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                  <text>Mrs. Robert Blackmore Collection</text>
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                  <text>The Mrs. Robert Blackmore collection consists of 140 photographs dating from 1888 to 1938, including images of the Blackmore family and friends, the Standard and Midwest Oil Refineries, the Gothberg Ranch, and historical photographs of early buildings in Casper, Wyoming, and various locations in Bessemer, Wyoming. The collection also includes letters, writings, genealogical information, scrapbook pages, news clippings, and various family documents. Mrs. Robert Blackmore was the wife of Robert Blackmore, who was the son of Walter A. Blackmore (1863-1923). Walter A. Blackmore was a prominent early Casper resident and was mayor of Casper from 1920 until his death in a train accident in 1923.  </text>
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                  <text>Mrs. Robert Blackmore Collection, NCA 01.v.1974.01 WyCaC US. Casper College Archives and Special Collections.&lt;br /&gt;&lt;br /&gt;The finding aid for these and other items in this collection is available for viewing:&lt;br /&gt;&lt;a href="https://caspercollegearchives.libraryhost.com/repositories/2/resources/307" target="_blank" rel="noreferrer noopener"&gt;https://caspercollegearchives.libraryhost.com/repositories/2/resources/307&lt;/a&gt;</text>
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                  <text>Blackmore Family</text>
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                <text>Standard Oil Refinery</text>
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                <text>The reformatted images in the Mrs. Robert Blackmore Collection are for personal, not-for profit use of students, researchers, and the public. Any use must provide attribution to the Casper College Archives and Special Collections (Western History Center). While being the property of Casper College, all text, images and other materials are subject to applicable copyright laws. Commercial use, electronic reproduction, or print publication of text, images, or other materials is strictly prohibited without written permission. All permissions to publish must be obtained from the rights holder and are not the repository's responsibility for securing. The rights holder may or may not be the repository. Users also agree to hold the repository harmless from legal claims arising from their use of material held by the institution and made accessible in this digital repository.</text>
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                <text>&lt;span&gt;Black and white photograph of the Standard Oil Refinery, Wyoming. More information on the history of this refinery and the industry can be found here: &lt;/span&gt;&lt;a href="https://www.wyohistory.org/encyclopedia/refining-wyomings-oil-120-years" target="_blank" rel="noreferrer noopener"&gt;https://www.wyohistory.org/encyclopedia/refining-wyomings-oil-120-years&lt;/a&gt;</text>
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                <text>Mrs. Robert Blackmore Collection, NCA 01.v.1974.01 WyCaC US. Casper College Archives and Special Collections.</text>
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                    <text>BOSTON WOOL TRADE ASSOCIATION
H. Clyde Moore, president
Percy E. Sheldon, vice-president

C.

Willard Bigelow,

sec.-treas.

263 SUMMER STREET

November 18, 1938
Circular #361

To All Members
Gentlemen:

TRADE agreement WITH THE UNITED KINGDOM
'

-

—

Signed November 17, 1938

Raw wool is not included in the Agreement, The
duties on Wool Wastes, Tops, Yarns, and Manufactured
goods are reduced by varying amounts (see schedule
attached),
The duties on most wool manufactures are compound;
the specific portion is intended to compensate for the
duties on raw wool, and the ad valorem portion to pro­
vide protection for domestic manufacturers. The
specific duties on wool manufactures are in general not
changed, but there is a provision that if hereafter the
duties on raw wool are lowered, the specific rates will
be correspondingly reduced.

The most important concession is on woven fabrics
weighing more than four ounces per square yard (total
imports in 1937, $8,750,000; from the United Kingdom,
$7,300,000).
Under the most-favored-nation treatment, con­
cessions by the tmrted states apply to all nations
except Germany.
The Agreement will go into effect on January 1,
1939, for an initial period of three years, and may
continue in force Indefinitely thereafter, subject to
termination by either Government on six months’ notice.

Yours very truly,
H. CLYDE MOORE
President

�TEE TRADE ACffiEEMEUT WITH HIE UNITED KTOCTOM

Signed November 17, 1938
Concessions on Imports Into The United States
Par., act
of 1930

Rate of duty

Description of Ooramodity

Before Agreement

1105
(a)&amp;(b)

1106 ..

1107 ..

IlOa

1108 ..

V/ool and hair waste:
Top, slabbing, roving, and
ring waste .....................................
37 5^ lb....................
Garnetted waste ............................. 26sJf lb....................
Wool noils:
Carbonized ...................................... 30$? lb...................
Not carbonized ................
23gf lb....................
Thread or yarn waste .................. 259? lb....................
Card or burr-waste;
Carbonized ..................................... 239? lb....................
Not carbonized ..........................
I69? lb..................
Wool wastes, n.s.p.f.
249? lb..................
24^ lb..................
Shoddy and wool extract .........
Mungo ................................. ...............
10{^ lb..................
Wool rags ............. ..
I89? lb..................
Flocks ..............................................
Q(f lb..................
Wool and hair advanced not
further than roving, HIGLUDING
TOPS.
379? lb. 4. 20^...
Yarn, wholly or in chief value
of wool, other than Angora
rabbit hair;
Valued at not more than 60(zf
per lb......... ................... ...............
4O9? lb. -4- 35%...
Valued at more than GOjf but
not more than $1 per lb....
4O9? lb. 4- 35%...
Valued at more than $1 but
not more than $1.50per lb...
409? lb. HK45%...
Valued at more than $1.50
per lb.................................
40!/ lb. -4-5O?5. ..
Woven fabrics, weighingHot—
more than 4 oz, per sq, yd.,
wholly or in chief value of
wool;
Without warp of cotton or
other vegetable fiber;
Valued at not more than
$1.25 lb....................................
5O9? lb. 4-50%...
Valued at more than $1.25
but not more than $2 per lb. 50{/ lb. + 55%...
Valued at more than $2 per lb. 50^ lb. -f- 60%
V/oven fabrics, weighing not more
than 4 oz. per sq. yd., wholly
or in chief value of wool;
With warp of cotton or other
vegetable fiber—
Valued at not more than $1
per lb, ................................. ..
4O9? lb. +-50%
Valued at more than $1 but
not more than $1.50 per lb.
40$ lb. -+-55%
Valued at more than $1.50 per lb 40$ lb. 4-60%

Under Agreement

Reduction
of duty
Percent

34(/ lb . I80? lb............. .

Q
31

21(/ lb........
16(/ lb................
15rf lb..................

30
40

18(7
14^
14$
14$
9
9j^
5$

lb........... ....
lb................
lb................
lb................
lb .........
lb................
lb............

37$ lb. +- 12i%.

12.5
42
42
10
50

12 /

30&lt;/ lb. -1 30^
36$ lb. 4- 30%

40$ lb. -4-30%

19

40(/ lb. 4- 30^

50$ lb. -+- 37^

13

50$ lb. 4- 37^
50$ lb. 4- 37|%

20
30

40$ lb. 4. 37^

13

40$ lb. -j- 37^
40$ lb. -+■ 37|%

20
27

�The Trade Agreement vdth the United Kingdom

Par., act
of 1930

Page 2

Rate of duty

Description of Ccxmodity

Before Agreement
1109

1109 (b)

1110

1110

1111

1112

1113

1114 (b)

1114 (b)

Woven fabrics weighing more
:
than 4 oz. per sq, yd.,wholly:
or in chief value of wool
:
(except woven green billiard :
cloths, vjholly of wool,vreigh-:
ing more than 11 but not more:
than 15 02. per sq. yd.):
:
Valued at not more than 8O9?.:
per lb.........................
:
Valued at more than 8O9? lb. :
but not more than $1.25 per:
lb
:
Valued at more than $1.25
:
but no-^ more than $2pcr-lh^
■^“Valued at more than $2 per lb
Woven wool felts for machines:
Valued at not more than $1.25
per lb
,.........
Valued at more than $1.25 but
not more than $2 per lb
Valued at more than $2per lb.
Plushes, velvets, and other
pile fabrics of wool and
other hair:
Pile wholly cut or wholly
uncut ...................................
Pile partly cut
.
Manufactures of plushes,
velvets, and other pile febiics
of wool and other hair:
Pile vdiolly cut or wholly
uncut
...........
Pile partly cut ..........
Wool blankets, etc., not over
3 yds, in length;
Valued at not more than $1
per lb
...........
Valued at more than $1 but
not more than$L.5O per lb.
Valued at more than $1.50
-•..jaST lb.
Felts of wool, not woven:.
Valued at not more than $1.50
per lb. ............... ...............
Valued at more than $1.50 per
lb
.........
Fabrics v/ith fast edges not
over 12 inches in width and
articles made therefrom (in­
cluding tubing, garters, etc.),
wholly or in chief value of
I
wool.
Wool hosiery, not embroidered:
Valued at more than ;(pl.75 and
not more than $3 per doz.prs.
Valued at more tiian $3 per
doz. prs
....................
Gloves and mittens or wool,
knit or crocheted (not em­
broidered) :
Valued at more than $3.50
per doz. prs
.

Reduction
of duty

Under Agreement

Percent

509? lb. + 50^0

409?

509? lb. 4 50%

505^ lb.4- 40%..

50^ lb.

55%..,
60%..,

45%..

50^ lb .4 40%..
50 9? lb. -H 35%. .

17
32

509? lb. 4 25%^.

509?

.

Bound

50 9? lb.
5O9? lb.

5O9? lb. 45O9? Ib. 4 30%. .

Bound
Bound

449?
449?

□UyOe • •
55%...

449? lb. 4449?

3O9? lb.

449? lb.4- 40%. .
449? Ib. 4 40%. .

12
22

44:^ Ib.
lb. 4

14
20

SI;;

36%.

30 9? lb. 4 36%

"Six} lb. 4- 37i%

lb. 4- 36%

4Q9? lb. 4 40%.

Bound
2

1

309? lb. 4 35%

309? lb. 4- 30%..

7.5

409? lb. 4 40%

409? lb. 4- 35%. .

9.5

509? lb.+

509? lb. 4 40%..

5O9? lb. 4 505^3

5O9? lb. 4- 35%..

5O9? lb. 4- 50%

5O9? lb.4 25%..

509? Ib.-k 50%.

509? lb. -h 40%..

15

�The Trade Agreement with the United Kingdom

Par., act
of 1930

Page 3

Rate of duty

Description of Commodity
Before Agreement

1114

1114 (d)

1114

1115

1115 (b)

1116 (b)
1116 (b)
1117

1119 ...

1120

Knit underwear of wool;
Valued at not more than (pl,75
per lb
Valued at more than ();i.75
per lb
Infants’ vrool knit outerwear
(other than headwear),
n.s.p.f.*, valued over (p2 lb.:
Jersey
..............
Other than jersey
.
Wool knit outervrear (other ihan
headv/ear and infants’ outer­
wear), n.s.p.f.’!';
Valued at more than ^2,,.hut
—not more than ^5 pur lb.
Valued at more than .jibperlb.
Viool wearing apparel (except
hats and hat bodies) not knit
or crocheted:
Valued at not more than ^4
per lb
.
Valued at more than $4 per lb .
Bodies, hoods, forms and ai^s
for hats, bonnets, caps,
berets, or similar articles
of wool felt, if blocked,
trimmed, or finished, valued
at more than $12 per doz.

Under Agreement

40;^ lb.-4- 30%,..

409f lb. -t-30%..

Bound

5O9f lb. -)-30%|f..

5O9f lb. -+-30%..

Bound

5O9f lb. 4 25%...
5O9f lb. _|_ 75%...

5O9f lb. -1-25%.,
509^ lb. -j-50%..

Bound
29

50^ lb?4- 50%...
50gf lb.
50%...

5O9f lb.-t-40%..
5O9( lb. -1-30%..

339; Ib.-t- 45%...
5O9( lb. -f—50%,..

339? lb.-4-30^J..
50/ lb. 4-30%..

12«9f ea. 4-40^^ lb. 6d ea.+ 40/ lb.
d- ^0
H55%

Chenille axminister ca3?pets
and rugs
.
Rugs of oriental vjeave made on
a povrer-driven loom...............
Machine-made wool carpets,rugs
matSj etc.:
Axminster, n.s.p.f.*;
Vftlton: velvet and tapestry;
Brussels; and carpetsand
rugs of like character or
description:
Valued at more than 409?
per sq.__ft.-_ __
__
Floor coverings of mohair:
Valued at not more than 40^
per sq. ft
Valued at more than 409f per
sq. ft
........................
Tapestries and upholstery
goods (except pile fabrics)
of vrool and other hair.

Reduction
of duty

40% #........... ..

....................

25
34

25.5
(est.)
Bound

40%....................

33

60%....................... __

40%

33

30%......................

•5^0....................

60%.................... ..

..........

Same rates as on Same rates as on
wool fabrics pro-txrool fabrics pro:Tided for in
Tided for in *
pars. 1108 and :pars. 1108 and
:1109 (a) of this
1109 (a).
;
schedule.

Bound
33
30
(est.)

Manufactures of wool,n.s.p.f.*
Cloth samples measuring not
50
: 25%
50%
more than 104 sq. inches.
Explanation of Reference Marks
* (n.s.p.f.)—Not specially provided for.
Reduced rate of duty proclaimed under a previous trade agreement wi-tii another ccuntry
Bound—Assure that the existing treatment will not be made less favorable during the
life of the agreement.

�LUCAS-HENKELS COMPANY

MAI
EAR

294 SUMMER STREET
BOSTON

CHPISTMA

Mr. Robert Grieve
Henning Hotel,

Casper, Vi/yoKilng

�</text>
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                  <text>Roy B. Minty was a livestock broker out of Casper, WY. His office was located in the lobby of the Henning Hotel. Researchers will find letters and telegrams exchanged between Minty and Draper and Draper Incorporated Wool out of Boston, Massachusetts among other items of potential interest to the sheep and wool industry in Wyoming during the 1930s. Minty's papers consist of correspondence, data on Wyoming sheep ranchers from 1934, correspondence in regard to the Careyhust Ranch from 1937-1939, information on a Wind River Day School lamb sale, as well as ledgerbooks, settlement slips, bills of sale, contracts, agreements, and more. These records date from the late 1920s to the late 1930s.</text>
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              <elementTextContainer>
                <elementText elementTextId="3915">
                  <text>Archivists are happy to assist anyone with accessing the physical or electronic copies of these records. The Casper College Goodstein Foundation Library is glad to grant uses of this material that it actively manages and cares for and will provide its publication policy upon request.</text>
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              <name>Language</name>
              <description>A language of the resource</description>
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                  <text>ENG</text>
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                  <text>NCA 01.ii.2023.03_RoyBMintyPapers</text>
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                  <text>37.5 megabytes (3 folders, 43 files)</text>
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                <text>Trade Agreement with the United Kingdom</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3981">
                <text>&lt;a href="http://rightsstatements.org/vocab/NKC/1.0/"&gt;http://rightsstatements.org/vocab/NKC/1.0/&lt;/a&gt;</text>
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          <element elementId="63">
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            <elementTextContainer>
              <elementText elementTextId="3982">
                <text>Archivists are happy to assist anyone with accessing the physical or electronic copies of these records. The Casper College Goodstein Foundation Library is glad to grant uses of this material that it actively manages and cares for and will provide its publication policy upon request.</text>
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          <element elementId="56">
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            <description>Date of creation of the resource.</description>
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              <elementText elementTextId="3983">
                <text>1938-11-17</text>
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                <text>Boston Wool Trade Association</text>
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            <elementTextContainer>
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                <text>NCA 01.ii.2023.03_TradeAgreement</text>
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                <text>Roy B. Minty Papers, NCA 01.ii.2023.03 WyCaC US. Casper College Archives and Special Collections.</text>
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                    <text>THE UNDECIDED TOURNAMENT
Brad Morton
The ball has been bounced, passed, kicked, and controlled many a
time before on many a different floor for many a different tournament
under many a different coach. And each time the pace has quickened un­
til the entire audience was frenzied to the state where colors and screams
are no longer sufficient to satisfy their much too anxious, jealous, and
greedy spirits. However, as the ball has been blurred by the speed with
which the players have handled it, so too has it slowed to a dismal loft
and thud while the assembly thinned to a scanty few. The glorious but vain
trophies are toted away and put on display for all to see, but the players
have returned to the sweat and callouses of labor only to await the sum­
mons of another play-off.
This evening (evening is assumed for there seems to be no clock in
this gymnasium) I sit at the mid-court watching the climatic action of the
tournament. Although there is no posted bracket or schedule, everyone is
confident this is the final minutes of the last game.
The game is a see-saw battle as number 4 leads his Councils quite well
against number 5O’s Independents. These two centers have been taking
the majority of the shots all game, although 4 has been a little more suc­
cessful than 50. 50’s teamates seem a little more than stubborn about throw­
ing him the ball, while number 4’s crew instinctively focuses on its post
man. Inversely, the Independent leader is very sharing with the ball, while
the “quad” is a greedy maniac.
At the moment the Councils have had great success with the particu­
lar play. The ball is moved into the lower right corner on a sneak play
which has been meeting plausive success. The applause seems to be the goal
of each team, and this is of course directly proportional to the number of
people sitting on my left or on my right.
No clock ticks off remaining time, nor have I heard a buzzer denote
marked periods of time. Although the players never seem to tire, time­
outs are frequent. The Independents call time out every four minutes so that
they might decide whether to maintain confidence in their present coach
while the Councils change guidance only when his strategy begins to fail.
Time has just been called back in and suddenly the tempo is quick­
ening with every second! Every man is making his moves with more pre­
caution and sharper intensity! The ball is now thundering against the floor
with a deafening rapidty! Suddenly the crowd has risen to its feet, and
it seems certain the ball will explode under the pressure!!!
Oh Lord, I pray that it is filled with only hot air.

—12—

�</text>
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        <element elementId="1">
          <name>Text</name>
          <description>Any textual data included in the document</description>
          <elementTextContainer>
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              <text>Print magazine story</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
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      <elementSet elementSetId="1">
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>"The Undecided Tournament"</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="81161">
                <text>&lt;a href="http://rightsstatements.org/vocab/InC-EDU/1.0/"&gt;http://rightsstatements.org/vocab/InC-EDU/1.0/&lt;/a&gt;</text>
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              <elementText elementTextId="81162">
                <text>The Casper College Archives has archived this story to encourage the use of its Expression Literary Arts Magazines for digital humanities and other related educational uses.</text>
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          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>1964</text>
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            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="81164">
                <text>Story published by Brad Morton in the fall 1964 Casper College Expression magazine.</text>
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            </elementTextContainer>
          </element>
          <element elementId="51">
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            <description>The nature or genre of the resource</description>
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                <text>Brad Morton</text>
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            <description>A language of the resource</description>
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                <text>ENG</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
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              <elementText elementTextId="81168">
                <text>1964 Fall. Expression Literary and Arts Magazine, CCA 04.ii.c.2022.01 WyCaC US. Casper College Archives and Special Collections.</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>CCA_04.ii.c.01_Expression1964_Fall_Morton</text>
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            <elementTextContainer>
              <elementText elementTextId="81172">
                <text>1 page</text>
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          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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                <text>"Mama Mia"&#13;
Musical finds success</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="99337">
                <text>&lt;div class="element-text five columns omega"&gt;&#13;
&lt;p&gt;&lt;a href="http://rightsstatements.org/vocab/InC/1.0/"&gt;http://rightsstatements.org/vocab/InC/1.0/&lt;/a&gt;&lt;/p&gt;&#13;
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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              <elementText elementTextId="99338">
                <text>2021-11-01</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="51">
            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="99339">
                <text>Text/Image</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="99340">
                <text>Brendan Saunders</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="99341">
                <text>ENG</text>
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          </element>
          <element elementId="70">
            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="99342">
                <text>Chinook Student Newspaper, CCA 08.i.2023.01 WyCaC US. Casper College Archives and Special Collections.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="99343">
                <text>Nov_MamaMia</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Casper College</text>
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            <element elementId="50">
              <name>Title</name>
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                  <text>Casper College Annual Literary Conference Book Club Discussion Recordings and Photographs</text>
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              </elementTextContainer>
            </element>
            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="105787">
                  <text>&lt;a href="http://rightsstatements.org/vocab/InC-EDU/1.0/"&gt;http://rightsstatements.org/vocab/InC-EDU/1.0/&lt;/a&gt;</text>
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              <elementTextContainer>
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            <element elementId="41">
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                  <text>The Casper College Annual Literary Conference Book Club Discussion Recordings consist of two audio recordings of the conference's Book Club discussions. The discussions were held on September 17 and 18 at Frontier Brewing in Casper, Wyoming. The Casper College Art of Sound Recording Majors who set up and captured the recordings were Bridger Jones and Dean Shearer. The books under discussion were David Wright Falade's The New Internationals and Kai Carslon-Wee's Rail. Casper College student Eddie Siebert led the discussion of The New Internationals and Casper College student Tiana Stover led the discussion of Rail. Members of the college and Casper community participated in the discussions. The 2025 Annual Literary Conference was directed by Casper College English Instructor David Zoby. The theme of this year's conference was "Passion and Persistence."</text>
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              <name>Creator</name>
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                <elementText elementTextId="105791">
                  <text>Bridger Jones, Art of Sound Engineering Major</text>
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                  <text>Dean Shearer, Art of Sound Engineering Major</text>
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                  <text>Larry Burger. Theater Instructor</text>
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                <elementText elementTextId="105823">
                  <text>David Zoby, Conference Director</text>
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                  <text>Casper College Annual Literary Conference Book Club Discussion Recordings, CCA_04.ii.c.LitCon.2025.01 US WyCaC. Casper College Archives and Special Collections.</text>
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&#13;
Series 1: Casper Buildings, Street Scenes &amp; Homes, 1928 - 1933&#13;
Series 2: Casper City Band&#13;
Series 3: Construction, Plants, Refineries &amp; Railroads&#13;
Series 4: Casper Fire Department&#13;
Series 5: Horse Races &amp; Bronc Riding&#13;
Series 6: Livestock Roundups, Ranches &amp; Homesteads, &amp; Native Americans&#13;
Series 7: Non-Casper&#13;
Series 8: Parades &amp; Celebrations&#13;
Series 9: Pathfinder Dam&#13;
Series 10: Scenic Retreats &amp; Wildlife&#13;
Series 11: Miscellaneous</text>
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                  <text>This collection may best be understood as one of multiple origin or provenance. It contains the scans of Fred A. Villnave's photographic prints and negatives. Original formats included glass negatives, negatatives, and photographic prints taken by Villnave. In total, there were 474 photographs that were scanned by the repository in single or mounted together. Folders one and two contain lists recorded on photograph envelopes and other categorized lists as well as scans of Villnave's photographs. In addition to their historical uses, another potential use for these could be for creative writing prompts or purposes.</text>
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                <text>Photograph of the "Asbestos Headquarters" in Casper, Wyoming. The Bruce H. Thompson and Connie F. Bryant Collection is made up of 11 series containing digital scans of print photographs of Wyoming locations, businesses, industries, family photographs, groups, organizations, and events. The majority of the images refer to Casper, Wyoming, in connection with local photographer Fred A. Villnave. Their exact chain of custody is not known, and the collection may contain copies of photographs found in other collections. The negatives/images were brought to the Western History Center for scanning in 2003 but are not physically in the repository's special collections. The majority of the collection is stored digitally and available almost exclusively in electronic format.&#13;
&#13;
Series 1: Casper Buildings, Street Scenes &amp; Homes, 1928 - 1933&#13;
Series 2: Casper City Band&#13;
Series 3: Construction, Plants, Refineries &amp; Railroads&#13;
Series 4: Casper Fire Department&#13;
Series 5: Horse Races &amp; Bronc Riding&#13;
Series 6: Livestock Roundups, Ranches &amp; Homesteads, &amp; Native Americans&#13;
Series 7: Non-Casper&#13;
Series 8: Parades &amp; Celebrations&#13;
Series 9: Pathfinder Dam&#13;
Series 10: Scenic Retreats &amp; Wildlife&#13;
Series 11: Miscellaneous</text>
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                <text>Bruce H. Thompson and Connie F. Bryant Collection, NCA 01.v.2003.01 WyCaC US. Casper College Archives and Special Collections.</text>
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&#13;
Series 1: Casper Buildings, Street Scenes &amp; Homes, 1928 - 1933&#13;
Series 2: Casper City Band&#13;
Series 3: Construction, Plants, Refineries &amp; Railroads&#13;
Series 4: Casper Fire Department&#13;
Series 5: Horse Races &amp; Bronc Riding&#13;
Series 6: Livestock Roundups, Ranches &amp; Homesteads, &amp; Native Americans&#13;
Series 7: Non-Casper&#13;
Series 8: Parades &amp; Celebrations&#13;
Series 9: Pathfinder Dam&#13;
Series 10: Scenic Retreats &amp; Wildlife&#13;
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&#13;
Series 1: Casper Buildings, Street Scenes &amp; Homes, 1928 - 1933&#13;
Series 2: Casper City Band&#13;
Series 3: Construction, Plants, Refineries &amp; Railroads&#13;
Series 4: Casper Fire Department&#13;
Series 5: Horse Races &amp; Bronc Riding&#13;
Series 6: Livestock Roundups, Ranches &amp; Homesteads, &amp; Native Americans&#13;
Series 7: Non-Casper&#13;
Series 8: Parades &amp; Celebrations&#13;
Series 9: Pathfinder Dam&#13;
Series 10: Scenic Retreats &amp; Wildlife&#13;
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                <text>This collection may best be understood as one of multiple origin or provenance. It contains the scans of Fred A. Villnave's photographic prints and negatives. Original formats included glass negatives, negatatives, and photographic prints taken by Villnave. In total, there were 474 photographs that were scanned by the repository in single or mounted together. Folders one and two contain lists recorded on photograph envelopes and other categorized lists as well as scans of Villnave's photographs. In addition to their historical uses, another potential use for these could be for creative writing prompts or purposes.</text>
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&#13;
Series 1: Casper Buildings, Street Scenes &amp; Homes, 1928 - 1933&#13;
Series 2: Casper City Band&#13;
Series 3: Construction, Plants, Refineries &amp; Railroads&#13;
Series 4: Casper Fire Department&#13;
Series 5: Horse Races &amp; Bronc Riding&#13;
Series 6: Livestock Roundups, Ranches &amp; Homesteads, &amp; Native Americans&#13;
Series 7: Non-Casper&#13;
Series 8: Parades &amp; Celebrations&#13;
Series 9: Pathfinder Dam&#13;
Series 10: Scenic Retreats &amp; Wildlife&#13;
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            <description>Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.</description>
            <elementTextContainer>
              <elementText elementTextId="69015">
                <text>The material in this collection may be reused so long as attribution is provided to its original source.</text>
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            </elementTextContainer>
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            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Casper (Wyo.) -- Pictorial works; Casper (Wyo.) -- History -- Pictorial works;</text>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="69018">
                <text>Photograph of the combination Bell Theatre and Town Hall in early-day Casper, Wyoming. A sign in the window advertises several programs for that evening. The Bruce H. Thompson and Connie F. Bryant Collection is made up of 11 series containing digital scans of print photographs of Wyoming locations, businesses, industries, family photographs, groups, organizations, and events. The majority of the images refer to Casper, Wyoming, in connection with local photographer Fred A. Villnave. Their exact chain of custody is not known, and the collection may contain copies of photographs found in other collections. The negatives/images were brought to the Western History Center for scanning in 2003 but are not physically in the repository's special collections. The majority of the collection is stored digitally and available almost exclusively in electronic format.&#13;
&#13;
Series 1: Casper Buildings, Street Scenes &amp; Homes, 1928 - 1933&#13;
Series 2: Casper City Band&#13;
Series 3: Construction, Plants, Refineries &amp; Railroads&#13;
Series 4: Casper Fire Department&#13;
Series 5: Horse Races &amp; Bronc Riding&#13;
Series 6: Livestock Roundups, Ranches &amp; Homesteads, &amp; Native Americans&#13;
Series 7: Non-Casper&#13;
Series 8: Parades &amp; Celebrations&#13;
Series 9: Pathfinder Dam&#13;
Series 10: Scenic Retreats &amp; Wildlife&#13;
Series 11: Miscellaneous</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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                <text>Image</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="69020">
                <text>Bruce H. Thompson, Connie F. Bryant; Fred A. Villnave</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>ENG</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
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                <text>Bruce H. Thompson and Connie F. Bryant Collection, NCA 01.v.2003.01 WyCaC US. Casper College Archives and Special Collections.</text>
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            </elementTextContainer>
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          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
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                <text>NCA 01.v.2003.01_Series 1_Bell Theatre &amp; Town Hall_02</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
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                <text>JPG</text>
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            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Casper College Archives and Special Collections (Western History Center)</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>&lt;a href="https://caspercollege.cvlcollections.org/collections/show/174"&gt;https://caspercollege.cvlcollections.org/collections/show/174&lt;/a&gt;</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="69027">
                <text>This collection may best be understood as one of multiple origin or provenance. It contains the scans of Fred A. Villnave's photographic prints and negatives. Original formats included glass negatives, negatatives, and photographic prints taken by Villnave. In total, there were 474 photographs that were scanned by the repository in single or mounted together. Folders one and two contain lists recorded on photograph envelopes and other categorized lists as well as scans of Villnave's photographs. In addition to their historical uses, another potential use for these could be for creative writing prompts or purposes.</text>
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                  <text>Bruce H. Thompson and Connie F. Bryant Collection</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
              <elementTextContainer>
                <elementText elementTextId="68967">
                  <text>&lt;a href="http://rightsstatements.org/vocab/NKC/1.0/"&gt;http://rightsstatements.org/vocab/NKC/1.0/&lt;/a&gt;</text>
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              <name>Access Rights</name>
              <description>Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.</description>
              <elementTextContainer>
                <elementText elementTextId="68968">
                  <text>The material in this collection may be reused so long as attribution is provided to its original source.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="56">
              <name>Date Created</name>
              <description>Date of creation of the resource.</description>
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                  <text>1912 - 1933</text>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="68970">
                  <text>The Bruce H. Thompson and Connie F. Bryant Collection is made up of 11 series containing digital scans of print photographs of Wyoming locations, businesses, industries, family photographs, groups, organizations, and events.  The majority of the images refer to Casper, Wyoming, in connection with local photographer Fred A. Villnave. Their exact chain of custody is not known, and the collection may contain copies of photographs found in other collections. The negatives/images were brought to the Western History Center for scanning in 2003 but are not physically in the repository's special collections. The majority of the collection is stored digitally and available almost exclusively in electronic format.  &#13;
&#13;
Series 1: Casper Buildings, Street Scenes &amp; Homes, 1928 - 1933&#13;
Series 2: Casper City Band&#13;
Series 3: Construction, Plants, Refineries &amp; Railroads&#13;
Series 4: Casper Fire Department&#13;
Series 5: Horse Races &amp; Bronc Riding&#13;
Series 6: Livestock Roundups, Ranches &amp; Homesteads, &amp; Native Americans&#13;
Series 7: Non-Casper&#13;
Series 8: Parades &amp; Celebrations&#13;
Series 9: Pathfinder Dam&#13;
Series 10: Scenic Retreats &amp; Wildlife&#13;
Series 11: Miscellaneous</text>
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              <name>Type</name>
              <description>The nature or genre of the resource</description>
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                  <text>Collection</text>
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              <name>Creator</name>
              <description>An entity primarily responsible for making the resource</description>
              <elementTextContainer>
                <elementText elementTextId="68972">
                  <text>Bruce H. Thompson, Connie F. Bryant; Fred A. Villnave </text>
                </elementText>
              </elementTextContainer>
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            <element elementId="44">
              <name>Language</name>
              <description>A language of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="68973">
                  <text>ENG</text>
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              </elementTextContainer>
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              <name>Is Part Of</name>
              <description>A related resource in which the described resource is physically or logically included.</description>
              <elementTextContainer>
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                  <text>Bruce H. Thompson and Connie F. Bryant Collection, NCA 01.v.2003.01 WyCaC US. Casper College Archives and Special Collections.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="43">
              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
              <elementTextContainer>
                <elementText elementTextId="68975">
                  <text>NCA 01.v.2003.01 </text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="42">
              <name>Format</name>
              <description>The file format, physical medium, or dimensions of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="68976">
                  <text>JPG</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="45">
              <name>Publisher</name>
              <description>An entity responsible for making the resource available</description>
              <elementTextContainer>
                <elementText elementTextId="68977">
                  <text>Casper College Archives and Special Collections (Western History Center)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="90">
              <name>Provenance</name>
              <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
              <elementTextContainer>
                <elementText elementTextId="68978">
                  <text>This collection may best be understood as one of multiple origin or provenance. It contains the scans of Fred A. Villnave's photographic prints and negatives. Original formats included glass negatives, negatatives, and photographic prints taken by Villnave. In total, there were 474 photographs that were scanned by the repository in single or mounted together. Folders one and two contain lists recorded on photograph envelopes and other categorized lists as well as scans of Villnave's photographs. In addition to their historical uses, another potential use for these could be for creative writing prompts or purposes.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="46">
              <name>Relation</name>
              <description>A related resource</description>
              <elementTextContainer>
                <elementText elementTextId="68979">
                  <text>&lt;a href="https://caspercollege.cvlcollections.org/collections/show/174"&gt;https://caspercollege.cvlcollections.org/collections/show/174&lt;/a&gt;</text>
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              </elementTextContainer>
            </element>
            <element elementId="49">
              <name>Subject</name>
              <description>The topic of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="68996">
                  <text>Casper (Wyo.) -- Pictorial works; Casper (Wyo.) -- History -- Pictorial works;</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
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      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="69043">
              <text>Photographic print</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Series 1: Casper Homes (Detail), Cunningham Home </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="69030">
                <text>&lt;a href="http://rightsstatements.org/vocab/NKC/1.0/"&gt;http://rightsstatements.org/vocab/NKC/1.0/&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="63">
            <name>Access Rights</name>
            <description>Information about who can access the resource or an indication of its security status. Access Rights may include information regarding access or restrictions based on privacy, security, or other policies.</description>
            <elementTextContainer>
              <elementText elementTextId="69031">
                <text>The material in this collection may be reused so long as attribution is provided to its original source.</text>
              </elementText>
            </elementTextContainer>
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          <element elementId="56">
            <name>Date Created</name>
            <description>Date of creation of the resource.</description>
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                <text>Undated </text>
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            </elementTextContainer>
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          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="69033">
                <text>Detail of a photograph of homes in early-day Casper, Wyoming. Pictured is the Cunningham Home at 1108 S. Center. The Bruce H. Thompson and Connie F. Bryant Collection is made up of 11 series containing digital scans of print photographs of Wyoming locations, businesses, industries, family photographs, groups, organizations, and events. The majority of the images refer to Casper, Wyoming, in connection with local photographer Fred A. Villnave. Their exact chain of custody is not known, and the collection may contain copies of photographs found in other collections. The negatives/images were brought to the Western History Center for scanning in 2003 but are not physically in the repository's special collections. The majority of the collection is stored digitally and available almost exclusively in electronic format.&#13;
&#13;
Series 1: Casper Buildings, Street Scenes &amp; Homes, 1928 - 1933&#13;
Series 2: Casper City Band&#13;
Series 3: Construction, Plants, Refineries &amp; Railroads&#13;
Series 4: Casper Fire Department&#13;
Series 5: Horse Races &amp; Bronc Riding&#13;
Series 6: Livestock Roundups, Ranches &amp; Homesteads, &amp; Native Americans&#13;
Series 7: Non-Casper&#13;
Series 8: Parades &amp; Celebrations&#13;
Series 9: Pathfinder Dam&#13;
Series 10: Scenic Retreats &amp; Wildlife&#13;
Series 11: Miscellaneous</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="69034">
                <text>Image </text>
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            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
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                <text>Bruce H. Thompson, Connie F. Bryant; Fred A. Villnave</text>
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            </elementTextContainer>
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          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
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                <text>ENG</text>
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            <name>Is Part Of</name>
            <description>A related resource in which the described resource is physically or logically included.</description>
            <elementTextContainer>
              <elementText elementTextId="69037">
                <text>Bruce H. Thompson and Connie F. Bryant Collection, NCA 01.v.2003.01 WyCaC US. Casper College Archives and Special Collections.</text>
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            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="69038">
                <text>NCA 01.v.2003.01_Series 1_Casper Homes_01.1</text>
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            </elementTextContainer>
          </element>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="69039">
                <text>JPG</text>
              </elementText>
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          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Casper College Archives and Special Collections (Western History Center)</text>
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            <name>Relation</name>
            <description>A related resource</description>
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                <text>&lt;a href="https://caspercollege.cvlcollections.org/collections/show/174"&gt;https://caspercollege.cvlcollections.org/collections/show/174&lt;/a&gt;</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="69042">
                <text>This collection may best be understood as one of multiple origin or provenance. It contains the scans of Fred A. Villnave's photographic prints and negatives. Original formats included glass negatives, negatatives, and photographic prints taken by Villnave. In total, there were 474 photographs that were scanned by the repository in single or mounted together. Folders one and two contain lists recorded on photograph envelopes and other categorized lists as well as scans of Villnave's photographs. In addition to their historical uses, another potential use for these could be for creative writing prompts or purposes.</text>
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