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                    <text>A a Iter

Jones

r'iCTUdii tiGUSjjO

?ne history of Gasper's motion picture theaters bepan with the
opening of the Temple

1903.

theater by Messrs, willett and Carroll in oeptemoer,

The theater was located in the center room of tns old iCGr Doiiaing

on the corner of Wolcott and Second streets, and was managed by Harry
I-,' tiodell of Denver.

The name Temple was suggested by hrs. H. /i.

who received a ten-dollar gold piece for her suggestion.

The second movie house was the Bell theater which opened in
deptember, 1909, and which occupied the old town hall building on Center

street.

James Ingram and Joe Darrin were the original proprietors of

the bell, but buy Trevett soon became a partner in the theater.
W. ri. (rtoy) Sample took possession of the theater.

In 1910,

Brice of admission to

the dell was 15 cents, and all changes of program were announced by a sign
placed in one of the theater's front windows.

fire gutted the theater

on the night of January 6, 1912.
Following the demise of the bell theater, ftr. bample conceived plans
for a new theater to be constructed next to the old tovm hall.

The

building, designed by James Rhodes and built by Charles Galusha and ft.
Ferguson, opened on -ugust 22, 1912.

hr. bample named his new theater the

Iris, but the name was changed to the Hex in 1925.

In 1957j the Hex

stopped showing notion pictures, and the building was demolished during
the summer of 1962: exactly half a century after it was built.

Two other motion picture houses were opened in Casper oefore 1920.

These theaters were the Hub, midway between Center and Wolcott streets

on becond street, and the Lyric on Center street,

by Hay barnes and George Kropp in

a**

arch, 19Ih.

ihe ^ub was started

Tt was a popular theater

for children because it showed serial pictures such as "The Perils of Pauline

�Picture nouses/2

The nub went out of business in 19?3.
nenry P. brennan in January, 1?17.

The nyric theater was opened by

i*ir. -Orennan would advertise his pictures

sometimes by standing in front to the theater and talking through a

megaphonet a tactic that often drew audiences from tne bars across the
street.

The Tyric changed its name to the Wyoming theater in 1922, and

eventually went out of business in 1929.

The fourth motion picture house to appear in Casper was the America
theater,

being opened on October 13, 1920, the America holds the distinction

of being the oldest theater presently in operation in Casper.
The next theater in Casper was the Columbia.

Originally called the

Pavilion, the theater opened in the spring of 1921, and became known as
the Columbia in ■September of that year.

It was located on ’.-jest ^^irst

street, one block down from the Penning Hotel.

The Columoia was a vaudeville

theater which featured motion pictures as an added attraction each evening.
In 1928, the theater closed down and became a bowling alley in the 1930’s.

The itialto theater was opened by "enry F. Brennan in 1922.

c-xperiencing

financial difficulties at the Hialto, Mr. Brennan turned the theater over
to Edvard J. Hchulte who, in 1929, consolidated all of Casper's theaters
still in existence: the Hialto, the America and the Hex.

The Hialto has

the honor of having run the first talking picture to oe viewed in Casper —

"State Street Hadie," shown in August, 1928.

The newest addition to the history of motion picture houses in Casper
is the Severly Plaza Twin Theaters which opened on February 8, 197H.

being host to a select audience of 300 invited guests, the Beverly Twins'

first movies were "Jonathan Livingston Seagull," and "Magnum Force."

�ixcfci'onces

Kcv/sp-ipcr Articles*
D’atrona County Tribune, Scptciiber 9, 19^*' , P* !•
Natrona County Tribuir, Scptoi^iber 15, 1909, P- !•
Casper Press, April 19, 1912, P 1.
Casper Decora, iuyust b, 1912, ?. 1.
NCxtrona County Tribune, January 15, 191^1, P» !•
I'la.er0na Coun cy Tribune, IDirch 19, 191^, P* !•
Casper Daily ribunc, January' 5, 1917, P* 5*
Tribune, October 1^1, 1920, p. o.
Casper D,
Tribune, Karch 25, 1921, p. 5.
Casper
Casper Dr^ly Tribune, January 14, 1922, p. !•
Casper Daily Tribune, October 17, 1922, p. 4*
Casper Daily Tribune, Auoust 9, 192u, Vitaphone Section,
10*
Casper Daily Tribune, July IG, 1929, P?« 1
Casper Tribunc-He: Id , July 15, 19G2, p. 5.
Casper Star-Tribune, Narch 19, 1967, Casper Section, pp
Casper Star-Tribuno, February 9, 1974, P* 2.

28

£c

51

Interviews.

Kary Larsen
John Galusha
Stan Slower (Tape-recorded letter)
Books

Mokler, Alfred J. History of Natrona County, V/yorino, lo o 1922. Chicago: Lal-ieside Press, 1923»
Cnfisner Citv Directories, 1917 - 19o2.
Welch, John Franklin. A Survey of EatertainGcnt ano ^.hea.re .r.
Casper, Wyoiaing, Fron 1900 - 19k5-(Unpublished I.asaer s
Thesis, University of Wyorainc, 1966)

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                <text>Plate 10 from the Castle Garden collection A Zoomorphic petroglyph of a shield with small turtles (similar to the Great Turtle) in each quarter. The marks left by the rubbing of a pine tree branch me be clearly seen in the upper right hand corner. One turtle was completely erased. Vandals have also removed one of these small turtles from the shield. (See AGE by E. B. Renaud) (Found in the Castle Garden paper)</text>
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A complex panel of shields and possibly drums. The shield to the extreme left is a chromopetroglyph. Four heads complete the design and a green band was painted across each face. Below it is the figure of a buffalo. The circle to the right of the yard stick contains the figures of two prong horn antelopes. To the right may be seen a man with a spear. The circle to the right of this figure represents two birds, sage or grouse. Above this a shield represents what appears to be the sun symbols. To the right of this is another shield with many inner circles and two feathers at the top right. Below this may be seen a circle containing two weasels, usual sign of a medicine man. To the right of this, the four quarters of the moon is represented. Below this, a shield containing six bear claws radiating from a central circle. The last shield is complex with zig-zag, lightning like lines of a symbolic nature. This is probably the best group of shields to be seen at Castle Gardens. They are beginning to erode badly and the uppermost circle is practically gone. The paint on the one circle is also hard to trace.</text>
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A complex panel of shields and symbolic designs. The left hand shield is eroded and of an unknown meaning. The central shield has a design resembling a bird.  The last shield shows a medicine man wearing a head-dress and with a weasel on each side of the figure. Below these shields is a complex panel, of which several figures resemble hide stretchers and an arrowshaft may be recognized below the third shield. The sandstone here is eroded and peeling.</text>
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A panel depicting four shields and an Anthropomorphic figure. The upper left hand shield is a simple design of an oblong bar with a circle on each side. Beside it appears the figure of a man. The upper right hand shield bears two turtles, similar to the others at Castle Gardens, and a snake-like figure. It is natural to suppose that the shield had four turtles in each quarter before erosion removed the right two turtles. The two lower shields have designs of a symbolic nature and are too worn to for recohnition. Note how visitors have defaced the sandstone.</text>
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            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="27370">
                  <text>Petroglyphs of Castle Garden</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="27371">
                  <text>&lt;a href="http://rightsstatements.org/vocab/NoC-US/1.0/"&gt;http://rightsstatements.org/vocab/NoC-US/1.0/&lt;/a&gt;</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="27372">
                  <text>New Deal, 1933-1939.; Petroglyphs -- Wyoming.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="27373">
                  <text>This collection consists of reports on and descriptions of petroglyphs and pictographs created during the New Deal archaeology that happened across Wyoming during the late 1930s and early 1940s. Ted C. Sowers oversaw these reports as Supervisor for the Archaeological Project of the Works Project Administration. Danny N. Walker, PhD, RPA, Wyoming State Archaeologists' Office, writes in a poster presented at the Society for American Archaeology's 76th Annual Meeting, "As with many other WPA projects, the survey closed with the advent of World War II, but provided a basis for future archaeological research" (2011). The Natrona County Public Library held these reports before they were transferred to the Casper College Library's Special Collections.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="39">
              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="27374">
                  <text>Ted C. Sowers; Works Progress Administration</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="70">
              <name>Is Part Of</name>
              <description>A related resource in which the described resource is physically or logically included.</description>
              <elementTextContainer>
                <elementText elementTextId="27375">
                  <text>Ted C. Sowers Papers and Photographs, SpecColl 01.1941.01 WyCaC US. Casper College Archives and Special Collections.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="27376">
                  <text>SpecColl 01.1941.01_PoCG</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="27831">
              <text>Photographic Print</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27822">
                <text>Castle Garden Plate 15</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27823">
                <text>&lt;a href="http://rightsstatements.org/vocab/NoC-US/1.0/"&gt;http://rightsstatements.org/vocab/NoC-US/1.0/&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27824">
                <text>New Deal, 1933-1939.; Petroglyphs -- Wyoming.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27825">
                <text>Plate 15 from the Castle Garden collection&#13;
&#13;
A complex but badly eroded panel of shields and tool-grooves. Many of these designs are barely recognizable. The two shields to the right are the best preserved. The extreme right hand shield has a bird for a central design, and several tool-grooves have been deeply cut. Above this shield appears a full-face view of a man with head-dress and below the shield the legs are shown. Actually it is a man behind the shield. The shield to the left of this figure is the same thing-a man behind it and also carrying a lance with feathered end. Tool-grooves and other designs are upon it. The designs below this symbol are quite similar to the rain symbols of the Southwest.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27826">
                <text>Image</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27827">
                <text>Ted C. Sowers; Works Progress Administration</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="70">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="27828">
                <text>Ted C. Sowers Papers and Photographs, SpecColl 01.1941.01 WyCaC US. Casper College Archives and Special Collections.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="27829">
                <text>SpecColl 01.1941.01_PoCG_Plate15</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="27830">
                <text>JPG</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
