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                  <text>been foreseen by the liberals. The common man’s desires far sur­
passed his abilities. No matter how much was taken from the uncommon
man and given to him, he still wanted more. The politicians, wanting to
please the majority, obliged. But soon big government was taking so much
from the uncommon man, he himself chose to be common. He gave up. His
incentive was gone, and now, like in Russia, everyone was equal.
“Certainly there were those who had had the courage to point out
the similarities between Communism, and the direction we were moving.
But they, like me, were quickly branded extremists or crackpots, and were
soon silenced.”
And after all, hadn’t the majority wanted this? When our country was
first formed, he recalled, it was realized that the majority was not al­
ways right, that a democracy would not work. And so a Constitution was
written to safeguard the Republic against the will of the majority, so it
could long endure. But later the philosophy of “the majority is always
right” was adopted along with the concept that all men are equal.
“And today, in 1994, man’s freedom is gone, his incentive, his dignity,
and his individuality.”
The old man looked at the red, white, and blue flag waiving in the
breeze, thought of what it once stood for, and wept.

ONE HAND CLAPPING
A clairvoyant nonentity
That unheard applause
An unblusterous flush of air
That resounds a million times over.

A void and different insolence
That lies unquenched in a gaping world.
The monologue of a revolting and respondent searcher
It is that unconsolable osmosis that no one hears
And it feels for help in an obscene and noxious world.
A blind nothingness flapping its wings toward escapism.

That sound .... a discordance between insanity and extinction.
A false hope in a world of revolving death and destruction
Yet a lucidly painted portrait of a zenith of faith in the unknown.
But
a schizophrenic fissure of a lost mind somewhere
In the vast perplexity and nonexistence of infinity.
This is the sound of

ONE

.......... HAND

of

CLAPPING
—Steve Halverson

�</text>
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    <name>Text</name>
    <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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      <element elementId="7">
        <name>Original Format</name>
        <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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          <elementText elementTextId="81329">
            <text>Print poem</text>
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              <text>"One Hand Clapping"</text>
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              <text>&lt;a href="http://rightsstatements.org/vocab/InC-EDU/1.0/"&gt;http://rightsstatements.org/vocab/InC-EDU/1.0/&lt;/a&gt;</text>
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              <text>The Casper College Archives has archived this story to encourage the use of its Expression Literary Arts Magazines for digital humanities and other related educational uses.</text>
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          <name>Date Created</name>
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              <text>1964</text>
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              <text>Poem published by Steve Halverson in the fall 1964 Casper College Expression magazine.</text>
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          <name>Type</name>
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              <text>Text</text>
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              <text>Steve Halverson</text>
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          <name>Language</name>
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          <elementTextContainer>
            <elementText elementTextId="81324">
              <text>ENG</text>
            </elementText>
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          <name>Is Part Of</name>
          <description>A related resource in which the described resource is physically or logically included.</description>
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              <text>1964 Fall. Expression Literary and Arts Magazine, CCA 04.ii.c.2022.01 WyCaC US. Casper College Archives and Special Collections.</text>
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              <text>PDF</text>
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          <name>Extent</name>
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              <text>1 page</text>
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