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Casper College Goodstein Foundation Library Western History Center
Fall 2025 Humanities Festival Traveling Exhibit Development Process
Hanz Olson, Librarian and Archivist

Overview and Credits:
•
•
•
•

Location: Natrona County Public Library
Proposed Date of Installation: Start install on September 17th and 18th
Length of Exhibit after Install: September 27 through October 24
Client-partners: Casper College Humanities Festival and Natrona County Public
Library

Development Team
•
•
•

Curators: Hanz Olson (librarian and archivist) and Hannah Baldwin (CC Biology
graduate and UW-C Biology archivist assistant)
Project Manager: Hanz Olson
Exhibit Developers: Hanz Olson and Hannah Baldwin
o Exhibit Designers: Hanz Olson, Hannah Baldwin, and Eddie Siebert (Casper
College English major and Arts and Humanities institutional repository
assistant)

Goals and Objectives:
Launch a successful contribution to the 2025 Humanities Festival in the form of an
engaging traveling exhibit that aligns and creates avenues for connecting with stakeholders
and visitors.

Interpretive Master Plan:
•

Stakeholders
Casper College Humanities Festival Committee, the Goodstein Foundation Library
and its Western History Center, the Natrona County Public Library, collection
donors, and Casper and outside communities.

�2
•

Big Idea
Provide a sampling or archival materials and ask thoughtful questions through the
curatorial use of the Casper College Archives by showcasing efforts made at
o Capturing Casper College
o Archiving Faculty Interests and Pursuits
o Connecting College Life and Wyoming Culture
External Artifacts:
o Question response forms
Internal Stakeholders
Model Casper College values through the work of developing the exhibit.
o Integrity – Hard work, accountability, trust, open communication, and
respect
o People – Growth, support, personal development, and positive relationships
o Diversity – Thought, culture, and experience
o Forward Thinking – Intentional, innovative, and sustainable planning in the
pursuit of excellence
o Community – Partnership and service
Internal Artifacts
o Documentation of exhibit packages in Western History Center Materials
Pulled for Request and Exhibits Log
o Published Exhibit Development Process Document

Smithsonian-based Anticipated Audience Preferences (IPOPs):
The following IPOPs are applicable to the 2025 Humanities Festival traveling exhibit:
•
•

•

Ideas: “Visitors seeking conceptual and abstract thinking”
o Archiving Faculty Interests and Pursuits
People: “Visitors seeking emotional connections”
o Archiving Faculty Interests and Pursuits
o Capturing Casper College
o Connecting College Life and Wyoming Culture
Objects: “Visitors seeking visual language and aesthetics”
o Archiving Faculty Interests and Pursuits

�3

•

o Capturing Casper College
o Connecting College Life and Wyoming Culture
Physical: “Visitors seeking multi-sensory experiences”
o Connections to digital resources and learning experiences (in-person and/or
remote digital)
o Incorporation of selected leather, metal, technology, Thunderbird mascot,
and wooden objects

Interpretive Hierarchy:
•
•
•
•

Title (label-poster with big ideas): Traveling Gallery Highlighting the Archiving of
Casper College and Wyoming Culture
Big Idea: Featuring a process of restoring what it means to archive an institution
backward from a constantly revolving exhibit space at its doorstep.
Key Messages: The archives of an institution start with but also incorporate
broader communities.
Interpretive Tools:
o Objects
o Thunderbird mascot trappings
o Typewriter and gloves of Margert Demorest’s
o Slide scanner
o Old library cataloging equipment
o Casper College mugs
o Wyoming Mountaineers equipment
o Images
o Public Relations Department
o Interactives
o No audio or visual materials at this time but Digital and Institutional
Repository QR codes and reflective question response forms will be
included.
Capturing Casper College
▪ Casper College Life
▪ Photographs of President Tilghman H. Aley
▪ Thunderbird Rodeo
Archiving Faculty Interests and Pursuits
• Norman Weiss Manuscripts
• Margaret Demorest’s Annotated Shakespeare Sonnets

�4
Connecting College Life and Wyoming Culture
• College Life and Wyoming Culture digital page (more
information on landing forthcoming)
o Reflective question forms (see Assessment and Engagement below)
o Text
o Public Relations Department Publication(s)
o Margaret Demorest Papers
o Faculty Manuscripts and Publications

Exhibit Launch Road Map:
Put together the following “packages” for curation in the atrium-gallery of the NCPL:
•
•
•
•

Assessment Package
Digital Curation Package
Engagement Package
Physical Curation Package

Assessment and Engagement:
•
•
•

Requests to research faculty papers sign-up
Requests to research Public Relations Campus and Buildings and College Life
record groups
Responses to reflective questions embedded in the exhibit
o Where do you find the most play in capturing Casper College?
Possible responses:
▪ Athletics
▪ The classroom
▪ College life
▪ The theater
o In your mind, what are the characteristics of a life project?
Possible responses:
▪ Being in the moment
▪ Finding the key to self-actualization and life-long learning
▪ Creating a record of your beliefs, convictions, and values
▪ A combination of all of the above

�5

•

o Have you discovered a connection between Casper College Life and
Wyoming Culture in this exhibit? If so, let us know what the connection is!
Label with link to Museum/ Gallery Studies webpage in the last exhibit case

Concept Design:
The Concept Design included identifying the follow focus panels. Focus panels are the
equivalent of the exhibits overarching and interwoven sections.
The interpretive strategy of all panels is aligned with the incorporation of multiple
interpretive tools as outlined by the Smithsonian. These are Objects, Images, Interactives,
and Text.
1. Capturing Casper College Focus Panel
• Interpretive tools: Objects, Images, Interactives, and Text
• Reflective Question: Where do you find the most play in capturing Casper
College?
2. Faculty Interests and Pursuits Focus Panel
• Interpretive tools: Objects, Images, Interactives and Text
• Reflective Question:
o What is a life project based on to you?
▪ Being in the moment
▪ Finding the key to self-actualization and life-long learning
▪ Creating a record of my beliefs, convictions, and values
▪ A combination of all of the above
• Exhibit Display Cases for Sonnet Writing
o Looking at an example of a sonnet composed using words and images
from the two Margaret Demorest and Humanities Festival display cases,
viewers will have a chance to compose and send in a copy of their own
sonnet using a line-by-line form.
• Reading Room Faculty Papers Sign-up Form
o Margaret Demorest
o Norman Weiss
3. College Life and Wyoming Culture Focus Panel
o Interpretive tools: Objects, Images, Interactives, and Text
o Reflective Question

�6
o Have you discovered a connection between Casper College Life and
Wyoming Culture in this exhibit? If so, let us know what the connection
was!

Final Design Phase:
o Final Packages
o Exhibition Title Poster Label
o Focus (section) Labels
▪ Capturing Casper College
▪ Showcasing Faculty Interests and Pursuits
▪ Discovering College Life and Wyoming Culture
o Captions
o Physical exhibit packages

Measurements
•
•
•

•

Front End
o Western History Center Materials Pulled for Request and Exhibits Log
Internal Formative Evaluation
o Research request transactions (in-person or online)
Internal Summative Assessment
o Published Exhibit Development Process
o Completed Western History Center Materials Pulled for Request and Exhibits
Log
Quantitative and Qualitative
o Faculty Manuscripts and Publications Research Requests (Demorest and
Weiss)
o Responses to Reflective Questions
• On-site or Digital Requests for Access
• Responses to critical questions and exhibition via online forms:
1. Where do you find the most play in capturing Casper College?
2. In your mind, what are the characteristics of a life project?
3. Have you discovered a connection between Casper College Life and
Wyoming Culture in this exhibit? If so, let us know what the connection is!

�7
Question QR Codes:

1.

2.

3.

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                    <text>1
Casper College Goodstein Foundation Library Western History Center
Fall 2025 Humanities Festival Traveling Exhibit Development Process
Hanz Olson, Librarian and Archivist

Overview and Credits:
•
•
•
•

Location: Natrona County Public Library
Proposed Date of Installation: Start install on September 17th and 18th
Length of Exhibit after Install: September 27 through October 24
Client-partners: Casper College Humanities Festival and Natrona County Public
Library

Development Team
•
•
•

Curators: Hanz Olson (librarian and archivist) and Hannah Baldwin (CC Biology
graduate and UW-C Biology archivist assistant)
Project Manager: Hanz Olson
Exhibit Developers: Hanz Olson and Hannah Baldwin
o Exhibit Designers: Hanz Olson, Hannah Baldwin, and Eddie Siebert (Casper
College English major and Arts and Humanities institutional repository
assistant)

Goals and Objectives:
Launch a successful contribution to the 2025 Humanities Festival in the form of an
engaging traveling exhibit that aligns and creates avenues for connecting with stakeholders
and visitors.

Interpretive Master Plan:
•

Stakeholders
Casper College Humanities Festival Committee, the Goodstein Foundation Library
and its Western History Center, the Natrona County Public Library, collection
donors, and Casper and outside communities.
Casper College Goodstein Foundation Library and Western History Center
125 College Drive, Casper, Wyoming 82601

�2
•
•

Big Ideas
External Stakeholders
Provide a sampling or archival materials and promote reflective questions through
the curatorial use of the Casper College Archives by showcasing efforts made at
o Capturing Casper College
o Archiving Faculty Interests and Pursuits
o Connecting College Life and Wyoming Culture
External Artifacts:
o Question response forms
Internal Stakeholders
Model Casper College values through the work of developing the exhibit.
o Integrity – Hard work, accountability, trust, open communication, and
respect
o People – Growth, support, personal development, and positive relationships
o Diversity – Thought, culture, and experience
o Forward Thinking – Intentional, innovative, and sustainable planning in the
pursuit of excellence
o Community – Partnership and service
Internal Artifacts
o Documentation of exhibit packages in Western History Center Materials
Pulled for Request and Exhibits Log
o Published Exhibit Development Process Document

Smithsonian-based Anticipated Audience Preferences (IPOPs):
The following IPOPs are applicable to the 2025 Humanities Festival traveling exhibit:
•
•

Ideas: “Visitors seeking conceptual and abstract thinking”
o Archiving Faculty Interests and Pursuits
People: “Visitors seeking emotional connections”
o Archiving Faculty Interests and Pursuits
o Capturing Casper College
o Connecting College Life and Wyoming Culture
Casper College Goodstein Foundation Library and Western History Center
125 College Drive, Casper, Wyoming 82601

�3
•

•

Objects: “Visitors seeking visual language and aesthetics”
o Archiving Faculty Interests and Pursuits
o Capturing Casper College
o Connecting College Life and Wyoming Culture
Physical: “Visitors seeking multi-sensory experiences”
o Connections to digital resources and learning experiences (in-person and/or
remote digital)
o Incorporation of selected leather, metal, technology, Thunderbird mascot,
and wooden objects

Interpretive Hierarchy:
•
•
•
•

Title (label-poster with big ideas): Traveling Gallery Highlighting the Archiving of
Casper College and Wyoming Culture
Big Idea: Featuring a process of restoring what it means to archive an institution
backward from a constantly revolving exhibit space at its doorstep.
Key Messages: The archives of an institution start with but also incorporate
broader communities.
Interpretive Tools:
o Objects
o Thunderbird mascot trappings
o Typewriter and gloves of Margert Demorest’s
o Slide scanner
o Old library cataloging equipment
o Casper College mugs
o Wyoming Mountaineers equipment
o Images
o Public Relations Department
o Interactives
o No audio or visual materials at this time but Digital and Institutional
Repository QR codes and reflective question response forms will be
included.
Capturing Casper College
▪ Casper College Life
▪ Photographs of President Tilghman H. Aley
▪ Thunderbird Rodeo
Archiving Faculty Interests and Pursuits
Casper College Goodstein Foundation Library and Western History Center
125 College Drive, Casper, Wyoming 82601

�4
•
•

Norman Weiss Manuscripts
Margaret Demorest’s Annotated Shakespeare Sonnets

Connecting College Life and Wyoming Culture
• College Life and Wyoming Culture digital page (more
information on landing forthcoming)
o Reflective question forms (see Assessment and Engagement below)
o Text
o Public Relations Department Publication(s)
o Margaret Demorest Papers
o Faculty Manuscripts and Publications

Exhibit Launch Road Map:
Put together the following “packages” for curation in the atrium-gallery of the NCPL:
•
•
•
•

Assessment Package
Digital Curation Package
Engagement Package
Physical Curation Package

Assessment and Engagement:
•
•
•

Requests to research faculty papers sign-up
Requests to research Public Relations Campus and Buildings and College Life
record groups
Responses to reflective questions embedded in the exhibit
o Where do you find the most play in capturing Casper College?
Possible responses:
▪ Athletics
▪ The classroom
▪ College life
▪ The theater
o In your mind, what are the characteristics of a life project?
Possible responses:
▪ Being in the moment
▪ Finding the key to self-actualization and life-long learning
▪ Creating a record of your beliefs, convictions, and values
Casper College Goodstein Foundation Library and Western History Center
125 College Drive, Casper, Wyoming 82601

�5

•

▪ A combination of all of the above
o Have you discovered a connection between Casper College Life and
Wyoming Culture in this exhibit? If so, let us know what the connection is!
Label with link to Museum/ Gallery Studies webpage in the last exhibit case

Concept Design:
The Concept Design included identifying the follow focus panels. Focus panels are the
equivalent of the exhibits overarching and interwoven sections.
The interpretive strategy of all panels is aligned with the incorporation of multiple
interpretive tools as outlined by the Smithsonian. These are Objects, Images, Interactives,
and Text.
1. Capturing Casper College Focus Panel
• Interpretive tools: Objects, Images, Interactives, and Text
• Reflective Question: Where do you find the most play in capturing Casper
College?
2. Faculty Interests and Pursuits Focus Panel
• Interpretive tools: Objects, Images, Interactives and Text
• Reflective Question:
o What is a life project based on to you?
▪ Being in the moment
▪ Finding the key to self-actualization and life-long learning
▪ Creating a record of my beliefs, convictions, and values
▪ A combination of all of the above
• Exhibit Display Cases for Sonnet Writing
o Looking at an example of a sonnet composed using words and images
from the two Margaret Demorest and Humanities Festival display cases,
viewers will have a chance to compose and send in a copy of their own
sonnet using a line-by-line form.
• Reading Room Faculty Papers Sign-up Form
o Margaret Demorest
o Norman Weiss
3. College Life and Wyoming Culture Focus Panel
o Interpretive tools: Objects, Images, Interactives, and Text
o Reflective Question

Casper College Goodstein Foundation Library and Western History Center
125 College Drive, Casper, Wyoming 82601

�6
o Have you discovered a connection between Casper College Life and
Wyoming Culture in this exhibit? If so, let us know what the connection
was!

Final Design Phase:
o Final Packages
o Exhibition Title Poster Label
o Focus (section) Labels
▪ Capturing Casper College
▪ Showcasing Faculty Interests and Pursuits
▪ Discovering College Life and Wyoming Culture
o Captions
o Physical exhibit packages

Measurements
•
•
•

•

Front End
o Western History Center Materials Pulled for Request and Exhibits Log
Internal Formative Evaluation
o Research request transactions (in-person or online)
Internal Summative Assessment
o Published Exhibit Development Process
o Completed Western History Center Materials Pulled for Request and Exhibits
Log
Quantitative and Qualitative
o Faculty Manuscripts and Publications Research Requests (Demorest and
Weiss)
o Responses to Reflective Questions
• On-site or Digital Requests for Access
• Responses to critical questions and exhibition via online forms:
1. Where do you find the most play in capturing Casper College?
2. In your mind, what are the characteristics of a life project?
3. Have you discovered a connection between Casper College Life and
Wyoming Culture in this exhibit? If so, let us know what the connection is!

Casper College Goodstein Foundation Library and Western History Center
125 College Drive, Casper, Wyoming 82601

�7
Question QR Codes:

1.

2.

3.

Casper College Goodstein Foundation Library and Western History Center
125 College Drive, Casper, Wyoming 82601

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                    <text>Eva Stone
I am not afraid of falling

Instead, I am very good at it
I fall over invisible lines

My own feet

A chair
Even upstairs
Really, I would call it a talent

Or that I am the official gravity tester
The world never knew they needed
It was this innate ability I was born with

A body that looks graceful
But in reality can barely stand up some days

No I am not afraid of falling
Instead, I am used to it

I am so used to it I shouldn’t be afraid

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Is falling for people
Real people

As a clumsy person
I can deal with bruises

Lining up my legs
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Feelings are something different
Bruises can heal in a couple days

But feelings are not that simple

64tk EdituuiUteiotieie.

XI

�Yet as easily as I find myself testing gravity
I find myself falling

For anyone that shows me a bit of kindness

You smile at me and give me a cheesy compliment

Bam I have fallen

You are willing to talk to me for a while

Bam I have fallen again

I am very very good at falling

And if you are not careful

Not only will I trip over your feet
I might fall for you

And trust me you do not want that

Because once you spend time around
Someone that falls so often

You might find yourself falling too

Then we would both be failing up stairs
Over chairs
Or our own feet

Bruises covering our legs

While people question us
What happened

You would respond with
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I tripped over your feet

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We found ourselves falling for each other
XII

CxfUssian Magazine.

�Ta££lng

Or at least that would happen
If I didn't fall so hard

That I found myself unconscious

And that whole romantic scenario
Was a made up fantasy

Created by a clumsy girl

I never saw myself falling this often
Creating fantasies about romance

As a young girl I told myself
That even though I am clumsy
And clumsy with words

1 would not find myself falling for others
Unless it was a fictional book character
That teleported to the real world
That had the cure for my clumsiness

That was the exception

I convinced myself that feelings suck

I wasn't wrong

Feelings do suck
But as hard as I try
I can’t stop myself for falling

Especially for you

I am not afraid of falling
Instead, I am very good at it

And I find myself doing it all the time

64th CditionLiWiatnU

XIII

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&lt;div id="dublin-core-rights" class="element"&gt;&#13;
&lt;div class="element-text five columns offset-by-two"&gt;&#13;
&lt;p&gt;&lt;em&gt;Expression&lt;/em&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;claims first North American rights to submissions selected for publication. All rights revert back to the author/artist after publication.&lt;/p&gt;&#13;
&lt;/div&gt;&#13;
&lt;/div&gt;&#13;
&lt;/div&gt;&#13;
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                <text>Expression Literary and Arts Magazine, CCA 04.ii.c.2022.01 WyCaC US. Casper College Archives and Special Collections.</text>
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