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                  <text>21. "In this sonnet th rival poet” makes his first appearance.fl,£,_ i_
Shakespeare compares his own simple style with the ornate and extravagant^^
manner of the poet he is mocking. i Muse poet. 2 Stirr’d inspired.
painted artificial (as opposed to the “natural” beauty of Shakespeare's
inspiration).
every ^air . . . rehearse mentions every beautiful thing C’vf*’
in the world in comparison with the beauty he is praising. 5 couple,
merit combination, compare comparison. 8 in this . . . hems that is&gt;‘5^\r&gt;
enclosed within this sphere of earth (encircled by the dome of the sky).'
12 candles stars.
75 that like . . . uiell who are fond of exaggerated,
econdhand comparisons.
14 purpose not to sell am not a merchant,
lerchants, of course, proverbially overpraise their wares.
Co n V f n't i 0 -I o.^

, 11 Thei^ook?K^^_th my days should/e^iate.
■ t
For all th^t b^a,uty--that doth cover thee^ fP
Is but th&amp;seeij^ r^yment of my heart,'^^^.^^
Whichirtftfy breast
live, as thine in }x(e
Hovy-(^ I then bidder, t
.y So IS It not
^I^hdeforedove, be of thyself so
/
/Stirr’d by a jpaiHted beauty to his v^rse,
a7.i Who heaven itself for ornament dqth use
fair with his^faTr doth rejrearse't
MJ^Jting) a \ouplement of proud compari
itn-sun ^^^___Qoix,-wixh earth and sea’yrh^gems,
Wit V^H^^i^born flotv^s, and all things rare
k«»* That he^v/n's/air/In this huge rondure hems,
let me,\true in love, but truly write.
—
love is asjair
,
IO
°And then
arljy fcioti
4^gh not so bright.(j:
/So
~^As tho^j;ol^^^le^ fix’djn heaven’s^ir.^'i^vji^^' ■
7
them sayfoor^tli^like of hearsay^eliy ■ p
yilljnot^raye that purpose

/VI;
22. The sonnet embodies the Kenaissancgi convention that
lovers have exchanged hearts. i glass mirror, old It was conventional/^',,
since the time of Petrarch for sonneteers to claim old age. 2 So long ...
/
one date so long as you are young. 4 expiate finish, wind up. 6 seemly
raiment beautiful covering.
11 keep so chary guard so carefully
SONNET

Cj-iLt-

assjhall not persuade me I
So lo as youth and thou are of ontTdate;
But wh^Mn die^time’s furrows I behold,

4/i

OU art]

AVv^’^Y
e'^

■
V
'

tendeiAiurse^'her babe from(far)ng ill.
esume not on thy heart when mine is slaim
OU gav’st me thine, not to give back again.

OS

,

O Vi ol

11

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                <text>Scans of a copy of Shakespeare's sonnets containing former Casper College English instructor Margaret Demorest's annotations.</text>
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              <text>Margaret Demorest Sonnet Annotations: Sonnets 21 and 22</text>
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              <text>Shakespeare, William, -- 1564-1616 -- Sonnets; Sonnets, English -- History and criticism</text>
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              <text>&lt;div class="property"&gt;&lt;span class="value-content"&gt;The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives Staff member Grace MacPherson in January of 2024.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SONNET 21&lt;/strong&gt;&lt;br /&gt;Overall Notes&lt;br /&gt;1521 – Henry’s reply to Luther – assertio septem sacramentorum [“The Defense of the Seven Sacraments”—Catholics believe in seven Sacraments, and Lutherans in two.]&lt;br /&gt;’21 Mary Boleyn marries Carey (mistress to Henry now?)&lt;br /&gt;3×7=21&lt;br /&gt;Tyndale plans to transl. Bible into Engl.&lt;br /&gt;’21 Anne B. returns from France to court&lt;br /&gt;Erasmus thinks Henry’s court “a temple of the Muses”&lt;br /&gt;Line 11&lt;br /&gt;Any: Annie?&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SONNET 22&lt;/strong&gt;&lt;br /&gt;First use of word “heart” (3 times here)&lt;br /&gt;’22 – [illegible] betrothal for Mary : Charles V&lt;br /&gt;But Essex has hart insignia I believe&lt;br /&gt;Mary Boleyn affair in early 20’s&lt;br /&gt;Cath. 6 years older than Henry (Mary B. in ’22 – affair)&lt;br /&gt;Lines 8-9: maybe this means he isn’t older except in aging fast if she should show signs of aging&lt;/span&gt;&lt;/div&gt;&#13;
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