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                  <text>' 1*1 ! '

thou the lion
heiijjytjfi ^weet b
piake
___
__
Plpcl/the keen teeth from the fierce ti;isef*s ii
urn the long-liv’djjhtenb^in hi

devoPr
. brood take bick within herself We beautiful
..things (here primarily the flowers) which have sprung fr^ her.
phcenix a mythical bird which, after having lived for many centuries,
bursts into fire and is reborn out of its own ashes. It was a conventional
symbol of immortality, in her blood alive. 5 fleets dyce; q: “fleet’st.”
Both were common Elizabethan forms. 10 antique (a) ancient (b) antic,
grotesque.
ii untainted (a) untouched, unsullied (b) uninjured. To
"taint” was to “hit” in the sport of tilting.
12 beauty’s . . . men
model of perfect beauty to be admired by succeeding generations.
13^^ '
wron? iniurv."^^

dCH^vlmte’ef ‘Hiouwilt, swift-footed Time,
the wide world and all hfir-feding hweets|_ \
lit I forbid thee one mos/hemoAiirmcl
O,! carve not with thyhoursmy love’s fair brow
r~ draw no/lines [therej.with thine antiqu^
m in thy course untainted do o
r beauty’s pattern(toEucceedin^me
...
' worst, olcPTime!
- -Dds it^thy wrtii
My love shall in my versqeverllive

iS

SONNET XU. in tnis sonnet tne poet affirms the’masculinity of his
friend and disclaims any homosexual interest on his own part. i with
Nature’s . . . painted ot natural beauty, not aided by cosmetics.
2
master mistress mistress who is a man (as opposed to the female mistressesj
of other sonnet writers). The point is that his friend’s beauty is causing
the poet to address him as other poets address their mistresses, but he is,
in fact, a man and the poet’s master, passion love. 5 rolling passing
from one object to another. 6 Gilding The metaphor rests upon the
notion that the eye exuded beams upon objects in its sight. Like the sun,
his friend’s eye gives forth beams of gold. 7 A man . . . his controlling
a man whose form (hue) may set the standard by which the forms of other
men may be judged. By “hue” is meant the peculiar combination of
^Shumours within the body which was believed to determine the total
human being, both in physique and personality. 8 Which who. II de­
teated defrauded. 12 to my . . . nothing of no use to me. ij prick'd
/thee out selected you especially (with the obvious quibble),
^employment tor sexual purposes.

Z. .

Oman’s fa^eTr^^ Nature’s oj^ harnH pfiintp.d
Hast thou, t^ei;^^er^mis^ess):i^^y passionj
A woman’s^entle heart, bu^ot acquainted
J" With shif^ng change, as is false women’s fashion;
X
An_£yeAore bright than their s,^e^t^lse
^Idingjhe objectXdjereupon it gazet^;)
A man in f^u^ljjXu^n his controlling,i
WhTdTsteals mei??J^^nd woprenjs souls amazeth.
And for a woman wert thou first created,
Till Nature as she wrou^t thea feM a-dO^gJ* ^5, &lt;
And by addition me of thee'"defeated
By adding one thing to my purposein^thingX '^2 '
But since shejirick’d thee out for wt^nenjs pleasure, (
Mine be thy love,^nd thy love’s'u^heir treasure.

.

Ji.c

&lt;■'2-^ &lt; ZiAi«^‘’’'‘&gt;

■

-ftn
21

»&lt;

) L .

k

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                <text>Scans of a copy of Shakespeare's sonnets containing former Casper College English instructor Margaret Demorest's annotations.</text>
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              <text>Margaret Demorest Sonnet Annotations: Sonnets 19 and 20</text>
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              <text>Shakespeare, William, -- 1564-1616 -- Sonnets; Sonnets, English -- History and criticism</text>
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              <text>&lt;span class="value-content"&gt;The following transcription of Demorest's annotations was selected and transcribed by Casper College student and Archives staff member Grace MacPherson in January of 2024.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;SONNET 19&lt;/strong&gt;&lt;br /&gt;Overall Notes&lt;br /&gt;Is Essex here compared to base son of Henry?&lt;br /&gt;1519 Emperor dies; Henry is candidate Ch. wins&lt;br /&gt;1559 coronation?&lt;br /&gt;Ascension Day = 19th? (Annual Celebr.)&lt;br /&gt;Elizabeth Blount bears son to Henry&lt;br /&gt;But [Queen] Eliz. could be lion—because [illegible] symbol of Eng.&lt;br /&gt;She is also Phoenix&lt;br /&gt;Phoenix is close to identity poems&lt;br /&gt;Line 8&lt;br /&gt;Heinous: henry? [sic]&lt;/span&gt;</text>
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