints of Casper College alumni and other individuals. Some of the individual photographs have been identified on their prints and some have not. It is thought that these photographs , negatives were transferred to the archives from either the Foundation Office or Public Relations. Some of the alumni photographed have been named Distinguished Alumni. The repository does not currently have a date range, but these photographs may extend from the 1960s to the 1990s. Some of these photographs appear to be part of a series of photographs that included Marialyce Barrett Tobin.
Is Part Of
A related resource in which the described resource is physically or logically included.
Casper College People & Personages Photographs, CCA 04.xiv.2023.01_People WyCaC US. Casper College Archives and Special Collections.
Identifier
An unambiguous reference to the resource within a given context
CCA 03.d.2024.01
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Photographic print
Dublin Core
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Title
A name given to the resource
Harry E. Liemback
Description
An account of the resource
Photograph of Casper College alumnus, Judge Harry E. Liemback. Judge Liemback was made an Exemplary Alumni of Casper College in 1996.
Type
The nature or genre of the resource
Image
Is Part Of
A related resource in which the described resource is physically or logically included.
People & Personages (1)-Alumni & Others , 1990, CCA 03.d.2024.01 WyCaC US. Casper College People & Personages Photographs, CCA 04.xiv.2023.01_People WyCaC US. Casper College Archives and Special Collections.
Identifier
An unambiguous reference to the resource within a given context
CCA 03.d.2024.01_Photos_HarryLeimback_01
Format
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JPG
Rights
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<a href="http://rightsstatements.org/vocab/InC/1.0/">http://rightsstatements.org/vocab/InC/1.0/</a>
-
https://caspercollege.cvlcollections.org/files/original/009c8542adc12307f077af7af406844e.jpg
3731cd88f519e3695d1fce6f3d4f5cd9
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Casper College Alumni and other Distinguished Honoree Photographs
Rights
Information about rights held in and over the resource
<a href="http://rightsstatements.org/vocab/InC/1.0/">http://rightsstatements.org/vocab/InC/1.0/</a>
Description
An account of the resource
This is a collection of digitized photographic prints of Casper College alumni and other individuals. Some of the individual photographs have been identified on their prints and some have not. It is thought that these photographs , negatives were transferred to the archives from either the Foundation Office or Public Relations. Some of the alumni photographed have been named Distinguished Alumni. The repository does not currently have a date range, but these photographs may extend from the 1960s to the 1990s. Some of these photographs appear to be part of a series of photographs that included Marialyce Barrett Tobin.
Is Part Of
A related resource in which the described resource is physically or logically included.
Casper College People & Personages Photographs, CCA 04.xiv.2023.01_People WyCaC US. Casper College Archives and Special Collections.
Identifier
An unambiguous reference to the resource within a given context
CCA 03.d.2024.01
Still Image
A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.
Original Format
The type of object, such as painting, sculpture, paper, photo, and additional data
Photographic print
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Harry E. Liemback
Description
An account of the resource
Photograph of Casper College alumnus, Judge Harry E. Liemback. Judge Liemback was made an Exemplary Alumni of Casper College in 1996.
Type
The nature or genre of the resource
Image
Is Part Of
A related resource in which the described resource is physically or logically included.
People & Personages (1)-Alumni & Others , 1990, CCA 03.d.2024.01 WyCaC US. Casper College People & Personages Photographs, CCA 04.xiv.2023.01_People WyCaC US. Casper College Archives and Special Collections.
Identifier
An unambiguous reference to the resource within a given context
CCA 03.d.2024.01_Photos_HarryLeimback_02
Format
The file format, physical medium, or dimensions of the resource
JPG
Rights
Information about rights held in and over the resource
<a href="http://rightsstatements.org/vocab/InC/1.0/">http://rightsstatements.org/vocab/InC/1.0/</a>
-
https://caspercollege.cvlcollections.org/files/original/301bbe2a148c51f507acb9dd5c580a1f.pdf
718e6a473edfdf8f0c880df199bbbb6b
PDF Text
Text
HarXiuood Au6io
Intervieur
Sophia Z,ettl
Fiction
Transcription ofaudio interview 66,316.
Click.
“Start Recording. This is Agent Tobias Simmons. The
date is Friday, August ii, 2017. Time is two o’four P.M. Due to
the sudden nature of this particular case, and the fact that I
was reasonably close to said location doing another interview,
I am in Casper, Wyoming, at the Ramkota Hotel. As far as
accommodations go, they leave much to be desired. I will be taking
a statement pertaining to an incident that occurred in May of
this year from Ms. Hartwood. For the sake of privacy, any other
personal information will be omitted from this recording. See the
corresponding documents for further references. Our appointment
for this interview was set for one forty-five, so Ms. Hartwood
should be here soon.”
The sounds ofshufflingpaperSf then quiet, A persistent
tapping can be heard, likefingers against a table.
Sigh. “Honestly, I’m not sure what passes for punctuality in
this state. One would think that it wouldn’t be that difficult to get
to places on time, considering that it’s less than a twenty-minute
drive to get anywhere in this fucking town. But you never know
what to expect, considering that this state also has more sheep
than people, not that the people are more div-
A knock comes,faintly,
“Well, it’s about time. Unless, of course, it’s the manager
to inform me that I’ve overstayed my welcome. Not that he’d be
wrong, of course.”
The sound offootsteps moving awayjrom the recorder,
A door opens with a creak.
“Ms. Hartwood I presume.”
107
�HartwoodAudio Interview
“Yes, that’s me. I’m so sorry for being late, I was running
errands on the Eastside, and I lost track of time, and then there’s
all that construction on 2nd street, and I had to go around it“
“Please, it’s quite alright. Are you ready to give your
statement now?
“We, yeah. I mean Yes! Yes I’m-I’m ready to go.”
“Fantastic. If you’d step over here please.”
Footsteps tread closer,
“Have a seat Ms. Hartwood. Begin whenever you’re ready”
A pause, sounds ofshuffling, and a throat being cleared,
“Call me Rita, please. Should I- do I just start talking?”
“Why don’t you tell me about yourself and the events
leading up to the incident. Just pretend that the tape recorder isn’t
there.”
“Right. Should be easy enough I suppose. Um, my name is
Rita Hartwood. I’m 23, and I’ve lived in Casper all my life. Which I
guess you already know. Sorry So, what happened in May? It was a
Thursday...”
A longpause,
‘Actually let me clarify something really fast. I know you
came to hear my story, and that’s great, don’t get me wrong. But
people always want to hear a ghost story And that’s not what this
is. At least, maybe not what you’d normally think a ghost story is.”
“I don’t have an opinion on the veracity of ghost stories, or
lack thereof. I just need to take your statement.”
“No, I know. I just meant... Can I ask you Agent, are you
Christian?”
“I don’t believe my religious affiliation has any part of this
discussion.”
“No, no, of course not. I’m sorry I only ask because, well, I
was raised Catholic. Now obviously, I can’t speak for all Christian
denominations or even all Catholics. But ghost stories weren’t a
good thing or a fun thing growing up. They were a warning.
“I remember being in school, and the other kids would joke
about the bathroom being haunted. Or someone would mention
bringing a Ouija Board to a sleepover. And the paranormal TV
shows and movies that became more popular and more ridiculous
because ghost stories were fun. They gave a scare or raised some
goosebumps- but it wasn’t like they were real. Or if they were,
108
�HartwoodAudio Interview
then it wasn’t like a ghost could hurt you. But I knew differently I
grew up listening to Bible stories and the lives of the Saints, which
are heavy enough on their own. But as I got older, the stories got
longer, and deeper. More detail given to the tales of the martyrs,
to those who fought against hell. Demons are very real and very
dangerous.
“I’m sure you know. Agent, that there are plenty of rules
that come with being Catholic. There’s the commandments,
and all of what Jesus says in the gospels. And I’m definitely not
the textbook perfect example of a nice Catholic girl. Following
those rules have been a... trial to say the least. But the one rule
that always stuck with me, even when I wasn’t acting like a good
Catholic? ybu don’t fuck around with the occult, ghosts, spirits or
whatever the hell else is out there.”
A loud scoffand afew shaky breaths,
“I tell you this because I want you to know, what happened
to me in May? I hate it. I hate not knowing if what happened is only
in my mind or if it was... something else.”
Clears throat,
“So, it was a Thursday. I remember because I meet with my
book club every other Thursday. We hang out, have dinner, and we
talk. It’s great, actually. I don’t have a lot of friends. It’s nice to just
sit and talk.
‘Anyway we were up on the mountain. Celebrating spring
and all that. We hiked the Braille trail and then went to the Elk
Horn Campground for hotdogs and beers. We discussed the book
we were reading that month. It was Death Comesfor the Archbishop
byWilla Cather.
“We were there until maybe eight? We said our goodbyes,
and I headed back. I drove for less than 5 minutes, and my car
broke down. Which wasn’t really surprising. I mean, I drive a 98
Oldsmobile, and that incline on Casper Mountain Road kills the
brakes even when I'm driving in low gear.
“So the engine stalls; I pull over and put on my hazards. I
tried to call for help, but cell service up there is spotty at best. I
figured I’d wait. I was one of the first to leave, so someone would
have to pass by, right? I waited and waited, and waited. It felt like I
waited for an hour, maybe more, but no one came.
“I finally got out to pop the hood. That’s when it hit me. It
109
�HartwoodAudio Interview
was cold. Now, this is Wyoming. Weather can change at the drop of
a hat, and it was in the mountains in May But it dropped from fifty
to eleven. I could see my breath in the light of my phone, and my
fingers burned trying to lift the hood. I don’t know what I planned
to do; I know next to nothing about cars except how to drive one.
But it was better than doing nothing and being stuck up there in
the cold and the dark. There were hardly any lights up there, but I
couldn’t even see the lights from town.
“I glanced to the side, and I noticed... something. There
was a thing in the trees. It was like a figure, but not, if that makes
sense? It was like the idea of a person’s shadow, all dark and
formless and deep. I couldn’t make out anything specific, just that
they were there. Like passing by a mirror in a dark room or looking
out a smudged window. You can tell that there’s something there,
but you can’t focus on it. I froze. And then there was this sound.
“It wasn’t like anything else I’d ever experienced before.
This sound, it was like it was there and it wasn’t. Like the reverb
of a bass guitar through a speaker, but deeper, if that makes sense?
Or, uhm... when you’re in a canyon, and you call out your name just
to hear it echo back. And there’s this brief moment when the echo
is gone, but the sound is still there. That’s what it was like, just a
faded echo of a song or a voice. But it kept getting louder, and that
figure was just there.
“It moved and bent but not in a way that a person moves;
it was more like how a tree would sway And I know how that
sounds; then obviously it was a tree, right? And I was just out of
my mind. But the wind was blowing hard at that point, and this
thing was bending against the wind. It moved, and it looked like it
was gesturing toward the dark behind it. I looked, and it was like
the darkness was getting darker. I never understood the meaning
behind the word ‘abyss’ until I looked into it. And once I did, I
couldn’t look away I could see it beckoning me forward. I stumbled
back into the road, but I didn’t remember stepping forward and
I was trying to form the Hail Mary in my mouth, but it was like I
didn’t have the breath to speak.
“There was that sound that just kept getting louder, like the
reverb of a note held for too long, and the wind was blowing, and
I couldn’t see anything around me in that swirling darkness, but I
swear on my life I felt something touch my shoulder. I screamed, I
no
�HartwoodAudio Interview
think. It was hard to hear myself think with all that noise, let alone
anything besides the sound, a-”
Audio corrupted;for approximately a minute and 6
seconds, there^s only static. Some scattered voices, but nothing
coherent can be made out.
“-woke up. I was confused and sore and scared out of my
mind. But that wasn’t the worst part. I woke up in my own bed on
Saturday I have no memory of how I got there. And things were
off. I can’t fully explain it, but clothes that I had in the wash on
Thursday were folded and put away. Inside out. And-and there
was salt all over my kitchen floor and cracked dishes I don’t recall
having been broken before Thursday My roommate was out of
town that week, so she couldn’t tell me if she had seen me at all. I
called my Mom, bawling, and she hadn’t heard from me either. She
talked to me, calmed me down enough that I could tell her what
happened. She came over with Holy Water, and we said a prayer
over my apartment. She helped me clean up a little, and then we
left. I stayed with my parents for almost a month.”
A longpause, only the sounds ofshaky breathing, the
rustling oftissues.
“Ms. Hart, did you experience anything else after this...
incident.”
“No. I talked to Priests, who prayed with me but
recommended a psychologist, and psychologists who have all tried
to convince me that it was my mind playing tricks on me. That it
was my stress that manifested itself into hallucinations. And maybe
they’re right. But I have never seen a hallucination leave bruises
across my shoulder. Any other questions. Agent?”
“No, that will be all Ms. Hart. Thank you for your time. And
if you have any additional information, here’s my card.”
“It’s Hartwood, and thanks for listening. I guess. I’ll see
myself out.”
Furniture shifts,footsteps move awayfrom the
recorder. A door opens and closes again. There is silencefor
several seconds.
“Well, that went better than expected, all things considered.
I have the rest of Ms. Hartwood’s file with me, including pictures
taken at the local hospital. Details of said stay she failed to include
in her testimony. The bruises across her shoulders, one could think
III
�HartwwdAudio Interview
they were almost shaped like... well. I don’t have to say here, do I?
As per protocol, the audio transcription will be uploaded into the
database, along with digital copies of the file. The physical copy
will be sent to the archive to be processed.”
The sound ofchairs scraping along thefloor and then
tapping. Likefingers on a tabletop.
“I wonder if she knows how lucky she is? This is the sixth case that
I’ve investigated with this particular entity. And none of its other
victims have lived to give me their statements. We will have to keep
a closer eye on the situation.”
Transcription ends.
II2
�
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Hartwood Audio Interview
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Sophia Zettl
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ENG
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Expression Literary and Arts Magazine, CCA 04.ii.c.2022.01 WyCaC US. Casper College Archives and Special Collections.
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CCA 04.ii.c.2022.01_Exp_2023_Prose_04
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Searchable PDF
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Casper College
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Hatching My Hand
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2024
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Paige Wilson
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Expression Literary and Arts Magazine, CCA 04.ii.c.2022.01 WyCaC US. Casper College Archives and Special Collections.
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CCA 04.ii.c.2022.01_Exp_2024_Art_100
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TIF
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My Mom's Casper
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Sheffner-McFadden Collection, NCA 01.v.2024.12 WyCaC US. Casper College Archives and Special Collections.
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Still Image
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Hauling Wool
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ENG
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