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                  <text>Those lips that Love’s own hand did make
Breath’d forth the sound that said “I hate” -^4^
.V To me that languish’d for her sake;
‘
But when she saw my woeful state,
,
Straight in her heart did mercy come,
Chiding that tongue that ever sweet
Was us’d in giving gentle doom, "
y
And taught it thus anew to greet;
‘‘I hate” she alter’d with an end
That follow’d it as gentle day
Doth follow fught, who, like a fierid^^
From heaven to hell is flown away.
“I ham” from hate away she threw,
AndAsav’drn^life, Uving “not you.”

145. The poem is not a true sonnet, being written in octo­
syllabic lines. Some critics have considered it to be a non-Shakespearean
intrusion in the sequence. i Love’s Cupid’s. 5 Straight at once.
IVas
us'd . . . doom vias accustomed to pass gentle judgments.
8 greet
address me. Ji like a fiend Night is conventionally referred to as the
child of hell. 13 1 hate ... she threw she removed the words “I hate"
far from hatred, thus altering their meaning.
SONNET

SLxvJ

-

'

ii

&gt;

S •

&lt;a-

h
146. I earth body. The analogy of the human body to the
physical earth is a Renaissance commonplace. 2 Fool’d by malone; q:
“My sinfull earth,” which is obviously repeated from the previous line.
)x*^"Malone’s confe'ctiire makes sense, as do various others which have been
. « - made to supply the two missing syllables. K indicates the hiatus without
venturing a guess, rebel . . . array rebellious flesh that encloses you.
\
4 Painting . . . walls adorning the body. 8 charge object of your ex- penditure, the body. 9 upon . . . loss by giving less to your servant, the
body. IO And let .. . thy store and let the body suffer so as to increase
your resources. That bodily privation increased the health of the soul was
an ancient religious commonplace, ii Buy terms ... of dross earn im­
mortality in heaven by giving up sordid hours on earth. 12 without on
the outside.
ij So shall . . . on men in this way you shall conquer
death, which destroys men.
SONNET

146

'

Poor soul, the centre"of my sinful earth,
fA^ool’d by these rebel pow’rs that thee array,--^
'Why,dostithou(^ine^ithin and suffer ^arth.
Painting thy outward walls so costlVg^L^
Why so large cost, having so short a lease,
'
Dost thou upon thy fading mansion spend?
Shall worms, inheritors of this@:ess,H
Eat up thy charge? Is this thy body’I'end?
/
/Then, soul, five thou upon thy servant’s Idss, '

5

IO

Buy terms divine in selling hours of dross;
Within be fed, without be rich ho mpre.
So shaft thou feed on Death, that feeds Anrruen, &gt;
X And Death once dead, there’s no more dying then. / J

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              <text>&lt;span class="value-content"&gt;The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in February of 2024.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SONNET 145&lt;/strong&gt;&lt;br /&gt;Perhaps impr. 1601–E saved him&lt;br /&gt;Temporary end of “eclipse” (Bacon letter) as E “agrees” to send Essex to Ireland?&lt;br /&gt;Facing: hatred + mortality&lt;br /&gt;Code of rebellion&lt;br /&gt;Reconciliation possible (but rebellion hidden)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SONNET 146&lt;/strong&gt;&lt;br /&gt;1599–pious Es. ill–funeral bells&lt;br /&gt;Globe theatre opened ’99&lt;br /&gt;Religious melancholia for Essex (recurrent but strong at end)&lt;br /&gt;Remuneration of flash[?]&lt;br /&gt;Death faced (avoid in 1st part)&lt;br /&gt;Body is servant to soul here–pine in Tempest (Ariel’s prison)&lt;br /&gt;Line 9: mourners feed his spirit[.] Perhaps this is of Essex&lt;br /&gt;Lines 13-14: Donne poem [Likely referencing the sonnet “Death, be not proud” by John Donne.]&lt;/span&gt;</text>
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