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                    <text>-t' ,
J.

' ’ ^''^iSnnet 57.

I tend wait,

/&lt;« m
^hid^leii ier'‘^

-4

j the world-with^-end hour the tedious hour

Being youy slave,')what should I do but tend
Upon the houf^and times of your desire?
I have no precious time at all to spend.

which seems as though it will never end. 7 Nor think nor do I dare to
4,
think. S servant (a.) attendant (b) lover. 9 question dispute, jealious
^j\. jealous, suspicious (an old form of the word). 20 your affairs suppose
speculate about what you are doing. ii stay wait. 12 Save . . . those
except how happy you are making those who are in your presence. 13
true faithful. wiU desire, perversity. There may be a pun^n the name
"Will."
* '■
—-- I

&gt;

Whilst I,^y sovereign) watch the clock for you
7 NoTthink the bitterness'of absence sour
-'^^5p. you have bid your;serY.anf^nce|adieu.^
?'’4^or dare I question withrhy jealious thought
V
TA71
__ — __
r«
timrinCA
Where
you_ may be. .of youiVaffairr
iuppose,
But, like a sad,sj^^ stay and think of nought
Save where you are how happy youthose.
(S® trim a fppl is love that in yourfwillji
x/hough you do anything, he thinks nojll.
&gt;

4S

\&lt;f r, .

2 I should . . . control'that I should think «f controlling.^
3 th’ account . . . crave demand an accounting of how you have spent
X your time.
stay wait for. 6 Th* imprison’d . . . liberty the sense of
imprisonment which I suffer because of your freedom to be absent from \ p
subdued to endurance (as a horse is tamed to
®^- 3; tame to sufferance
bear his rider), bide each check endure each rebuke. S injury injustice,
insult. 9 list wish, charter acknowledged privilege (of rank).
/o-ii
privilege ... you will grant your time the privilege of being employed
in whatever way you choose.
12 self-doing crime crime committed by
vourself. 13 I am to I am obliged to.

*-&lt;so“nnet’fS.

f«/

- M pr^/^

,1

Th^t'god

at made me first

C—/Or at youi{^an^;y;;ajx-quht of hours to craj
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' Be where you list;)^youi^c^rter^s so strong
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Towhat you wilL to you it doth belong
^ourself to pardoq of self-doing crirne. —y't
am rd' waitT^ough waiting so b^hel^ \
Not blame your pleasure, be it ill or well.

rUry 4 Jaiff, ,

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                    <text>IS- J

S7--

&gt;

T-o

p. i’ll
__ ^-r
.
1-2 If there be .. . been before The cyclical theory of
P
_____ • that everything which occurs in the present has occurred before,
is a classical notion which Shakespeare may have encountered in various
places, that everything. 2 beguil’d cheated. 7 labouring for tnventwn
searching for new subject matter. ^-4 bear amiss . . . former child give
/,
birth mistakenly or improperly (miscarry) to a child which has already teener
bom before. 5 record memory. 6 courses of the sun years. 7 antique^!
ancient. » mind . . . done thoughts were expressed in writing.
10 To
V
this . . . your frame to your physical body, so wonderfully constructed.
_?
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X
me) or whether they were superior to us. 12 whether . . . same whether
V^'
*
constant movement of time (historiral cycles) leaves^ mankind un.^X^-^y^^changed. 27 wits men of intellect. i 7
'

*'’^’’2^there be nothing new, but th^
kz-^l^ath been before, how are ou
’ ^^^guil’d,
hi 55^.
Which,^bouHVig fo^inventior^ ar
Vhhf}
ar ami
ami
The^econd burden/of p 'form^
t^at j?ecord could with aQiackward look) A
lewfuofion^rdays
"
of five hundred coursesbLthe
/st^
&lt;
worse
have
giveyi
admiring^ra^se.
how me your imaged?! some antique|boi
SlHce^intTat first in character was^im^i
3^at I might see what the oldAvorli^u
this composed’^^ond^of yourjframe^^ J
lether w^re mended, whe’r^etter they^j/
whethe^^olution __ the sam_

'i
SONNET 60. ./ sequent successive, forwards do contend move Steadily
forward.
5 Nativity . . . light the newborn child, once it moves into
the sphere of light.
7 Crooked eclipses malignant celestial influences.
8 confound destroy.
9 transfix . . . youth destroy the ornamentation
with which youth is adorned.
10 delves the parallels digs the creases.
11 rarities
. truth choicest features of nature's most perfect creation.
IJ times in hope future times.

‘V

Like as the waves make towards the pe
So do our minuteTEasten to them end;
Each changing place with that which goes before,
nt toil all forwar^dcX^o^teml.,
ativit oncd in th^main|bT light,”'®'*'^rawls tolmaturuv, wherewjjh being
Srooked ec
ijEound,
Tjime doth(transhxjhe flourish set on y
yy.,-, rxK'e' And delvesphe^arallel^ in beauty’s b
'vJF^eds on the rarities of nature’s truth, ■

10

£a^O4u’
(S'—

And yet to times in hongmy verse shall stand,
Praising thy worth, d^pit^is cruel hant^

V

ir&gt;u
'4 (C

p

/y

61

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                    <text>Methifaks no ^ce so gi(^cmus is as i^ne^
No shhpe so true, noiu_tli/of(puch^ccoun
And(Jor')myself mine own^orth ^o define
• As I^at^ther isoj^lbworthisurpount; !
My iieivv eyelidsiySihe weary night?
t Byt when myiglassjjshows jn mysdf indee
t thou desite my slumbers should bi^ hr.
Baated and chopt with Hann’
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Mine own self-love diuit
la It thv/s
S^lf
self-loving
were ini^ivy.
Si^i^hjrbm homesointo
my deeds(toj^^

H- bJt .!,«

I

• f

.

NNET 61. 5 broken K rare instance of assonance rather than full rhyme.
4 shadows images (in dreams), mock deceive (by imitating your appearance). 7 To find ... in me to discover my faults and how badly I
waste my time. S scope and tenure extent and essential nature, ii de' leat destroy.
ly watch go without sleep, wake spend the night in

5

oTindy)ut shaxnes and idle hours in i
s^nqj
t so yeat.
thy loVe, thoiugh much] i
3 Syer
[t id my love that keeps mine jeyeti^
in^wn true love that dojE-my^^s
he SCO

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Vv

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cl^

aPw fhee;\vatch I,leftist thon dosbv^^elsewhere,
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f^lf-love pEsessejd^llAnine,eye V ?
n al^S^Eulfeid(ali^y ^very^aijr"
(there is no remedy,
And
It is sofgroundeijl inward in my heart.

SONNET 62. / self-love vanity, conceit. 5 gracious handsome, pleasing.
6 true perfect, no truth . . . account no perfection of such value and
importance. y-8 And for . . . worths surmount and for my own satis­
faction I consider my own merit as though it were greater than the merit
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IO Seated beaten, chopt chapped, creased, wrinkled, antiquity old age.
12 Self . . . iniquity tor such a person (as my mirror reveals) to love him­
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tfiy days adorning my old age with the beauty of your youth.

cc i.!

that^o^ myself I

15
63

62 c
.12

^fi

'/Hi

5^ 1 H-kA

-t

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A i t V - tS
1^1

77

'Q-i

SONNET 63. I Against in anticipation of the t
2 injurious
'f. A destructive, insulting and unjust, crush’d and o’erworn crumpled and
•*’ worn out (like old clothes).
} travell’d journeyed laboriously (q:
'■ ‘ “trauaild”). “Travel" and “travail” were used interchangeably in Shake­
V5 speare's day. age’s steepy night the precipitous plunge of old age into the
darkness of death.
ro confounding destroying, knife the proverbial
“
scythe of Father Time. 12 though . . . life although he take the life of
my friend.
’
’ ' ' -”
' '
4
ioreyer.

SON^JET 64. 2 fell cruel, fierce.
5 cost expence (here specifically of
buildings and monuments). 3 sometime formerly, rased razed. 4 brass
eternal everlasting or impregnable brass, slave . . . rage controlled and
subjugated by the fury of death. 6 Advantage inroads. 8 Increasing
. . . with store The abundance (store) of the land grows less as the water
eats it away and the abundance of the sea is thus increased. At the same
time the abundance of the land is increased and that of the sea decreased
as the sea deposits sand upon the shore. 9 state possessions
/o state
worldly grandeur, confounded to decay wasted
y to a condition of
decay. 13 which i.e. the thought. 14 to hav
b ■

)A‘

2,3

jLpAgainst my love shall be,„as-L4to ni
With Time’s injurious hancj^ntsli
When hours have^-dfaLin’'dhis IjIo^ and fill’d hi^row
i''' K
|With^ne^nd wrinl^s; wh^ his; outhful mor^
.-5
t^thftraveh&lt;4 on to age’s(^epj_^h^
^^nd all those^auties y^bereoF^pw^’s Hng\**3f c&gt;
fjj'
vanishiiig, ol^anish/)dB
•V I i^^ling a.sN^'j theyusg^r^
'I’i' /}
'
such a time do rm^y^oj
.
in st confounding^Sgej^rpel knife.--^
'yhe shall never cut^om^mernoTi^
sweet love’s beauty, thojjgfN;py lover’s 1
'is beauty shall in these jblat^^Tncs fee s^e
id they shallflivej and lm in them still
I c(,

'

When I havefsei

^.sometime lofty tower^fceei
irass)eterjial;slave^d(pio.^^;.
1 I hav^seei? the himgry ocean gain Sees-f'
itage on the kingdom of the .dior-e,^
he firm soil win of theV^at’ry main}«
/Idpreasing^t^^with loss, and loss withfsl^
fn I have;seen such interchange of@tte,
O^^^te itself confounded to^ecay;
ath taught me thus to rulninate&gt;
nne^ill)come and take; my loye^
*r»**'^ Thirfhought is as^ deatl^ which-Caiji
,
&lt; But weep to have that which&lt;n fears to lol

73

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                    <text>5.

J'r

J

neither. 2 sad mortality calamKOUs*^^
destruction, o’ersways their power surpasses them in power. 4 action
vigour. 6 wrackful destructive, batt’ring days The battering ram was a
• principal weapon used against cities under siege. 7 stout sturdy. S dejiLcays causes them to decay. ^10 Where, alack . . . lie hid where shall
V* that jewel which Time most desires he hidden so that it can escape im-

But sa&lt;

e

&gt;

+ i-a:. I G (a

t&lt;XX^

s'o^rT 66. / these the follow
esert the deserving man. ,
. 1
J needy nothing those in need of nothing, trimm’d in jollity dressed in
festive clothing.
4 unhappily forsworn miserably denounced on oath. 5.*^
y gilded honour specious rank and position. 7 right true, genuine.
t,
disgrac’d disparaged, denied proper reputation. 8 limping sway feeble
and ineffective government, disabled prevented from showing its ability,
art all learning as well as the arts, made . . . authority rendered in''
capable of expression by censorship. 10 doctor-like like a pedant.
simplicity stupidity, /a captain (lominant, controlling.

i^pneyifbr earth, nor boundl
lity o’ersways their power,t "X

'Whosej^ctior( is no(^onger than a Sower?
.Q/how shall ‘■lUMier’s honey breath hold
Agaihstythe wr^Hul siege of batt’ring days.
en rocks in^regn)tble are not sc(s^ut,
so(suhng, but Time decays?
earful meditadoxd Where, a]^c^
/
'^;S all Time’s b^j^e^l from Time’s fi'i^ 1
what^strbngjh^d jan hold his swift foot
r who his'spbiY^ beaiity
forbid?
Anbne! uri^^this mirXle have might,
That in blackKnk my love^iiiay(^ll shine bright?^'""
h-A &lt; \ » rs K- ■

St

■‘ii Tljlt

death I exyr
SAfe tlr&gt; hebnldTdesert a beffffan born?

!l‘

^^^TSjidpu(^paith unhappily forsworn,
S-e—
■
jAnd gilded honour slunniefully misplaic’dj
Andfmaiden[virtu/rCT^y(^unipetgd; ' v
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' Andll^ngth by limping sway disabled, S;
, And ^made^ngue(ned by atn^ky,
,,
i
(doctor-7ike)^in^ffi^^Kill, fZ?&gt;4;'ix
*1 And simple truth miscan’d simplicity, "StJAn^ caprive good attending captain ill.&gt;r«m
^^r^d with all these, from these would I be^ojid),^.^^,.^
Save that,- to die, I leave my love(a»ne\^%X^;:2Zr

3

s-y. /
66
■ CLr&lt;L^/

, CCI c

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•V*

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5

ONNET 67. / with infection in an age of corruption^full of the evils
listed in the previous sonnet). 2 grace adorn, make beautiful. 4 lace
embellish. y false painting the use of cosmetics (common among Eliza­
bethan gallants).
6 dead seeing lifeless appearance. Some editors read
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rtificially, by imitation.
S Roses of shadow mere pictures of roses.
IO Why should . . , lively veins why should he continue to live since
1 bankrupt Nature is now so poorly supplied with blood That she cannot
produce blushes by means of living veins (but must resoit to cosmetics)?
-J' 11-12 For she . . . his gains ior Nature has no supply of beauty other than
although she boasts of many beautiful persons, she subsists only
\ /^pon his beauty. The implication of this obscure metaphor is that Nature
y uses his friend’s beauty to adorn tEF otK’e'f~Freatures'T)f whom she is
pt^^^roud; what beauty they have is merely a copy of his. 75 stores pre­
serves. 14 these last so bad these present evil days, j

-Ah,
_
fAnd witH~his p/^nce grace impiety
Thalfsr^by him advantage shoul
Apd^S'ceJitsjlf with Ms societ
^^y should falsQT^intin
ivin
irectlv.

duld he/1iv«
y

ture bSnkr

jr she hath
And, proud ofmanyjli

ut his,
he had fjKv-j’

O, him shef^jbres/to -hhow'wha
In &lt;Ja^,lon ifi€e, before these J

'■ e
SONNET 68.
now i.e. in their natural colours (unaided by cosmetics).
iair illegitimate appearances of beauty, born Q: “borne,” which is mean­
ingful in the sense of “worn.” The modern differentiation in the spelling
of the two words was unknown in Shakespeare’s day. 6 The right of.
sepulchres which should rightfully belong in the grave. Wigs were made r
from hair taken from dead bodies, 9 holy antique hours blessed former
les. II green foliage. 15 store pteseiy/e. 14 Art 'ITiy antithesh
.Art andjNy^e was consientional in Renaissance poetry.

'
’

^•3

I- 68

icheekihe
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i
Ci
fEr werefborffl
J" " vX
fore these
duii^nhalirt
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1 4 .'
\
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The right of si
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o live atsec
eauty sjdea
ue hoars ars seen
.. ornamen Itself a
su
er of nother
inffho old to
IS beau^
/^d him as for dva~[:^dg^O&lt;atun
beauty
69

7

- A

■
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(1
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MjdThos
thoue pa'rts
present
a'pure
un^air^d
' view
of’st
thee
that the
world’sprme.
eye doth
*'
Q^u hast pass’d byZhela^^u^ol ^oungbays,
Want nothing that the thought of. liearts'can mend. 9 ,
f
gither
affiail’d,/or
.vjckQ
beinggiye
charg
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upnguesVthe
voice
of ^souls)
theed;that due,
Yet Utt
this’rin^'barqirinh,
thypra|s^annoTBe
so as^eycomme
thy praise
even so
nd. ' *'
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enlarg
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show,
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1
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thou
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of
hearts
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10
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Then, churls, their thoughts (Although their eyes were
,
kir^~'
'
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-^^To thy fait/floWer add th^rankksmell of weeds;
why thy odour n&gt;atcheth not thy show,
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SONNET 69. 1-2 Those parts .'. . can mend your outward features as
they are seen by the world are so perfect that the deepest thoughts of men
.
cannot improve upon them. 5 due capell; q: end.
4 Utt ring . .
^commend expressing no more than the bare truth (in the way that enemies
^5* would praise, giving no more than the absolute due). 5 Thy outwar
your merely external (capell; q: “Their outward"), outward praise
superficial praise by mere outsiders.
6"7hini 6wn what is due you.
7 accents words, expressions, con/ound destroy, contradict.
8 shown
seen. 10 in guess as they interpret (thy deeds).
ii churls misers (in
their praise).
/./ soil (a.} ground from which this springs (b) sully,
blemish, dost common grow i.e. associate with base companions.

/b 7/
/ art benson; q: “are.” defect fault. 2 marft target, was
ever yet has always been. 5 So thou be provided that you are. approve
prove. _^6 Thy Mea.e:. Q: “Their.” being woo'd of time since it (Ay
worth) is tempted by the evil persons of our age. y canker vice vice which
preys on beauty like a canker, a worm which feeds on rosebuds. 8 prime
youth. 9-/0 Thou hast . . . being charg’d That this is inconsistent with
the sonnets which have gone before has bothered critics, but we cannot be
Jsure of the order in which the poems were written, charg’d attacked.
11-12 Yet this . . . enlarg’d yet the reputation you have earned cannot be
so effective as to silence malice (envy) which is always rampant (enlargd).
75 suspect suspicion, mask'd not thy show did not obscure your beautiful
appearance. 14 Then thou . . . shouldst owe then you would be unique,
as a king who has the .lQ)(alty of every one of his subjects, owe own.
possess.
s6nnet 70.

blam’d shall not be thy de
' For^an^j^Tnark^^s ever^et_ym fair;
om^e^ofbeauty i/yus^^
pr { A^ovlthat flies'inhgaygn’iSSwe^^ air.
■So^iou be goodc^^ndCT^otEJuLapprove
Ahe great
ing^gxyl^f time;
^1 )
ir canker vice the'sweet/si buds doth love,

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C^t
'

k (Micl-Xif I //. t k'

make you woe cause sorrow for you.
compounded blended, combined. rr rehearse repeat. zj the wise world

whe
■ T'Jcdpngf^ mourn fo
^ffl^d^hall heat
Give w'^iing to thg*^woidd th^I jm fl^d
Frogt this vile wor with Bii^t,.. orrni'Ro dwell.
Na^if^you?rea^ IS
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^eik^oui^ make you woe,
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When( I, perhaps, c pounded am
or
e
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Bu
y'pur love eveji
ise world s OU look rfi\o\our
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n
ON NET 72.
task ^ou to recite impose upon you the task of relating.
i ^--&gt;..^^^&lt;&gt;-4 prove demonstrate.
6 mine own desert what I deserve. 8 niggard
' stingy. iz My name be let my name be. 15 that . . . forth my poetry..
Perhaps Shakespeare is discrediting his work for the public theatre, buty
has been ample speculation.

14 shou

' 1.1 ”

-

'Jl.

.world shoula ta^^you to recite
i^lfeerinliv’d ii(jne^hat you should love
AftehmJweatK? de
^Auite.
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'
jVlyYtame befeuri^d ^here Cli ^^y
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’ ame'no^rl’^^fiyou^
that which.
Fob J_^m yiEm'
d ^o shopld you, to love jhin^imihi

73

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                    <text>4 3 &gt;3 y

It. MA

SONNET
^Id in Anticipation of the threatening cold, jjfl
4 Bare ruin’d choirs The limbs of the trees, barren of their leaves, are
compared to the ruined abbeys with which the English countryside was
dotted in Shakespeare’s day (following their dissolution in 1535). and the
birds of summer are compared to the choirboys who have departed. The /.j
choir ’ was the part of the church in which services were sung, ruin'd
BENSON; q: “rn’wd.” late recently.
by-and-by presently. 8 Death’s u'
recond self sleep (conventionally conceived of in Renaissance poetry as a
model or small imitation of death), seals closes. There may be a
reference to the “seeling” or sewing up of the eyes of hawks. The words
were indistinguishable in Shakespeare’s day. ‘72 Consum’d ... by
dying fire, if not raked up. is smothered by the ashes of the very logr
which had fed it when it was new. 14 leave give up (not “depart from”)

hat time of yeir thou mayst in me behold
/hen yellow leaves, or none, or few, do hang
Upon those boughs which^shake_against the cold,^^"“

./iBare ruin’d choirs where late the sweet birds sang,
In me thou see’st the twilight of such day s
T^Afr-after sunset fadeth in the W^t,
wjiich^-and-by bl^kjaight doth takeaway,
{D^th’s second self, that seals up all in (?e^t.
In me thou see’st the glowing of such fire
That on thefadi^of his youth doth lie,
As the deathbed whereon it must^e^ire,
Consum’d with that'^ich it was nourish’d by?^

g..

—
&lt;
10

------- --’st, which makes thy love more

6

ich thou must leave ere long.

SONNET 74. I fell arrest fata
death. ’2 all any. bail
possibility of remission. 5 My life . . . interest some part of my life is
included in this line of verse. 4 still forever, stay remain. 5 reviewest
rereadest.
6 consecrate consecrated.
7 The earth . . . due Cf. ccCLESiASTES, XII,J: “Then shall the dust return to the earth as it was; and
the spirit shall return unto God who gave it.” p dregs poor remainder,
most worthless part.
77 a wretch’s knife the knife with which the
Destiny, Atropos, cuts the thread of life. This is but one possible explana­
tion. Others have seen the “knife” as the scythe wielded by Time. An
allusion to the death of Christopher Marlowe, stabbed in a tavern in 1593,
has sometimes been seen in the line. 72 of thee by thee. 13-14 The
worth . . . thee remains the valuable part of the body is in the spirit
which it contains, and that spirit is in my poetry, and that poetry remains
with you. '
• ’■
■ ■
' -

nted. Whgn that fell ai
irry me awa

My life hatE
A,'' '5‘' Which for m&lt; (horiglQull With thee ffiaif stay,
► When thou (vievle^ this, thou dost review
The very pan w; )£coiyecrate to thee.
The earth cark ..^vewut
IV
earth, which is his due;
My spirit is thipe, th^b|tter part of me.
So then thou n^tiEht lost the dr^gs of life.
The prey ofj^rmj&gt; my body fb^ng dead
The fo^ard(mn^uest of a wretch’s knife,
Tot^aSpf-thee-tCLbjfcgemenibwed,
P-

' ' 'c.
!&gt;Aua

And thit is this, and this with thee remains.

C75

1

c.

c?

I

I
, i,;

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                    <text>SONNET 731. 2 sweet-season’d (al) coming in the sweet season of April (b)
imbued with sweetness. 5 peace of you peace I experience when I am
with you. hold endure. 5 enjoyer possessor. 6 Doubting fearing that.
8 better’d made happier.
j/-r2 Possessing . . . be took possessing no
delight but what is had from you, pursuing no delight but what must be
taken from you.
zj pine starve, surfeit overeat,
luttoning
either overeating, or all away or having nothing to e
S-7t -

!&gt;
Tf

'C^icti^..

S6,are you to my tliougiits as food to life.
Or a$fswe^season’d_sliowers are to tfie'ground;^
And fbr theJpeat^f you^J'hold sueh,^trife-^
As ’tw^ a miser and his wealth is founcH
No
roud as an enjoyer, and anon
.innage will steal hiYc^easureT^
oubt
Now ^ountiji^ besjl to bejyithjyou alo
iat-(Ke world m^y see my pieasjwrej
full with feasting on your sight,
i clean starved for a look; j
prsuing no delight
/
d or must from you be tool^

■ff

Thus do I piiie and surfeij,day by day,
Or gluttoning onfall, oifalbaway.
,

f

fi

-,1
VVh=3 €v»£^
SONNET 76. / pride ornamentation, elaboration. Shakespeare may be /
referring to the rhetoric of the metaphysical poets. 2 varialion -variety,
quick lively, change shifting conceits.
5 with the time following the
current fashion, glance turn, q compounds compound words, neologisms.
5 still all one always in the same manner.
6 keep . . . weed keep on Jit
writing in my well-known poetic style — in the same old dress (weed). 7
tell capell; q: “fel.” 8 where from whom. /o argument subject matter.
ri-ra So all .. . already spent thus the best of which I am capable is the^ 3/ . y
fresh rearrangement of old words, using again the terms I have
used before.
still forever., is told has been told.

is

so barre
v^ation^“'drquic
e, do I not g
nd
wdound

ord dot

their birt

strdnge?'
I

Q®^y^namej SY-'!I~ 3
roceed?
re t

noi
OU

e

V-^-

For a
So IS

and c^ld, f
y

-Lils
y I Ci

S'

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                <text>&lt;span class="value-content"&gt;The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in January of 2024.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SONNET 75&lt;/strong&gt;&lt;br /&gt;About now is mr. of Cecil’s d. Eliz. to Wm. Wentworth&lt;br /&gt;’75 Grindal succeeds Parker of Canterbury&lt;br /&gt;Peace wanted by Puritans was peace of God. That wanted by Tudors was calm unified kingdom.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SONNET 76&lt;/strong&gt;&lt;br /&gt;’76—Construction 1st permanent theatre&lt;br /&gt;’36—Reginald Pole’s book defending papal primacy agst. royal supr.&lt;br /&gt;This poem is center of whole series&lt;br /&gt;Check on origin of Verlum—title of Bacon (Truth by Light?)&lt;/span&gt;</text>
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