https://caspercollege.cvlcollections.org/files/original/5ec47550099c8cbfc2006f2f557af6da.pdf 0d33dd5afd4c6f61760c16852f18ef4a PDF Text Text SONNET 133. / Beshrew curse (in a mild sense), 4 slave to slavery enslaved to the enslaved condition of his friend, 5 Me from . . . taken your cruel eye has taken me away from my own true self. 6 J nd my . . . hast engrossed and my true friend you have even more securely cap tured to keep entirely for yourself. 8 crossed thwarted, afflicted. 9 ward guarded cell. The notion of the lover's heart as imprisoned in the bosom of his mistress is a conventional one. 10 my friend’s . . . bail let my heart free my friend's heart by serving as your prisoner in its place. 11 keeps me holds me prisoner, his my friend's, guard protector. 12 Thou canst . . . my fail you cannot then make my imprisonment seem severe to me. 15 pent locked up. 14 Perforce {sl} by force (b) of neces sity. in me in my heart — i.e. my fri^d, whom you thus imprison also by imorisonine me. . . L , >• 33 ^0"? SONNET 134. The sonnet plays on the trouble meanings of legal ternw^ relating to the lending of money. i now now that. 2 mortgag’d to thy will pledged to satisfy your lust (and liable to forfeiture if I do not). 5 so on condition that, that other mine my friend. restore give back. still in the future. 5 wilt not will not give him back to me. 6 kind (a) compliant (b) natural — in his sexual desires. y-8 He team’d . . . doth bind he was merely taught to underwrite, as my surety, my bond of indebtedness to you, which now binds him as securely as it binds me. 9 The statute . . . wilt take you will take the full forfeiture (both my friend and me) provided for by the bond which is your beauty (and the enjoyment of it). 10 put’st . . . use who will lay out no part of your beauty except at interest. jj came who became. 12 my unkind abuse your cruel deception of me. 14 He pays ... not free although he pays the entire debt (satisfies your lust completely) I am still not free from my obligation to vou ' . -a Beshrew that heart that inaKes myhi t to groan at deep wound it giyes my frien^ and me! Is’t tot enough to torture me alone.. B.utBlave to slavery my sweet’St friendpiust iieJ ■ V^Me fimm myself thy cruel eye hatK taken. eQt self thou harder hast engrossed, iself.andtheej^m forsake /■ A torment^rice tjireefold j^us to crossed.; / Priran my neartin ^hy steel bosom’s war But i^en^hy friend^l^ ’f poor heart le oe’er keeps me, eart be his guard: canst not theri use rigour in my jail. Ayid yet thouiwUt) for I, being pejit in tjiee, rforce am thine, and all that is ii now I have coji(gs£^ that he is thi: d I myself am ort^ag’d to thy will? forfeit, so that other mifle^ ^twe to be my comfort still. \ wlft not, nor he will jiot-be free For thou art covetous, andbe_U.kind^ e learn'd hut &urd;ty-like 0 wrif^or nib->, nder that^rond Ithat him as fa^ dpih bind statute of thy beauty thou(wilt fake, usure that put’st forth ^Jo us^ nd^ue^ friend came deHor for my sake: i hmT ose rough my unkinTa thou Him ha ___ hast both him nd me: e pays the whole, and yet am I not ee ’135 V W k-c . t � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Annotations on Shakespeare's Sonnets Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Description An account of the resource Scans of a copy of Shakespeare's sonnets containing former Casper College English instructor Margaret Demorest's annotations. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Margaret Demorest, William Shakespeare Language A language of the resource ENG Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Written Annotations Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Sonnet Annotations: Sonnets 133 and 134 Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Subject The topic of the resource Shakespeare, William, -- 1564-1616 -- Sonnets; Sonnets, English -- History and criticism Description An account of the resource The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in January of 2024. SONNET 133 Has “eye” become symbol by now of E’s gov.? Maybe eye = ēē = E. = Eliz – I also? Iago 33 = age of Ess.? Yes; he dies at 33 “To give comfort” is (I believe) to aid a rebel Line 2 My friend and me: Southampton + Essex Line 7 Of him, myself, and thee: triples Line 8 Crossed: transmutation of Acteon? Or Blount + Essex SONNET 134 Essex calls South his other self in letter [illegible] before Irel. 84–Death of Alencon (It is Eliz. speaking to Time about Essex) Perhaps his “confession” gets South. Freedom! Line 11: Perhaps Essex pleading that S is implicated only because of his influence; better theory here on South regretting Essex– Perhaps regret that Essex dies + South in prison – while Sh the voice of the same love, goes free (but not wholly) Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Demorest, Margaret; Shakespeare, William Language A language of the resource ENG, LAT Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets_133_134 Format The file format, physical medium, or dimensions of the resource PDF