https://caspercollege.cvlcollections.org/files/original/b3bc26053399048502f7ed113132f77a.pdf e5d064ee4090e792f459a0fc39b68855 PDF Text Text SONNET 23. I an unperfect actor an'actor who has not yet learned his part. 2 with by. besides out of. Or some . . . own heart or like a savage beast who finds that his passion by its very intensity makes him incapable of expressing it. 5 for fear of trust afraid of overconfidence, of trusting too much in my own ability. 6 perfect . . . rite exact words appropriate to love’s ritual. 7 decay weaken, falter. 9 looks capfi.l; q: “books.” 10 dumb presagers His looks are likened to the dumb shows which often preceded the dialogue in old plays. They were pantomime enactments of the coming scene. 12 that tongue i.e. of the “rival poet.” that more . . . more express’d that more fully has expressed more of your perfections. 14 belongs . . . wit is a characteristic of love’s fine powejgf^. of perception. ! 6'^'6 SONNET 24. I'^stell’d^xed (capell; q: ‘ ^eld,” which is retained by some editors as meaning “engraved”). 2 t( ble board on which a picture ■was painted. 4 perspective (3) when seen f •om the proper angle (b) when seen as through a perspective glass. The w< rd is accented on the first syl lable. 7 shop workshop, studio. 8 his ts. glazed covered with glass. IJ this cunning want lack this skill, grace j^hance. ^^Ayan unperfe^agto^n the stage , V Who with hij^^^s put besides h Or some'^erce in^ replete with too muc Whose stfen Ji’s abundance weakens his own So I, for f trust, forget to]say — 1 The perfect ceremon j^of Tove’^iteJ Ansij itt rnine own love’s strengtf( seeip to __ ' ’ with burd^ of mine own love’s might. . B^be then the eloquence jo/***”^ presagers ofi, my speating breast; ijVho pieaid Vor li^ire, and look for reco ense.’ yfoi^than tn^ tongue t^at linore |iath,^[or i ess’d. m read jVhat silent love hatnwri ath flay’d tpe painter and hath stell’d Thy beauty’s form in talBle oFmy l^emix My body is the ^ame wherein ’tis held, ) t And perspemve it is best painter’s artr ' Ipr through the paintet must_you^ee^is ikil o find where your trudjmagelpicVhr’d lies, Which in my bojom’s)shop|s hanging still, prhat hath his'.windows glazed wiith thin fjjQW-See what good turn^jeyes fo/eyes|h; ^ine(^^^^ve(Hrawh~~&h^ sha^,jand thine for me Are wiiidoWs tQmij^Si*ealt,~wheyethrough the sui^ Delights to p^p, to gaze thereih on thee. -Ve(^y^:^is cunning want tp/grac^their The'^raM but what the ‘ not the heant osN fG bum 25 if" CS looeJ ' 1/ 'o<s4k IO � Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Annotations on Shakespeare's Sonnets Rights Information about rights held in and over the resource <div class="element-text five columns omega"> <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0/</a> </div> Date Created Date of creation of the resource. 1968 Description An account of the resource Scans of a copy of Shakespeare's sonnets containing former Casper College English instructor Margaret Demorest's annotations. Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Margaret Demorest, William Shakespeare Language A language of the resource ENG Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets Format The file format, physical medium, or dimensions of the resource PDF Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Written Annotations Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Margaret Demorest Sonnet Annotations: Sonnets 23 and 24 Rights Information about rights held in and over the resource <a href="https://rightsstatements.org/vocab/NoC-US/1.0/">http://rightsstatements.org/vocab/NoC-US/1.0</a><a href="https://rightsstatements.org/vocab/NoC-US/1.0/">/</a> Date Created Date of creation of the resource. 1968 Subject The topic of the resource Shakespeare, William, -- 1564-1616 -- Sonnets; Sonnets, English -- History and criticism Description An account of the resource The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in January of 2024. SONNET 23 Parl. of 1523 – skilfull [sic] Speakership of Commons – More (1st parl. since ’15) Morton also an ecclesiastic under Henry VIII Beloved’s “eyes” are erroneous Master’s[?] eyes are incomplete Line 6 Rite: relig[ious] SONNET 24 Hanging glazed eyes windows – breast draw (+ quarter?) (public hanging - ? Jesuits) “Shop” is Eliz. slang for “imprison,” used esp. for spies + informers Picture of E. + eyes + ears – on dress Eyes = Leic. Line 1 Stell’d: Could be pun on Stella—the Sidney model satirized sometimes here Type The nature or genre of the resource Text Creator An entity primarily responsible for making the resource Demorest, Margaret; Shakespeare, William Language A language of the resource ENG, LAT Is Part Of A related resource in which the described resource is physically or logically included. Margaret Demorest Papers, CCA 10.2011.01 WyCaC US. Casper College Archives and Special Collections. Identifier An unambiguous reference to the resource within a given context CCA 10.2011.01_Demorest_Sonnets_23_24