https://caspercollege.cvlcollections.org/files/original/3ee1761ff4f011c4a039cba98f8a48e2.pdf 51396903751b949cd6589137ce7f42e4 PDF Text Text 101. 2 truth fidelity, dy’d stamped. y thou the Muse, digntfted you are dignified. 5 haply perhaps. 6 Truth . . . fix'd truth needs no artificial ornamentation since its colour is natural and perma nent. nent. 7 lay lay on, apply. 8 intermix’d adulterated with alien substance, rz To make . . . gilded tomb i.e. make him immortal by praising him in verse. z_j do thy office perform your proper function. 14 shows appears. /£> A 7k ZC^? ' O truant MusC^hat shall be thy amei>ds , For thy neglect of y;uXh in beauty ^’fl? ■ x^^'MBofh ti;uth and beauty on my love defends; "^i^bsyhou too, and tljerein dignified. I z: Make'answer, Mnse.lAyU't jhou not ha ^^^^^'^^‘Truth needs tm colouiy^th his coht^jJj '' 'Beauty no pencil, beauty’s yuth to la^ But l(es^ is b^j^, if never intey^Ix^^ Jfhou qfe dumb? ’ cause he needs no praise, e noti^enc^o; for’ •in the^ dedhom! make hmimuc] W \ Ahd tb be_prais’d otetgesyeTto be7 C. ' TTpen do th/office^luse. I teach the^Jho:i«C?Tb make ^im seem, long h'fence, as hp sl^o s now, . gj' > love is strength’ned, though re weak in seeming; ve not fe^though fesj (he^oyj^ppear. at love i^m^chandiz’^ whosj icJf^beemingC''^7e owner’s t^Sn^e doth.^ublish'ryerywhere. r love was"’hev^affd then but in the spring, y. enJjii^wpBt'to^greet St with my lays, As ^ilom^jr^n summ^s ^ont doth sing sEOps Ker pipe in gr^th of taper days; N that the summer is fo^leasant wheji her (fiournf^%ymns did^ yush the night, 10 t thakwild tnusic burdens , :ns every bough,t bough, own^ommoryose th^k'dear deligtit. A seeming outwsrd appearance. a appear is evident. ?“■/ love . . . everywhere that love is treated like a merchant’s goods when he who possesses it publicly proclaims its value. 6 wont accustomed. 7 Philomel the nightingale. Although it is actually only the male nightin gale who sings, the classical Philomela was a girl and is always treated by Shakespeare as feminine, in summer’s front at the beginning of summer. 8 her Hausman; q: “his.” pipe voice, in growth . . . days as late sum mer comes. ij But that . . . every bough but because there are song- ■ birds now singing in every tree. There is a quibble on "burden” in the sense of “refrain” of a song. ij som \me from time to time. 14 dull cloy. ^5 102 IO aiise I would not you with my song. 10 � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Annotations on Shakespeare's Sonnets Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Description An account of the resource Scans of a copy of Shakespeare's sonnets containing former Casper College English instructor Margaret Demorest's annotations. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Margaret Demorest, William Shakespeare Language A language of the resource ENG Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Written Annotations Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Sonnet Annotations: Sonnets 101 and 102 Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Subject The topic of the resource Shakespeare, William, -- 1564-1616 -- Sonnets; Sonnets, English -- History and criticism Description An account of the resource The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in January of 2024. SONNET 101 Hugh = color ’91–Hugh O’Donnell escapes from Eng. + begins war (Irish) Late 1397 (p. 203, Lacey) Vere = Truth, To Eliz, He defended Essex in Azores trouble against Raleigh War of Theatres begins 1601 (Exec. of Essex connected?) 1601 John Sh[akespeare?] dies Truth is enough: celebration renewed Line 2 Dy’d: pan: Exec. of Essex Line 13 How: Howard? SONNET 102 D marriage in Dec – possibly memb of Parl. in Oct (dissolved in Dec). Carr becomes Somerset but I don’t know when (was Cecil, first?) Summer must be James I believe Ral. was a nightingale (night?) Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Demorest, Margaret; Shakespeare, William Language A language of the resource ENG, LAT Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets_101_102 Format The file format, physical medium, or dimensions of the resource PDF