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                  <text>cd (J

•V*

.V

5

ONNET 67. / with infection in an age of corruption^full of the evils
listed in the previous sonnet). 2 grace adorn, make beautiful. 4 lace
embellish. y false painting the use of cosmetics (common among Eliza­
bethan gallants).
6 dead seeing lifeless appearance. Some editors read
y‘seeming,” a plausible emendation, of from. 7 poor inferior, indirectly
rtificially, by imitation.
S Roses of shadow mere pictures of roses.
IO Why should . . , lively veins why should he continue to live since
1 bankrupt Nature is now so poorly supplied with blood That she cannot
produce blushes by means of living veins (but must resoit to cosmetics)?
-J' 11-12 For she . . . his gains ior Nature has no supply of beauty other than
although she boasts of many beautiful persons, she subsists only
\ /^pon his beauty. The implication of this obscure metaphor is that Nature
y uses his friend’s beauty to adorn tEF otK’e'f~Freatures'T)f whom she is
pt^^^roud; what beauty they have is merely a copy of his. 75 stores pre­
serves. 14 these last so bad these present evil days, j

-Ah,
_
fAnd witH~his p/^nce grace impiety
Thalfsr^by him advantage shoul
Apd^S'ceJitsjlf with Ms societ
^^y should falsQT^intin
ivin
irectlv.

duld he/1iv«
y

ture bSnkr

jr she hath
And, proud ofmanyjli

ut his,
he had fjKv-j’

O, him shef^jbres/to -hhow'wha
In &lt;Ja^,lon ifi€e, before these J

'■ e
SONNET 68.
now i.e. in their natural colours (unaided by cosmetics).
iair illegitimate appearances of beauty, born Q: “borne,” which is mean­
ingful in the sense of “worn.” The modern differentiation in the spelling
of the two words was unknown in Shakespeare’s day. 6 The right of.
sepulchres which should rightfully belong in the grave. Wigs were made r
from hair taken from dead bodies, 9 holy antique hours blessed former
les. II green foliage. 15 store pteseiy/e. 14 Art 'ITiy antithesh
.Art andjNy^e was consientional in Renaissance poetry.

'
’

^•3

I- 68

icheekihe
w’d and’died as flowers
i
Ci
fEr werefborffl
J" " vX
fore these
duii^nhalirt
a^Lwqng brow; y
1 4 .'
\
fore the golden tljgss of\the dead,
The right of si
(horn away
o live atsec
eauty sjdea
ue hoars ars seen
.. ornamen Itself a
su
er of nother
inffho old to
IS beau^
/^d him as for dva~[:^dg^O&lt;atun
beauty
69

7

- A

■
\vj- '

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              <text>&lt;span class="value-content"&gt;The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in January of 2024.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SONNET 67&lt;/strong&gt;&lt;br /&gt;General Notes&lt;br /&gt;Fed. ’67—Murder of Darnley (he had smallpox Jan.)&lt;br /&gt;Apr.—Bothwell kidnaps May&lt;br /&gt;’67-Alva prosec. Prob[ably] in Netherlands&lt;br /&gt;Could be metaphor from St. to Essex&lt;br /&gt;Apr. 24—abduction of May—marriage Mary[May?] (Both[well])&lt;br /&gt;July 67 James VI crowned&lt;br /&gt;Mary (’68) abdicates, comes to Engl.&lt;br /&gt;Disillusionment but aware of heroism (former times)&lt;br /&gt;Line 1&lt;br /&gt;Wherefore: Hereford&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SONNET 68&lt;/strong&gt;&lt;br /&gt;General Notes&lt;br /&gt;1568—Philip II executes his son&lt;br /&gt;68 = Catherine Grey dies in childbirth&lt;br /&gt;’68 Mary escapes from Loch Leven; goes to Engl[;] Soon imprisoned in Carlisle&lt;br /&gt;E. sent pkg of rags to Mary who had asked for suitable ornaments at (Eng castle – Carlyle)&lt;br /&gt;Line 8&lt;br /&gt;Gay: Fotherin Gay? (Mary’s wig—execution? Place of—Confined—when?)&lt;br /&gt;Line 10&lt;br /&gt;True: Truth = Loyalty[;] unadorned by false (cosmetics, painting)&lt;/span&gt;</text>
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