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                  <text>Sheep, Sheep Ranches  &amp; Sheep Herders photograph series found in the Charles "Chuck" Morrison Collection is organized according to 6 series of photographs. Each series documents an aspect of sheep ranching in Wyoming. The Chuck Morrison collection includes records from the Cole Creek Wreck including passenger lists, obituaries, and correspondence; records of New York Oil Company in Casper; District Court correspondence and files; Personal Correspondence between Wyoming State Representative Chuck Morrison and other Wyoming Representatives; Chuck Morrison writing to his family and friends, etc ; letters Chuck Morrison received and sent to various ski and outdoor clubs; ski and wildlife magazines; Chuck Morrison's historical stories and articles he wrote while working for the Casper Star-Tribune newspaper; photographs taken and collected by Chuck Morrison of Wyoming's historical sites, churches, neighborhoods, cemeteries, local flora and fauna, etc. ranging from the 1920s to the 1980s; personal photographs of Chuck Morrison's family, property, etc.; boxes of negatives related to the rest of the photos and photo rolls; Chuck Morrison's WWII credentials, awards, and photographs from his time in WWII; a special collection of letters of correspondence between Chuck Morrison, his mother, his father, and his friends, written during his time in World War II; and a special items box containing some of the plaques and awards Chuck Morrison earned over the years for writing, sportsmanship, photography, etc.</text>
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                <text>Boy With A Sheep, part of the Wool Warehouse section of the collection; Sheep shearing photograph as found in the Charles "Chuck" Morrison Collection. The Chuck Morrison Collection includes records from the Cole Creek Wreck including passenger lists, obituaries, and correspondence; records of New York Oil Company in Casper; District Court correspondence and files; Personal Correspondence between Wyoming State Representative Chuck Morrison and other Wyoming Representatives; Chuck Morrison writing to his family and friends, etc ; letters Chuck Morrison received and sent to various ski and outdoor clubs; ski and wildlife magazines; Chuck Morrison's historical stories and articles he wrote while working for the Casper Star-Tribune newspaper; photographs taken and collected by Chuck Morrison of Wyoming's historical sites, churches, neighborhoods, cemeteries, local flora and fauna, etc. ranging from the 1920s to the 1980s; personal photographs of Chuck Morrison's family, property, etc.; boxes of negatives related to the rest of the photos and photo rolls; Chuck Morrison's WWII credentials, awards, and photographs from his time in WWII; a special collection of letters of correspondence between Chuck Morrison, his mother, his father, and his friends, written during his time in World War II; and a special items box containing some of the plaques and awards Chuck Morrison earned over the years for writing, sportsmanship, photography, etc.</text>
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                    <text>U\ain leashing t^a^iista
Zoe von Gunten
Non-Fiction
The golden rays of sun pierced through the glass window, I rubbed
my hands on my black apron as I stepped back admiring my own tea creation.
Early mornings in the rose tinted coffee shop were not always pleasant. After
all, waking up at 5 in the morning and arriving at 6 a.m. was not usually my idea
of a “good” morning. 8 a.m. was the time when the summer sun would glow
through the large windows and blind whoever was working the register. I stayed
far away from it during this time unless absolutely necessary. The morning was
slow, and I sipped on a warm darjeeling fog. The taste of earthy tea and creamy
milk washed over my morning gripes. Siow Saturday mornings are often rare, a
combination of relaxation and fear settled in. A slow morning was an invitation
for fate to toss a coin. Heads, the day will be slow. Tails, all alone, I will face a
hoard of people. But that didn’t matter, I had a cup of tea and I was at peace.
I took another sip. my last sip, when from the corner of my eye the glass door
swung open.
Tails.
“Heyl How’s it going?” I sat my tea down and pushed it out of the way.
Customer service mode activated.
“Goodl How are you?” I stepped into the blinding sun, only catching a
glimpse of the woman’s dyed blonde hair and hastily drawn on eyebrows.
I took her order. Vanilla mocha, half a pump of hazelnut (we don’t use
pumps in this coffee shop), extra sweet, iced, and apparently made upside

down, whatever that means.
Before I could begin the first drink, a family walked into the shop.
Then another person. Then another two people. Next thing I knew I was taking
orders nonstop, all alone.
I looked down the row of cups. Little soldiers dressed in pink, ready to
be armed with caffeine anything from coffee to tea. They were ready for battle,

while I, their general, was not.
I ran back and forth, from register to drink. I felt like Sisyfuss rolling a boulder of
coffee beans and pink cups up a mountain.
“Hey how's it going guys!”
“Oh! We’re just wonderful, it's our first time here!”
The family that stood in front of me looked like every suburban
Starbucks family. The mother had a wide strained smile and hair tall enough to
reach Jesus, her husband had a baseball cap and seemed disinterested, the
son was silent, tall, radiating teenage angst with every comb of his swooped

XXVIII

Exf'iessian Magazine.

�'B.'iain hashing 'Ka.'usta.

Justin Beiber bangs. His little sister who stood next to him looked about 12
with the mindset that she was 23. Her hair perfectly straightened and makeup
up to the standards of Kylie Jenner. Her clothes were about 10 years too old
for her, she tapped at her iPhone 15 mindlessly, hoping for a like on her newest
Instagram post.

“Okay well let me help you guys out here! If it’s your first time it'll be a
little odd, we don’t have a main menu, so we work on a bar system..I ran
through my mind numbing spiel, finishing off by telling the family that we don’t
make frappuccinos.
The mother’s face dropped a bit but was back to her forced smile in
seconds.
"Alright then! I’ll have umm..." She took a sugar free vanilla latte.
Her husband asks for a mocha.
"Don’t you want that sugar free?’’ His wife glanced at him, shooting
daggers his way.
“I can get what I want." He snapped back.

"Fine. Logan, what do you want?” she attempted to smile like the sour
interaction never occurred.

The boy looked up vacantly from his hair combing and pondered for a
minute.
“Can I have a mocha frappuccino?”
An urge boiled up in my body to slam my face into the counter in front

of me.
“Logan. She literally just said they don’t do frappuccinos.” His little
sister rolled her eyes, looking up from her phone for just a moment.
"Okay...I don’t know.”

I recommend an iced mocha, it’s the same thing just not blended. He
accepted, begrudgingly.
“I want an iced white chocolate mocha with lavender and two shots”
The girl asked robotically as if she had ordered this drink a thousand times.
Finally they finished. They were the last group I had for the moment. I
continued my journey up the mountain of cups. I poured and mixed, I burned
my hands and ran drinks out on a small tray praying every time not to trip.
Behind the counter I turned to pour milk into two cups when my eyes were

accosted by red. The woman who appeared was dressed in all red, her nails,
her lipstick, her sweater, her face. Red.
“Is my drink almost ready?” It’s the woman whose drink I was currently

making.

“Yes ma’am, it’s nearly-”
“Well, I’ve been waiting for too long and I’m tired of waiting.”
"Ma’am. I’m sorry but I am only one person working back here, I
6^th EdiUanUti'taiM'ie

XXIX

�SosAZny ‘En'tista.

don’t know if you can see this line of cups but I am in the process of making
numerous drinks by myself. I’m sorry if it is taking a minute but if you would just
be patient..." I put the lids on top of her and her husband’s drinks, ‘‘I will have
these out for you right now.” I placed them on the counter in front of her.
The woman glared at me and took a sip of her latte.
“This isn’t soy milk.” She spit.
“I don't believe you asked for soy milk.” I responded calmly as I
continued down the line.
"I did. This isn’t soy milk.”
“I’m so sorry, would you like me to remake the drink?” I asked out of
courtesy, I would have much rather thrown drinks at her.
“No. I don’t want to wait any longer. I don’t care. Don’t remake it.” She

stormed off back to her husband who sat patiently at the table.
Finally, the rush died down and I delivered the last few drinks. The
drone of voices in the dining room numbed my mind.
I cleaned the mess that was left behind the counter and found myself
laughing. What other place on Earth would you see these types of people? I’m
frustrated constantly, yet once the rush is over, I’m reminded that these people
too are human. I pulled my tea, now cold, out from its last resting place and
downed what remained. I wondered how many people realized that they would
be remembered for the ridiculous actions and words they spoke, Perhaps they

will never know.

XXX

Cxf'icssitM Ma^aautc

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                <text>Expression Literary and Arts Magazine, CCA 04.ii.c.2022.01 WyCaC US. Casper College Archives and Special Collections.</text>
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                <text>Sand Bar (Casper, Wyo.) -- History.</text>
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                <text>Photograph of a broken window and a fence as found in a Casper Star-Tribune photograph folder on the Sand Bar. This folder contains photographs of the people and places in Casper's old Sand Bar. It is part of a collection that consists of photographs and negatives created and/or used by the Casper Star Tribune from 1967 until the middle of 1995 according to a newspaper article on the donation from February of 2000. In the words of Special Collections Curator, Kevin Anderson, the photographs in this collection serve to document "events in our own lives, events in our own history." There were 19,000 envelopes that were gifted to the repository, which totaled between 330,000 and 460,000 images. Images in this collection may support the use of other collections in the repository or vice versa.</text>
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                <text>Casper Star-Tribune Photographs, NCA 01.ii.2000.01 PS WyCaC US. Casper College Archives and Special Collections.</text>
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                <text>This photograph was in the custody of the Casper Star-Tribune before it was gifted to Casper College.</text>
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                <text>Rhynne Zmiewski</text>
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                <text>Expression Literary and Arts Magazine, CCA 04.ii.c.2022.01 WyCaC US. Casper College Archives and Special Collections.</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>&lt;a href="http://rightsstatements.org/vocab/InC-EDU/1.0/" target="_blank" rel="noreferrer noopener"&gt;http://rightsstatements.org/vocab/InC-EDU/1.0/&lt;/a&gt;</text>
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                  <text>The reformatted images in the Casper Area Chamber of Commerce Photographs are for personal, not-for profit use of students, researchers, and the public. Any use must provide attribution to the Casper College Archives and Special Collections (Western History Center). While being the property of Casper College, all text, images and other materials are subject to applicable copyright laws. Commercial use, electronic reproduction, or print publication of text, images, or other materials is strictly prohibited without written permission. All permissions to publish must be obtained from the rights holder and are not the repository's responsibility for securing. The rights holder may or may not be the repository. Users also agree to hold the repository harmless from legal claims arising from their use of material held by the institution and made accessible in this digital repository.</text>
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                  <text>This digital collection contains photographs of places, locations, and buildings that were used by the Casper Area Chamber of Commerce before being gifted to the Casper College Archives and Special Collections (Western History Center).</text>
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                  <text>&lt;span&gt;Casper Area Chamber of Commerce Photographs: &lt;a href="https://caspercollege.cvlcollections.org/collections/show/9" target="_blank" rel="noreferrer noopener"&gt;https://caspercollege.cvlcollections.org/collections/show/9&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The finding aid for these and other items in this collection is also available for viewing: &lt;/span&gt;&lt;a href="https://caspercollegearchives.libraryhost.com/repositories/2/resources/173" target="_blank" rel="noreferrer noopener"&gt;https://caspercollegearchives.libraryhost.com/repositories/2/resources/173&lt;/a&gt;</text>
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                <text>The reformatted images in the Casper Area Chamber of Commerce Photographs are for personal, not-for profit use of students, researchers, and the public. Any use must provide attribution to the Casper College Archives and Special Collections (Western History Center). While being the property of Casper College, all text, images and other materials are subject to applicable copyright laws. Commercial use, electronic reproduction, or print publication of text, images, or other materials is strictly prohibited without written permission. All permissions to publish must be obtained from the rights holder and are not the repository's responsibility for securing. The rights holder may or may not be the repository. Users also agree to hold the repository harmless from legal claims arising from their use of material held by the institution and made accessible in this digital repository.</text>
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                <text>Black and white photograph of the Brokerage Building in Casper, Wyoming. The Casper Area Chamber of Commerce Records collection consists of a wide range of photographs, media, and documentation of activities, events, and programs undertaken by the Casper Chamber of Commerce from 1920 to 2010.  Images in this collection highlight community events, buildings and places, local interests, businesses, people, leadership, and tourism. </text>
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