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                  <text>XC, SONNET 99. An unusual fifteen-line kmnet. i forward early, spring-’CC"
rebuke. 5 /inde splendour. y grossly obviously. 6 for
for attempting to imitate the whiteness of your hand. 7 tZjy
"”y “can the perfume rather than the colour of his friend’s
!
The comparison of hair to marjoram buds has occasioned much comment.
/ear/aZZy conscious of their guilt. v One malone; q: “Our ”
■ y ly eat ate
ly sweet ssNoet smell. Some editors would read “scent ”

'11
ri ivp’tZXZ/r

Z^NNET 100. r-a IFhere art... thy might Tho poet addresses his

T j;P°" resuming sonnet writing after a lapse of some time, devoted
probably to writing for the stage. 5 fury poetic inspiration (conceived of
conventionally as a kind of frenzy), worthless ignoble.
4 Dark'ning,
diminishing Zend give, base inferior. y straight at once. 6 gent^
’
verse. idZy (a) foolishly (b) uselessly. 7 lays songs. 8
jjf ^^argument
matter. yp resty xii\^MiCiH.
indolent. iU
10 1.^
If to see whether. jz
y'
, subject
J - ------------------------J-° decay write satires on the ruins of time (a conventional
14 So thou prevent'st in that ■way you will forestall.

/

-

&gt;it T|re forwardj/iolet thus did I chide;
thief, whence didst thou steal thyl
smells,
not num
from my xu
love’as bre
±1 iiUL
un, ath? The purplejtrj
&lt;u \i£
jQVl^h on thy sofApheek.Vor complc^on d
—&lt; j Iff my love’s veins thou hasj too\grossly(^y’(
-C
The lily I condemned for thyjiand;
And buds of marioram had stolhi thy hair,
fearfully on thorns did stand^
za &lt;
One blushing shame, another white despair;
A third, nor&gt;;^ nor whitejhad stol n ofTro^
QJ ,
f^d to his^btfry had h^cHh^Jjreath; i
Avf all
D
Tfi^t, for histKeft, in/^idepf
ali hisiPTOW^'v
his/'grow' /
engeful canker ea uh up to dpath.
oul
ers
ted, yet I jho
colours had(stol n om thee.
But sweet

FTthou,(Muse) that thou forget’st so long

^m’st thou thy(fury
some wort
larP^ing dky^ipwA+odend base subiect&lt;J.ig(it
^Aurn, -forgetfi^ Muse Jand strai
ee
so idlM spent
entle num
jfig to the ear tliaT doth thy lay^estbem
nd gives tjiy^ryboth skill and Sgument.
is^ te^^f Musey my love’s^e^face survey,
ha^e^ any wrinkle^r^^ therg.
If any, be aJ&amp;tipe to decay
'
w-^77
And make Time’s spoils desj)ised everywhere.
Give my love fame faster than Time w^es life;

k•
100

101

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              <text>&lt;span class="value-content"&gt;The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in January of 2024.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SONNET 99&lt;/strong&gt;&lt;br /&gt;Check on sp. of marjoram&lt;br /&gt;“marierom” = Mary of Rome?&lt;br /&gt;Has one line too many—a kind of action incident&lt;br /&gt;Essex nearly dies—ill&lt;br /&gt;Line 1&lt;br /&gt;Forward violet: Hamlet is “forward violet” I, iii, 6, 7&lt;br /&gt;Line 13&lt;br /&gt;Vengeful canker: Essex&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SONNET 100&lt;/strong&gt;&lt;br /&gt;About 1600—Essex very ill—Announced death; Prayers in churches, E jealous&lt;br /&gt;1600 Charles I born&lt;br /&gt;Here + next sonnet he tries to reaffirm over-all good of subject&lt;br /&gt;1600 Bruns burned at stake in Rome&lt;br /&gt;Eng is theme (not Eliz.)&lt;br /&gt;Line 1&lt;br /&gt;Muse: Invocation: to return to theme- forgiveness [illegible] reproach&lt;br /&gt;Line 4&lt;br /&gt;Base subjects: vs. royal?&lt;/span&gt;</text>
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