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                  <text>TH &gt;

{Thoy/art cfe tyrannous, so as'^hou
AsThose whoSrteauties proudly make then^cruel
FyiusteH^th^know’st to my dear doting hear'^J'
^hoy artTEe fairest and most precious jev^. ; ,
YetTin good fmth, soine^^T^^*^
behold,
Thy face hath not the power to make love'jgropT.'
To sa^they err I dare not be so bolcV
Although ^swear it to myself aJoAe. /
And, to be sure that is not false I swe^,
.
/-’/A thousand.^rQaris,^ut thinkipg/in thy face,\^_
• (pir^n anotfier\pec^ do witness bear^
Thy black isf^Ic^stn^m^Jud^ent’s^place.
In nothing^^hojlblackfeave in thy deeds,
1
And thencetlds. {land^) as I think, proceeds.

SONNET 131. 1 SO as thou art being as you are (without such beauty as
is conventionally praised).
a whose beauties . . . cruel who are made
cruel through pride they feel in their beauties. j dear doting (a) ten­
derly^ loving beyond reason (b) foolishly loving to my own cost. 7 To say
to assert publicly. 10 but thinking on when I merely think of. ii One
. . . neck in quick succession. 12 in my judgment’s place in the position—
which my judgment assigns to it. /a this slander i.e. that of line

10

’

3 --

(S-J'XP SONNET 132. 2 torments walker; q; “torment.”
ruth pity. 6 be­
comes adorns.
8 Doth renders.
9 mourning gildon; q; "morning.”
Probably both meanings are intended. 10 as well also, beseem be fitting
for. II doth thee grace makes you beautiful. 12 And suit . . . every
part and dress your pity (in black mourning) like the rest of you. 14 thcK
i.e. other women. /ouZ ugly.
‘ q

■S M &lt;

132

\rPR

I

(/I '
I love, an'i^ they, as pitying me,''
Knowin^hy heart totments me with disdain.
T iHave put ori bl^k and laying mourners be,''
■* Looking with prettyyuthjujx^n niy pain.
And truly not the mor^ng^n pf
Better becomes the^re^cbe^j of tjyf^ast,
Nor that full^ar thjt usl^ers in t
V
Doth hall
As those two mourning eye^ become thy fac
O, let it then "as well beseem thy heart
\ro mourn for me, since ournin
.nd suit thy pity like infever^arL
"hen^ill)! ^ear bea’uty herself^black;
md all they(f^ljthat thy comp@on lack

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              <text>&lt;span class="value-content"&gt;The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in January of 2024.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SONNET 131&lt;/strong&gt;&lt;br /&gt;Could fairest be pun (pro. of Coke) on “first” – “Robt the First”&lt;br /&gt;Exec. wore black as M. wore red&lt;br /&gt;Introduces the Prosecutor of Essex&lt;br /&gt;Raleigh trial 1603&lt;br /&gt;Could this be the Irish atrocities sanctioned by E., commited by 1st L. Essex? (early in E’s life?)&lt;br /&gt;Echo of likeness bet father + son + assass. by E.&lt;br /&gt;Erratic guilty of tyranny—cruelty (not longer beautiful–but also “fair”) her black deeds&lt;br /&gt;Line 3&lt;br /&gt;Heart: “hart” = Essex&lt;br /&gt;Line 4&lt;br /&gt;Jewel: = 1st Lord Essex a Bishop is [illegible] jewel&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SONNET 132&lt;/strong&gt;&lt;br /&gt;K. Grey was major contender for succession 1598–E&lt;br /&gt;1598–E mourns for Burleigh&lt;br /&gt;Cheek must be succession question (but why?)&lt;br /&gt;She does grieve and repent (Sorrow over Essex?) her black for mourning + for successor&lt;br /&gt;Black as mourning (rather than evil) is appropriate&lt;br /&gt;Repentance redeems, endures&lt;br /&gt;Rob. Parsons favored daughter of King of Sp. as successor&lt;br /&gt;Is black a symbol of painting = theatre? Gray is “sweet enemy”&lt;br /&gt;Grey = Is she Arabella Stuart who acc James inv. to live at court?&lt;br /&gt;Line 1&lt;br /&gt;Eyes: Contrasts with non-loving eyes of #141&lt;br /&gt;Line 7: James image of illness + grief&lt;/span&gt;</text>
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