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                  <text>IS- J

S7--

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p. i’ll
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.
1-2 If there be .. . been before The cyclical theory of
P
_____ • that everything which occurs in the present has occurred before,
is a classical notion which Shakespeare may have encountered in various
places, that everything. 2 beguil’d cheated. 7 labouring for tnventwn
searching for new subject matter. ^-4 bear amiss . . . former child give
/,
birth mistakenly or improperly (miscarry) to a child which has already teener
bom before. 5 record memory. 6 courses of the sun years. 7 antique^!
ancient. » mind . . . done thoughts were expressed in writing.
10 To
V
this . . . your frame to your physical body, so wonderfully constructed.
_?
I Whether . . . they whethet we are improved (over men of that ancient
X
me) or whether they were superior to us. 12 whether . . . same whether
V^'
*
constant movement of time (historiral cycles) leaves^ mankind un.^X^-^y^^changed. 27 wits men of intellect. i 7
'

*'’^’’2^there be nothing new, but th^
kz-^l^ath been before, how are ou
’ ^^^guil’d,
hi 55^.
Which,^bouHVig fo^inventior^ ar
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ar ami
ami
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t^at j?ecord could with aQiackward look) A
lewfuofion^rdays
"
of five hundred coursesbLthe
/st^
&lt;
worse
have
giveyi
admiring^ra^se.
how me your imaged?! some antique|boi
SlHce^intTat first in character was^im^i
3^at I might see what the oldAvorli^u
this composed’^^ond^of yourjframe^^ J
lether w^re mended, whe’r^etter they^j/
whethe^^olution __ the sam_

'i
SONNET 60. ./ sequent successive, forwards do contend move Steadily
forward.
5 Nativity . . . light the newborn child, once it moves into
the sphere of light.
7 Crooked eclipses malignant celestial influences.
8 confound destroy.
9 transfix . . . youth destroy the ornamentation
with which youth is adorned.
10 delves the parallels digs the creases.
11 rarities
. truth choicest features of nature's most perfect creation.
IJ times in hope future times.

‘V

Like as the waves make towards the pe
So do our minuteTEasten to them end;
Each changing place with that which goes before,
nt toil all forwar^dcX^o^teml.,
ativit oncd in th^main|bT light,”'®'*'^rawls tolmaturuv, wherewjjh being
Srooked ec
ijEound,
Tjime doth(transhxjhe flourish set on y
yy.,-, rxK'e' And delvesphe^arallel^ in beauty’s b
'vJF^eds on the rarities of nature’s truth, ■

10

£a^O4u’
(S'—

And yet to times in hongmy verse shall stand,
Praising thy worth, d^pit^is cruel hant^

V

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61

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              <text>&lt;span class="value-content"&gt;The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in January of 2024.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SONNET 59&lt;/strong&gt;&lt;br /&gt;General Notes&lt;br /&gt;1559 Henry II orders heresy stamped out in Scotl&lt;br /&gt;1571 Anjou professes devotion to “the rarest creature that was in Europe these 500 years”&lt;br /&gt;1559-500=1059 (King Arthur?)&lt;br /&gt;Mathilda—only female ruler [Matilda lived from 1102-1167, and was the wife of Geoffrey Plantagenet, count of Anjou. After her brother’s death, she was heir to the throne of England, but was unpopular and therefore never crowned.]&lt;br /&gt;Mary of Guise dies + Treaty of Edinburgh&lt;br /&gt;Lines 5-8: How do you compare with other great ones of the past?&lt;br /&gt;Line 12&lt;br /&gt;Revolution: ’59—Revolt in Scotland: John Knox&lt;br /&gt;Be the same: Semper Eadem (theme of this sonnet) [Semper Eadem, meaning “always the same,” was the motto of Anne Boleyn, primarily known because it was also used by her daughter Elizabeth. It was at some point adopted by Leicester as well.]&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SONNET 60&lt;/strong&gt;&lt;br /&gt;General Notes&lt;br /&gt;Sc[otland] abolishes Cath[olicism]&lt;br /&gt;1560—Amy[?] Robert’s death + scandal&lt;br /&gt;1559-60—Jasper Haywood transl. Seneca’s Tragedies&lt;br /&gt;Death of May of Guise—June 10—1560&lt;br /&gt;60—Hertford + Cath. Gray secretly marry&lt;br /&gt;Time’s cruel hand is not only in future, but showing, presently, her [Elizabeth’s] defects[.] Yet he praises.&lt;/span&gt;</text>
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