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                  <text>mind. 2-4 And that ... is out and that (my eye) which directs my steps
abandons his duty, and although seeming to see is actually blind. 5 iorm
impression, image. 6 latch catch sight of (malo.ne: o: “lark"\
7 0/ his
... no part the mind does not share in its (the ey?^ fleeting visions.
8 Nor his . . . doth catch nor does the eye retain what is caught within
its view. 9 rud’st most uncouth, gentlest most noble. 10 javour appear­
ance. /2 to your feature so as to resemble your form, zj Incapable of
unable to receive.
z^ true faithful, mak'th mine eye t.rTrsnhs- q;
“maketh mine vntrue,”

A^d that which governs me to go ab
Di)th part his function and is gartl£
^Seems seeing, but effectually is out;
^oj- it n^^OT^ delivers to th^ hear
Of bird, of flow’r, op^hap^-whicElfdoth latch;
iof his quick object^ath.-the mind no^pa^
Wor his own vision holds what it doth catc
creature.
The most', sweet ifavo’
The mountaiq or th^^,
,
Tfhe crow ^r d'ot^lk shapes them to your feature^.
/^capable of more^ replete with you,
' ’A
My most true mind thus mak’th mine eye untrug^-.,^ (y

Air.
SONNET 114. z crown d with you filled with the joy of possessing you.
.f alchemy transformation (of lesser sights into your appearance, as the
alchemist transforms base metals into gold). 5 things indigest shapeless
things. 6 chettibins angelic shapes. 8 As fast . . . assemble It was be­
lieved that the eye gave forth beams; objects became visible t?hen they
were touched by these beams. zo great full, most kingly Flattery was
the vice to which kings were believed most susceptible.
zz what with
• greeing what is most agreeable to the taste of my mind. Z2 to his
. . . cup tastes from the cup as a king’s official taster was required to do.
25-7^ 'tis the . . . first begin the eye’s sin is the less in that he has given
the mind something he himself has tasted and enjoyed.
.-7 x
Av

XXt \__ /''I I nA
■"Or whether doth m/mind^ being crown'd with you,
Drink up the monar^^^a^]^ this flattery?
Or whether shall I say/mineieye^saith tru
And-that your love tajUght it~ffiis ^l^emy,
^4jSuch cherubins as y^uj&lt;sw^self resemble,
'
Creating every bad"/a perfect best
As fast as objects t^ hijJjeams assemble?
is(thefir^'Ti^atf^i^ my seeing,
mv~great (mjnS^Tmo^ kingly drinks it up.
e.tyTVvzh knmvs what with his gust is g^ing,
t^i^afat€.^th prepare the cup.*'
it be'^^on/^his the lesser sin
hat mi^^y^oves it amTHotlTfirst begin.^qi

7

v '*'* .fi

,

''

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                <text>Scans of a copy of Shakespeare's sonnets containing former Casper College English instructor Margaret Demorest's annotations.</text>
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              <text>Shakespeare, William, -- 1564-1616 -- Sonnets; Sonnets, English -- History and criticism </text>
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              <text>&lt;span class="value-content"&gt;The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in January of 2024.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SONNET 113&lt;/strong&gt;&lt;br /&gt;1613(!)--festivities of marriage of Princess Eliz. included fireworks: some were hunting hounds pursuing a hart–Also a great sea battle was staged–Christians against Turks, with “divers… maymed and hurt” and “one lost both his eyes.” The next stanza 114–includes “Palate” as if referring to the groom[?]--from the Palestine[?]&lt;br /&gt;Line 5&lt;br /&gt;Form: foreign&lt;br /&gt;Heart: Cath. Parr?&lt;br /&gt;Line 10&lt;br /&gt;Deformed’st: Poem by E. on deformed&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SONNET 114&lt;/strong&gt;&lt;br /&gt;In 1614 the poisoning of Lord Overbury takes place&lt;br /&gt;Bibl. Echo in “doth prepare the cup[”] (Last Supper?)&lt;br /&gt;Is this period of writing against Jesuit and Catholicism at James’ order?&lt;br /&gt;About ’35–Mary fearful of poison. Her ill-suspicions possibly center of plot–[illegible] marry Pole–[illegible] war. Anne’s alchemy feared–&lt;br /&gt;In 1614 Overbury was poisoned by Lady Essex + Somerset–D. used as lawyer&lt;/span&gt;</text>
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