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                    <text>Goodstein Foundation Library presents

LIVING LIBRARY
in collaboration with

40th Casper College
Humanities Festival
and Demorest Lecture

The Power
of Play

�welcome to Goodstein Foundation Library's
Living Library!
wnatislt?
Living Libraries present a simple concept in a profound way-instead of checking out a book and reading its story, we invite you

to borrow a person and have a meaningful conversation about their

story. The purpose of the Living Library is to promote conversation,
encourage understanding, and foster a culture of inclusivity.

Participants should expect to encounter perspectives they have
never before considered, viewpoints which differ from their own,
and life experiences that may challenge their own ways of thinking,

all within a safe and positive atmosphere.

Questions
Please feel free to ask any questions you like! Books do not have to

answer anything they do not want to, particularly any questions
they feel are too personal or rude.
Each book has provided some conversation-starter questions,

should you need some help getting started. We encourage you to
think of this experience not as a “Question and Answer,” but as a

conversation.

Thank you for keeping conversations kind, considerate, and
respectful at all times. Please don’t hesitate to ask any library staff
member if you have questions or concerns.

How it works
Read through this catalog so you know what each book will be

talking about, when they will be speaking, and where they will be
located.
There will be 2, 30 minute sessions with a 15 minute intermission.

Books will be paired at 3 locations and one book will speak during
each session.

» «

�Schedule
9:30-9:35: Getting Settled

9:35-10:05: Session 1
10:05-10:20: Intermission
10:20-10:50: Session 2

Table 01 Contents
Location 1
Session 1: Learning to Use Sound as a Healing Vehicle page 4
Session 2; Finding Passion in Adversity page 5

Location 2
Session 1: My Life in the Forest page 6

Session2: Craft Beer; Chemistry + Creativity = Play page 7

Location 3

Session 1: Running with Relics page 8
Session 2: Photo Imaginarium: Curating for Your Soul page 9

�Learning to Use Sound as a Healing Vehicle
by Chis Pfaff, Session 1
A journey that all started around my 40th birthday. Through my 2O’s
and 3O’s, I have been a DJ playing various events and witnessing how
music can control the room. Through the power of music, you may see
someone fall in love with that special someone, break down in tears,
or be filled with joy. It really is special when you can curate music for
an evening and control the energy, emotion, and flow of a room. In my
late 3O’s I developed tinnitus (ringing in my ears). The Dr.’s immediately
wanted to prescribe medication to deal with the tinnitus. I declined
and found meditation was a tool I could use to deal with my newly
developed condition. It was through meditation that I found myself
drawn to the sounds of Himalayan singing bowls and crystal singing
bowls. The meditation and sounds helped lower my stress and learn to
deal with something that others with the same condition find a major
distraction. This directed me onto a path of wanting to shift what I was
doing as a DJ and to use sound as a vehicle for healing. Seeking
mastery, the path led to diverse disciplines—from the scientific
nuances of frequency to the artistry of music therapy and vibrational
medicine. Each lesson was a melody, harmonizing the understanding
of sound's profound effects on the human body, mind, and spirit. By
my 40th birthday I had successfully become licensed and certified in
vibrational sound therapy and started my business called Sacred
Sounds. A sound healing business using singing bowls, gongs, chimes,
and other instruments to orchestrate healing harmonies for self-care. I
have been offering Sound therapy and Sound bath sessions around
Wyoming, Montana, and Colorado since 2019. Holding space for
people using sound, people can find help with relaxation, stress relief,
reduce anxiety, get better sleep, addiction problems and achieve a
better overall wellbeing.
Questions for Conversation Starters:
• In what ways do you think sound connects people across generations,
from children to seniors?
• What do you imagine one hour of intentional rest and play could unlock in

your own life?
• What role has sound or music played in shapingyour own life experiences?
Page 4

t

�Common Misconceptions:
• Sound therapy is just “listening to relaxing music.”
o In reality, it uses specific frequencies and vibrations that interact
with the body and mind on a deeper level.
• You have to be spiritual or believe in mysticism to benefit.
o Sound therapy has measurable effects on stress, relaxation, and
even sleep quality—benefits anyone can experience.
• Only people with major health issues need it.
o Many use it simply for self-care, mental clarity, or as a way to
recharge.
• It’s the same as meditation apps or playlists.
o Live vibrational sound therapy surrounds the body with resonance,
creating an immersive, physical experience.
• It’s “just for adults.”
o Children, teens, and seniors alike can benefit from sound as play and
healing

Finding Passion in Adversity
by Trey Wilhelm, Session 2

My journey out of a small town and into the real world. Working

on a farm as a child, in the oilfield just out of high-school and as
a diesel mechanic and eventually a pilot in the army. All these
careers forced interactions with people 1 otherwise never

would've met taught me what 1 love and despise about being

alive at this point in time, and how to capitalize on lessons

learned.

Questions for Conversation Starters:
• What drove you away from your comfort zone and into
uncertainty?

• How has your time in the military shaped who you are
today?

• What made you decide to become an aviator?
• What made you decide to become a beer brewer?
Common Misconceptions:

• Being a soldier makes you a hero.
• To achieve great things, you must have a great plan.

�My Life in the Forest
by Chad Lore, Session 1
This is the story of a man who played music on the streets of

Europe by day and slept in the forest at night.
Questions for Conversation Starters:
• Did you ever encounter wild animals at night?
• Why would you live like this?

• How much $ did you make on the streets?
• How often did you get arrested?
Common Misconceptions:
• This lifestyle was by choice not necessity.
o There is a difference between life on the road and life
off the tracks.

I Page 6

�Gratt Beer. Chemistry«Creativity=Play
by Ty Martinez &amp; Nicole Martinez, Session 2

The power of play is displayed in brewing creativity, risk-taking,
learning and mastering craft.

Questions for Conversation Starters:

• Have you tried a beer because of a funny name?
• Have you bought a beer because the beer label looked cool,
and hip?
• What is the weirdest beer you’ve ever tasted, and how did it

taste?
Common Misconceptions:
• Playful and sophomoric beer names are not serious beers.

• Traditional beers are more respectable.

�Running with Relics
by Heather Watson, Session 1
She had always been the kind of girl that rescued old photos,

dilapidated books, and all types of ephemera. She travelled far
and wide to junk stores and flea markets collecting bits and
pieces of these small treasures to carry home. One day she

began to make art with her relics. She created new stories and
gave them a second chance to shine. She had discovered a way
to navigate the news of the world, finding solace in her art.

Questions for Conversation Starters:
• Why was she drawn to collect these castaway pieces of
former lives?

• How did this obsession turn to art?
• Why the term relics?
Common Misconceptions:

• The pieces collected are often seen as mere junk.
• Is the work made even art?

Pages

�Photo imaginarlum: Curating lor Your Soul
by Autumn Baker, Session 2

What does play mean in the realm of photography? This book is
a sample of how experimentation holds hands with adventure
creating an addictive relationship. A glimpse into how
imagination can be stretched further, &amp; the benefits of

creativity. It a possible cultivation of a culture &amp; language that
speaks beyond all barriers. Maybe you find your tribe or maybe

you help someone to find theirs.

Questions for Conversation Starters:
• What is the benefit of play in photography?
• What tools do you play with?
• How do you find inspiration for your shoots?
• What advice would you give to someone looking for their

inspiration?

• Do you have a favorite photoshoot or theme?
Common Misconceptions:
• Editing makes the photos better.

• Photoshoots are narrowed to a single time with specific

subjects.
• Creative work should beeffortless.
• You must wait to be inspired before acting. Photography is
easy.

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                    <text>1
Casper College Goodstein Foundation Library Western History Center
Fall 2025 Humanities Festival Traveling Exhibit Development Process
Hanz Olson, Librarian and Archivist

Overview and Credits:
•
•
•
•

Location: Natrona County Public Library
Proposed Date of Installation: Start install on September 17th and 18th
Length of Exhibit after Install: September 27 through October 24
Client-partners: Casper College Humanities Festival and Natrona County Public
Library

Development Team
•
•
•

Curators: Hanz Olson (librarian and archivist) and Hannah Baldwin (CC Biology
graduate and UW-C Biology archivist assistant)
Project Manager: Hanz Olson
Exhibit Developers: Hanz Olson and Hannah Baldwin
o Exhibit Designers: Hanz Olson, Hannah Baldwin, and Eddie Siebert (Casper
College English major and Arts and Humanities institutional repository
assistant)

Goals and Objectives:
Launch a successful contribution to the 2025 Humanities Festival in the form of an
engaging traveling exhibit that aligns and creates avenues for connecting with stakeholders
and visitors.

Interpretive Master Plan:
•

Stakeholders
Casper College Humanities Festival Committee, the Goodstein Foundation Library
and its Western History Center, the Natrona County Public Library, collection
donors, and Casper and outside communities.
Casper College Goodstein Foundation Library and Western History Center
125 College Drive, Casper, Wyoming 82601

�2
•
•

Big Ideas
External Stakeholders
Provide a sampling or archival materials and promote reflective questions through
the curatorial use of the Casper College Archives by showcasing efforts made at
o Capturing Casper College
o Archiving Faculty Interests and Pursuits
o Connecting College Life and Wyoming Culture
External Artifacts:
o Question response forms
Internal Stakeholders
Model Casper College values through the work of developing the exhibit.
o Integrity – Hard work, accountability, trust, open communication, and
respect
o People – Growth, support, personal development, and positive relationships
o Diversity – Thought, culture, and experience
o Forward Thinking – Intentional, innovative, and sustainable planning in the
pursuit of excellence
o Community – Partnership and service
Internal Artifacts
o Documentation of exhibit packages in Western History Center Materials
Pulled for Request and Exhibits Log
o Published Exhibit Development Process Document

Smithsonian-based Anticipated Audience Preferences (IPOPs):
The following IPOPs are applicable to the 2025 Humanities Festival traveling exhibit:
•
•

Ideas: “Visitors seeking conceptual and abstract thinking”
o Archiving Faculty Interests and Pursuits
People: “Visitors seeking emotional connections”
o Archiving Faculty Interests and Pursuits
o Capturing Casper College
o Connecting College Life and Wyoming Culture
Casper College Goodstein Foundation Library and Western History Center
125 College Drive, Casper, Wyoming 82601

�3
•

•

Objects: “Visitors seeking visual language and aesthetics”
o Archiving Faculty Interests and Pursuits
o Capturing Casper College
o Connecting College Life and Wyoming Culture
Physical: “Visitors seeking multi-sensory experiences”
o Connections to digital resources and learning experiences (in-person and/or
remote digital)
o Incorporation of selected leather, metal, technology, Thunderbird mascot,
and wooden objects

Interpretive Hierarchy:
•
•
•
•

Title (label-poster with big ideas): Traveling Gallery Highlighting the Archiving of
Casper College and Wyoming Culture
Big Idea: Featuring a process of restoring what it means to archive an institution
backward from a constantly revolving exhibit space at its doorstep.
Key Messages: The archives of an institution start with but also incorporate
broader communities.
Interpretive Tools:
o Objects
o Thunderbird mascot trappings
o Typewriter and gloves of Margert Demorest’s
o Slide scanner
o Old library cataloging equipment
o Casper College mugs
o Wyoming Mountaineers equipment
o Images
o Public Relations Department
o Interactives
o No audio or visual materials at this time but Digital and Institutional
Repository QR codes and reflective question response forms will be
included.
Capturing Casper College
▪ Casper College Life
▪ Photographs of President Tilghman H. Aley
▪ Thunderbird Rodeo
Archiving Faculty Interests and Pursuits
Casper College Goodstein Foundation Library and Western History Center
125 College Drive, Casper, Wyoming 82601

�4
•
•

Norman Weiss Manuscripts
Margaret Demorest’s Annotated Shakespeare Sonnets

Connecting College Life and Wyoming Culture
• College Life and Wyoming Culture digital page (more
information on landing forthcoming)
o Reflective question forms (see Assessment and Engagement below)
o Text
o Public Relations Department Publication(s)
o Margaret Demorest Papers
o Faculty Manuscripts and Publications

Exhibit Launch Road Map:
Put together the following “packages” for curation in the atrium-gallery of the NCPL:
•
•
•
•

Assessment Package
Digital Curation Package
Engagement Package
Physical Curation Package

Assessment and Engagement:
•
•
•

Requests to research faculty papers sign-up
Requests to research Public Relations Campus and Buildings and College Life
record groups
Responses to reflective questions embedded in the exhibit
o Where do you find the most play in capturing Casper College?
Possible responses:
▪ Athletics
▪ The classroom
▪ College life
▪ The theater
o In your mind, what are the characteristics of a life project?
Possible responses:
▪ Being in the moment
▪ Finding the key to self-actualization and life-long learning
▪ Creating a record of your beliefs, convictions, and values
Casper College Goodstein Foundation Library and Western History Center
125 College Drive, Casper, Wyoming 82601

�5

•

▪ A combination of all of the above
o Have you discovered a connection between Casper College Life and
Wyoming Culture in this exhibit? If so, let us know what the connection is!
Label with link to Museum/ Gallery Studies webpage in the last exhibit case

Concept Design:
The Concept Design included identifying the follow focus panels. Focus panels are the
equivalent of the exhibits overarching and interwoven sections.
The interpretive strategy of all panels is aligned with the incorporation of multiple
interpretive tools as outlined by the Smithsonian. These are Objects, Images, Interactives,
and Text.
1. Capturing Casper College Focus Panel
• Interpretive tools: Objects, Images, Interactives, and Text
• Reflective Question: Where do you find the most play in capturing Casper
College?
2. Faculty Interests and Pursuits Focus Panel
• Interpretive tools: Objects, Images, Interactives and Text
• Reflective Question:
o What is a life project based on to you?
▪ Being in the moment
▪ Finding the key to self-actualization and life-long learning
▪ Creating a record of my beliefs, convictions, and values
▪ A combination of all of the above
• Exhibit Display Cases for Sonnet Writing
o Looking at an example of a sonnet composed using words and images
from the two Margaret Demorest and Humanities Festival display cases,
viewers will have a chance to compose and send in a copy of their own
sonnet using a line-by-line form.
• Reading Room Faculty Papers Sign-up Form
o Margaret Demorest
o Norman Weiss
3. College Life and Wyoming Culture Focus Panel
o Interpretive tools: Objects, Images, Interactives, and Text
o Reflective Question

Casper College Goodstein Foundation Library and Western History Center
125 College Drive, Casper, Wyoming 82601

�6
o Have you discovered a connection between Casper College Life and
Wyoming Culture in this exhibit? If so, let us know what the connection
was!

Final Design Phase:
o Final Packages
o Exhibition Title Poster Label
o Focus (section) Labels
▪ Capturing Casper College
▪ Showcasing Faculty Interests and Pursuits
▪ Discovering College Life and Wyoming Culture
o Captions
o Physical exhibit packages

Measurements
•
•
•

•

Front End
o Western History Center Materials Pulled for Request and Exhibits Log
Internal Formative Evaluation
o Research request transactions (in-person or online)
Internal Summative Assessment
o Published Exhibit Development Process
o Completed Western History Center Materials Pulled for Request and Exhibits
Log
Quantitative and Qualitative
o Faculty Manuscripts and Publications Research Requests (Demorest and
Weiss)
o Responses to Reflective Questions
• On-site or Digital Requests for Access
• Responses to critical questions and exhibition via online forms:
1. Where do you find the most play in capturing Casper College?
2. In your mind, what are the characteristics of a life project?
3. Have you discovered a connection between Casper College Life and
Wyoming Culture in this exhibit? If so, let us know what the connection is!

Casper College Goodstein Foundation Library and Western History Center
125 College Drive, Casper, Wyoming 82601

�7
Question QR Codes:

1.

2.

3.

Casper College Goodstein Foundation Library and Western History Center
125 College Drive, Casper, Wyoming 82601

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                <text>CCA 04.ii..h.i.2025.01_HumanitiesFestival-NCPL_EXDP</text>
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                <text>Casper College Goodstein Foundation Library Western History Center</text>
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                <text>Hanz Olson; Hannah Baldwin; Eddie Siebert</text>
              </elementText>
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                    <text>�PROCLAMATION

WHEREAS, the people of Wyoming
cultural heritage;
WHEREAS,
human expression;

the performing

arts

WHEREAS, our identity as a
State is expressed through the arts;

enjoy

a

rich

are critical
people

WHEREAS, Wyoming is witnessing an
number of creative and artistic activities;

and

as

to
a

increased

WHEREAS, support of the arts has been an ever
growing
partnership
of
federal,
state
and
local
government entities, businesses and individuals;
WHEREAS, jazz is recognized as America's only
indigenous form of music and Casper College has played
a vital roll in promoting this music in Wyoming for
the past 22 years;

WHEREAS,
designating a WYOMING
FESTIVAL WEEK brings together the public
sectors to restate support of the arts;

STATE JAZZ
and private

NOW THEREFORE, I, MIKE SULLIVAN, Governor of
the State of Wyoming, do hereby proclaim February 5
through February 11, 1989, as
WYOMING'S STATE JAZZ FESTIVAL WEEK

and urge that the people of Wyoming celebrate state
jazz festival week and take part in the two days of
activities planned and honor all artists who are
living and working in this state.
IN WITNESS WHEREOF, I have hereunto set my
hand and caused the Great Seal of the State of Wyoming
to be affixed this first day of February, 1989.

Governor

�Jazz Great
Dizzy
Gillespie
our featured
performer

From the beginning of his career, Dizzy Gillespie’s outstanding
virtuosity as a trumpet player and startling innovation as a jazz
musician immediately established his position as a driving force in
the jazz world.
Together with saxophonist Charlie Parker, he co-founded be-bop
music. Dizzy’s post-war collaboration with Cuban percussionist, Chano
Pozo, propelled Afro-Cuban music into the mainstream of American
culture. His contributions have profoundly influenced all subsequent
styles of jazz and all jazz musicians.
Dizzy has served as an ambassador of American culture, touring
the world for the U. S. State Department many times and has just
recently returned from a highly successful tour of Africa.
His career as a recording artist and band leader, spanning over fifty
years, coupled with his brilliant intellect and acute sense of humor
have made him America’s best known and loved jazz performer; a true
living legend.

�Dizzy Gillespie Quintet
The Casper College Jazz Festival will be one of the first domestic
concerts by the Dizzy Gillespie Quintet following their highly
successful U. S. State Department Tour of Africa, where Dizzy was
made a Tribal chief.
The band consists of four internationally acclaimed New York jazz
musicians.
Ignacio Berroa, drums, hails from Havanna, Cuba. He has played
and recorded with Paquito D’Rivera and also featured on Paquito’s
album, “Blowin.”

Well known jazz guitarist, Ed Cherry, has made many recordings
and appearances on television, at festivals and concerts with Dizzy
Gillespie, including the very fine Dizzy Gillespie Jazz in America video,
available from the Song Corporation.

John Lee, bass, is a much sought after freelance musician from New
York, who was most recently with McCoy Tyler’s band.
Sam Rivers, flute, tenor and soprano saxophones, is an innovative
and highly influential figure in contemporary jazz. He came to
prominence in the legendary Miles Davis Quintet of the ’60s. He has
recorded critically acclaimed solo albums featuring such musicians
as Donald Bryd, Julian Priester, and Dave Holland. His many
apearances with Dizzy include the 1987 Nice, France Jazz Festival and
Dizzy Gillespie’s 70th birthday celebration at Wolftrap as seen on PBS.

The Tom Kinser Wyoming State
High School Jazz Festival
The Tom Kinser Wyoming State High School Jazz Festival at Casper
College is the first jazz festival in the Rocky Mountain region, founded
22 years ago by Dr. Thomas Kinser.

Throughout its history, the festival has brought many of the finest
jazz and show choir musicians and educators available for
performances and adjudication including Dizzy Gillespie, Rufus Reid,
Art Pepper, Jack Petersen, Ashley Alexander, Frank Mantooth, Bobby
Shew, Rich Matteson, Dave Freidman, Hugh Ragin, Paul Romaine, Gary
Foster, Gene Aitken, Bill Mollenoff, Dan Goble, Bob Montgomery,
Rhonda Fossum, Rick Weymuth, and many others.

This year’s festival has featured performances and participation by
over 1500 young men and women from Wyoming’s best high school
and junior high jazz bands and choirs which continues to make this
event Wyoming’s biggest and best jazz festival.

�The Casper College Music Department wishes to thank
the following for their assistance:
Frank Hetherington
Bill Landen
Hill Music Company
Swede Erickson
Dan Hill
Lloyd Loftin
Yocum Music Company
Rita Lauthern
Budget Tapes &amp; Records
Bob Price
Casper River Raiders
Lynn R. Munns
Casper Music Company
Greg &amp; Linda Paulson
Casper College Center
Casper Star-Tribune
Casper College Foundation
Rocky Mountain News
Black Hills Bentonite
KTWO
True Oil Company
KTRS
U. S. West
KQLT
Casper Automobile Dealer’s Assoc.
KRMA
State Farm Insurance Agents
KUWR
Chuck Eckerson
Natrona County School District
Zephyr Printing
Wyoming Council on the Arts
Jan Burnett
Laura Burnett
Helen Schindler
Sherry Miller
Alice Wicks
George Melvin
Donna Davis
LaDonna Zimmerman
Victoria Dyrek
Tom Brown
Moselle Kleppinger
United Cable Television

Publication costs have been donated by your local
State Farm Insurance Agents
Burt Butcher
Leigh Fowler
Gene Goodrich
Howard Hein
Max Jones
Larry King

Mike Monterastelli
Gene Monterastelli
Edward McCarthy
Mike Rafferty
Randy Scoggins

IE

CASPER HILTON INN
1-25 AT NORTH POPLAR
CASPER, WYOMING
307/266-6000

�</text>
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                <text>Casper College Jazz Festival Program for the Dizzy Gillespie Quintet</text>
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                <text>1989</text>
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                <text>Casper College Jazz Festival Program for the Dizzy Gillespie Quintet who performed on February 10, 1989. The concert was helo in the Natrona County High School John Welsh Auditorium. This was the Quintet's first United States Concert following the their U.S. State Department Tour of Africa, where Dizzy was made a Tribal chief.</text>
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                <text>Casper College Music Department</text>
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            </elementTextContainer>
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            <elementTextContainer>
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              <elementText elementTextId="67614">
                <text>Kinser Jazz Festival Photographs and Programs, CCA 04.ii.c.1989.01 WyCaC US. Casper College Archives and Special Collections.</text>
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            <name>Identifier</name>
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                <text>CCA 04.ii.c.1989.01_Programs_DizzyGillespieQuintet</text>
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                <text>5 pages</text>
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                  <text>Casper College School of Practical Nursing Memory Book</text>
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            <element elementId="47">
              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="108415">
                  <text>This digital collection contains copies of pages from a memory book created by the Casper College School of Practical Nursing and later the H.E. Stuckenhoff Department of Nursing. Materials added to this memory book include photographs, correspondence, Casper College communications, and other records,</text>
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                  <text>Image; text</text>
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              <name>Creator</name>
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              <elementTextContainer>
                <elementText elementTextId="108417">
                  <text>H.E. Stuckenhoff Department of Nursing</text>
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              </elementTextContainer>
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              <name>Language</name>
              <description>A language of the resource</description>
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                  <text>ENG</text>
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                  <text>H.E. Stuckenhoff Department of Nursing Photographs and Records, CCA 04.ii.b.2026.01 . Casper College Archives and Special Collections.</text>
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              <name>Identifier</name>
              <description>An unambiguous reference to the resource within a given context</description>
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                <elementText elementTextId="108420">
                  <text>CCA_04.ii.b.2026.01_PN</text>
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              <name>Format</name>
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                  <text>H.E. Stuckenhoff Department of Nursing</text>
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                <text>Casper College School of Practical Nursing Logo Design</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="107497">
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                <text>Digitzed copy of a logo designed by the Casper College Office of Public Relations for the School of Practical Nursing. It is thought this logo was designed around 1960. The notes made on this design record indicate that logo was to have gold and white backgrounds, gold lettering, and a red Thunderbird.</text>
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                <text>Casper College School of Practical Nursing Memory Book</text>
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                <text>Casper College Gene Haas Foundation Grant Photograph</text>
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                <text>The Casper College machining, manufacturing, and engineering programs recently received a check for an $18,000 grant for manufacturing scholarships from the Gene Haas Foundation. Pictured l-r Rachel Chadderdon, dean for the Casper College School of Business and Industry; Paul Brutsman, engineering technology and design instructor; John Bonewitz, Machine Tool and Tooling Sales Productivity, Inc., and Katie McMillan, grants office coordinator. They are pictured in front of a HAAS UMC 500 – 5 Axis Machining Center used for machining complex parts. </text>
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