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                    <text>OBSERVER

Engaging Edifices
By CHAD HANSON
onstruction abounds on

crafted in the shape of an angelic arch. I
my campus. Crews of carpen­
noticed, as I walked across the campus,
ters erected three buildings
that my posture straightened. I grew
in the past year, and a fourth
taller. Without thinking consciously
is scheduled to break ground. The about my gait, I slipped out of my Midbuildings are impressive in one
westem-farm-kid shuffle into some­
sense—they are enormous. Even so,
thing one or two shades more proper.
when I look at the largest of them,
I walked through one of the doors
I do not feel uplifted or inspired. I
and sauntered down a hall. The place
stroll past the structure and think,
exuded the dignity of a monastery.
“That is one big, gray cube.”
Each handcrafted detail invited my
The designers took the issue of
eyes to wander and my mind to slow
energy efficiency into account, and
its pace. The arches seemed to say,
I applaud them for their efforts in
“Our builders did not map the short­
that area. The new hall looks effi­
est or quickest distance between
cient, but efficiency defines the place.
points.” Instead, the graceful curves
The planners gave a high priority to
urged me to take time to reflect and
producing the maximum number of
contemplate. I found myself day­
square feet at the lowest price. That’s
dreaming, thinking about all of the
a common consideration for large
identities that shifted as students
buildings. Consequently, if you didn’t
changed how they thought of them­
know that the structure stood on a
selves in each classroom. Winston
campus, you could mistake it for, say,
Churchill is supposed to have said:
the offices of an investment firm or
“We shape our buildings, and after­
an insurance company.
wards our buildings shape us.”
As an undergraduate, I attended
Higher education is a part of our so­
a modest, public institution—
Northern Arizona University. The
college’s roots extend back into
the 1800s. There is no mistaking
the campus for any other part of
Flagstaff. The walls were set with
bricks cut from a local variation of
brownstone. Four-story columns
stand before the entrances to sev­
eral buildings. The rooftops climb
at a steep pitch, encouraging eyes
to Unger on the architecture. I
learned to love education on that
campus, and one of the things that
I loved best is how I felt when wan­
dering the grounds.
The built environment is
meaningful. Places communi­
cate. Roofs, walls, and floors all
provide cues that help us define
where we are and how we are sup­
posed to think and feel. They tell
us what a space is for and what is
to be expected. To use a concept
from the theater, they provide a
“set” for our behavior. Buildings
tell us how we are supposed to act.
This spring, on a trip to Chi­
cago, I made a point to see North­
western University. My favorite
author, Joseph Epstein, taught
English at Northwestern, and,
even though the main campus is in
Evanston, I still wanted to see the
branch in Chicago.
My trip did not disappoint. In
the center of the city, amid sky­
scrapers and high-rises, stood a
group of buildings that could have
been plucked straight out of me­
dieval Belgium; well-worn bricks,
heavy wooden doors, ornate, handcarved window sills, each opening

C

ciety and thus not immune to the influ­
ence of our culture. We value speed and
efficiency. In our business-oriented way
of life, most events are seen through
the lens of manufacturing, even human
processes that have nothing to do with
producing products. For example, we
have come to view and discuss higher
learning in terms of simple inputs and
outcomes. Increasingly, we speak the
language of economics, and we enact
our roles in buildings that look like of­
fice complexes or factories.
N REMAKING SCHOOLS to look
like factories, we have forgotten
an important lesson from the field
of anthropology: Education is a
ritual that entails much more than
the production of outcomes. B.F.
Skinner said it best: “Education is
what survives when what has been
learned has been forgotten.” Skinner
was the pre-eminent cognitive schol­
ar of his generation. Even he knew
that specific learning outcomes pale

I

Chad Hanson is chairman ofthe
sociology and social-ivork depart­
ment at Casper College and author,
most recently, o/The Community
College and the Good Society
(Transaction Publishers, 2010).
JOMMN

B20

THE CHRONICLE REVIEW

beside the long-term alterations that
occur when individuals come to think
of themselves as educated people.
Skinner understood that a success­
ful education changes one’s identity
and that an identity is a complicated
bundle of memories. When we think
about who we are, all of the places
we have been and the people we have
known come into view. In my case, I
will carry the brownstone walls and
columns of my undergraduate cam­
pus with me to the grave.
That makes me think about what
my students will remember. Will they
carry the sharp angles and cost-effec­
tive space of our current campus with
them as they age? Will their campus
occupy the same vaunted place in
their memories that my former cam­
pus occupies in mine? Will the men­
tal images make them feel thoughtful,
empowered, self-possessed, and dig­
nified? Or will the recollections make
them feel like workers, filling orders
with efficiency? What about the stu­
dents who take all of their courses
online? I cannot help thinking
that we are robbing them of
memories.
Rituals change lives because
they are invested with mean­
ing. Consider religious services.
Churches, mosques, and syna­
gogues radiate poise. Steeples,
domes, and stained-glass windows
lift the practice of worship away
from our everyday pursuits.
The buildings are designed to
elicit feelings of solemnity. The
experience is meant to make an
impression and then follow you
into your life. Similarly, there is
a reason why people dress in fine
clothes on their wedding day. The
memories would lose their luster
if marriages were conducted in
the outfits we wear on the job
or the sweatsuits we wear when
we’re running errands after work.
The next time I walk past the
efficient new buildings on my
campus, I am going to make a
point to wander aimlessly down
the sidewalk, paying special at­
tention to the dandelions push­
ing through the lawn, sparrows
chirping quietly from the tree
branches. Better yet, I won’t even
walk past the new buildings. I will
take the scenic route. That’ll give
me time to think.
■

FOB THE CMIONMXE BEVIEW

MARCH 30, 2012

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                <text>Poster in which the Wyoming Symphony Orchestra Presents Epic 3rds! with Violinist Francesca Dego at Wheeler Concert Hall, Casper College, March 19-20. This poster is a part of the Wyoming Symphony Orchestra Archives made available for research use by the Goodstein Foundation Library Special Collections. The archives of the Orchestra consist of programs, posters, photographs, scrapbooks, notebooks, records, and ephemera produced by the Wyoming Symphony Orchestra.</text>
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              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="14752">
                  <text>&lt;a href="http://rightsstatements.org/vocab/NKC/1.0/" target="_blank" rel="noreferrer noopener"&gt;http://rightsstatements.org/vocab/NKC/1.0/&lt;/a&gt;</text>
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              <name>Access Rights</name>
              <description>Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.</description>
              <elementTextContainer>
                <elementText elementTextId="14753">
                  <text>The material in this collection may be reused so long as attribution is provided to its original source.</text>
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              <name>Date Created</name>
              <description>Date of creation of the resource.</description>
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              <description>An account of the resource</description>
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                  <text>The Mary E. Hein Wyoming Photograph Collection contains 289 color photographs of various areas and locations in Wyoming between 1970 and 1998. The collection highlights significant geographic features and points of interest, and includes events such as a Casper Parade Day, a community event at Fort Casper, and an Oregon Trail wagon train reenactment.</text>
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                  <text>Mary E. Hein Wyoming Photograph Collection, NCA 01.v.2024.10. Casper College Archives and Special Collections.</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
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                  <text>Casper College Archives and Special Collections (Western History Center)</text>
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              <name>Relation</name>
              <description>A related resource</description>
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                  <text>&lt;a href="https://caspercollege.cvlcollections.org/collections/show/70" target="_blank" rel="noreferrer noopener"&gt;https://caspercollege.cvlcollections.org/collections/show/70&lt;/a&gt;</text>
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        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <name>Title</name>
            <description>A name given to the resource</description>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>&lt;a href="http://rightsstatements.org/vocab/NKC/1.0/" target="_blank" rel="noreferrer noopener"&gt;http://rightsstatements.org/vocab/NKC/1.0/&lt;/a&gt;</text>
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            <name>Access Rights</name>
            <description>Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.</description>
            <elementTextContainer>
              <elementText elementTextId="18308">
                <text>The material in this collection may be reused so long as attribution is provided to its original source.</text>
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          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>1997</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Photograph taken on or near Green Mountain in the Esterbrook Area of Wyoming in 1997. The Mary E. Hein Wyoming Photograph Collection contains 289 color photographs of various areas and locations in Wyoming between 1970 and 1998. The collection highlights significant geographic features and points of interest, and includes events such as a Casper Parade Day, a community event at Fort Casper, and an Oregon Trail wagon train reenactment.</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Image</text>
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                <text>Mary E. Hein</text>
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            <description>A related resource in which the described resource is physically or logically included.</description>
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                <text>Mary E. Hein Wyoming Photograph Collection, NCA 01.v.2024.10. Casper College Archives and Special Collections.</text>
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            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>JPG</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Casper College Archives and Special Collections (Western History Center)</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>&lt;a href="https://caspercollege.cvlcollections.org/collections/show/70" target="_blank" rel="noreferrer noopener"&gt;https://caspercollege.cvlcollections.org/collections/show/70&lt;/a&gt;</text>
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